SKU: CA.5050149
ISBN 9790007224196. Key: C major. Language: Latin.
One of the most important masses of the pre-classical period, and one of the earliest examples of symphonic church music, published for the first time. Score and part available separately - see item CA.5050100.
SKU: HL.51489061
UPC: 840126932836. 6.75x9.5x0.22 inches.
The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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SKU: HL.51489062
UPC: 840126951950. 6.75x9.5x0.263 inches.
The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. To this day, the G-major symphony, first performed in March 1792, numbers among Haydn's most popular works. It owes its English nickname “Surprise” to the striking tutti chords in the Andante, which apparently caught the audience off guard. Haydn had consciously incorporated this effect at a later stage - and was thus subsequently also perfectly willing to authorize this nickname that had been dreamt up by a London musician. This popular work also spread rapidly through German-speaking countries, where it is still firmly established in the repertoire as the “symphony with the drumbeat.” This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
SKU: HL.48187896
UPC: 888680849801. 5.5x7.5x0.291 inches.
Wolfgang Amadeus Mozart: Concerto No.18, KV482 in B flat major (PH262) (Piano & Orchestra).
SKU: PR.ZM17920
UPC: 680160648887.
SKU: HL.48181792
UPC: 888680864200. 9.0x12.0x0.028 inches.
With Cadenza by F.Caratgé.
SKU: HL.49009744
ISBN 9783795761424. UPC: 841886017924. 5.25x7.5x0.152 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: CA.2741003
ISBN 9790007254797. Key: C major. German/English.
Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.
SKU: CA.3119757
ISBN 9790007245030. Language: German/English.
Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.
SKU: CA.1036000
ISBN 9790007025472. Key: C major. Language: German.
