Te Deum, H.146

SKU: BR.EOS-8042-20

ISBN 9790004789704. 8.5 x 11.5 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: BR.EOS-8042-16

ISBN 9790004789681. 8.5 x 11.5 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: BR.EOS-8042-26

ISBN 9790004789711. 8.5 x 11.5 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: BR.EOS-8042-11

ISBN 9790004789667. 8.5 x 11.5 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: BR.EOS-8042-19

ISBN 9790004789698. 8.5 x 11.5 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: BR.ED-12601

ISBN 9790220119262. 7.5 x 11 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: BR.EOS-8042-15

ISBN 9790004789674. 8.5 x 11.5 inches.

Of the four surviving settings of the ,Te Deum' by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.

Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.

Nac h der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles.

SKU: HL.49010283

ISBN 9783795767228. UPC: 073999332742. 7.5x10.5x0.26 inches.

For SATB Chorus with SSATB Soli and Orchestra. Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et tres guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maitre de musique since 1687.

SKU: CA.2103214

ISBN 9790007198305. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: CA.2103205

ISBN 9790007240868. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

SKU: CA.2103212

ISBN 9790007198282. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: CA.2103213

ISBN 9790007198299. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: CA.2103211

ISBN 9790007241407. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: CA.2103203

ISBN 9790007186142. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200.

SKU: CA.2103219

ISBN 9790007241414. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and parts available separately - see item CA.2103200.

SKU: CA.2103231

ISBN 9790007241421. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: CA.2103215

ISBN 9790007198312. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: CA.2103200

ISBN 9790007186135. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on.

SKU: CA.2103249

ISBN 9790007241438. Language: Latin.

In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score and part available separately - see item CA.2103200.

SKU: FL.FX073626

Instruments:Win d Quartet: 1 Oboe 1 F Horn 1 Hautbois 1 Bassoon; Difficuly Level: Grade 3.

SKU: FL.FX073623

Instruments:Flu te Quartet: 1 Piccolo 3 Flutes; Difficuly Level: Grade 3.

SKU: FL.FX073621

Instruments:Bra ss Quartet: 1 Bb Trumpet 1 F Horn 1 Trombone 1 Tuba; Difficuly Level: Grade 3.

SKU: FL.FX073625

Instruments:Str ing Quartet: 2 Violins 1 Alto 1 Cello; Difficuly Level: Grade 3.