SKU: HL.14005381
ISBN 9781844490158. UPC: 884088429232. 8.25x11.0x0.045 inches.
This version of the work, composed for Children's Voices, Piano and Percussion, was commissioned by the Young People's Chorus of New York City. Conductor's Score and Percussion Parts are available from the Publishers. Text: Peter Porter.
SKU: AP.50892
ISBN 9781470666477. UPC: 038081585079. English.
Set in the Dorian mode, Crusade, by Vince Gassi, opens with a foreboding theme and develops with vibrant and dramatic energy. It conjures images of strength, majesty, and passion. It continues to build throughout, culminating with a powerful, climactic ending. This FLEX title will add just the right amount of intrigue to your next concert! (2:10)Percussion Accompaniment Track Downloads: with click without click
SKU: BA.BA04081
ISBN 9790006497782. 33 x 25.8 cm inches.
In his libretto for “ Riccardo primoâ€, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno †which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro†and “ Admeto †for them. He began composing “ Riccardo †in spring 1727, completing the first version on 16 May. However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears. From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion†¹â€™ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CL.012-3692-75
Full of cinematic grandeur and epic style, Return of the Crusaders provides an exciting and effective vehicle for your next concert. Gorgeous melodies, rousing themes, and effective changes of mood and character portray the crusaders and their quest. The ample percussion parts provide sparkle, and power the bold themes of the piece, which are balanced by the beautiful lyrical melodies that are also present. An especially effective piece for contest, take your audience on a trip to the ancient world with Return of the Crusaders..
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: AP.26701S
UPC: 038081290386. English. Silesian Folk Song.
James D. Ployhar has transformed this hymn-tune into the march that it was originally intended to be. According to legend, this hymn was sung by German crusaders on their way to Jerusalem. Credited as a Silesian folk song, March of the Crusaders is an impressive addition to beginning band literature. This title is available in MakeMusic Cloud.
SKU: KN.52185S
This fast swing original is a challenging workout for the whole band from beginning to end. Tenor sax and/or trombone are featured in the main solo section midway through, followed by a series of short drumset and conga solos that punctuate the remaining portion of the chart to sustain momentum. The ending is strong and dramatic. Duration 8:00.
SKU: TM.07367SET
SKU: TM.07517SET
Transposed: cl 1&2, hn 1-4, tpt 1-3. Tbn not transposed. Intermezzo, Ballade, Alla Marcia.
SKU: UM.16412
ISBN 9790224411096.
SKU: TM.07367SC
SKU: AP.50892S
ISBN 9781470666484. UPC: 038081585086. English.
Set in the Dorian mode, this ominous work opens with a foreboding theme and develops with vibrant and dramatic energy. It conjures images of strength, majesty, and passion. It continues to build throughout, culminating with a powerful, climactic ending. This FLEX title will add just the right amount of intrigue to your next concert! (2:10) Percussion Accompaniment Track Downloads: with click without click
SKU: AP.38411
UPC: 038081439563. English.
This exciting original work opens with an ominous theme. It continues to build throughout, culminating in a powerful, climactic ending. Set in Dorian Mode, this piece overflows with vibrant and dramatic energy, conjuring images of strength, majesty, and passion.
SKU: HL.48022984
ISBN 9780851629315. UPC: 884088965709. 5.25x7.5x0.225 inches.
The fifth work in a fourteen composition cycle, Orkney Sagas, inspired by an exhibition at the 1993 St Magnus Festival in Orkney. The exhibition featured canvasses commemorating the 1151 crusade to Jerusalem.
SKU: CL.013-1248-00
SKU: KN.52185
SKU: CL.013-1248-01
SKU: CF.YPS251
ISBN 9781491161340. UPC: 680160919932.
Commi ssioned by the Midway High School Band, NC Joshua Tew and Jesse Shelton, Directors Commission funded by the Simple Gifts Grant Fund (Clinton, NC) In memory of Deborah Tew, mother of Joshua Tew This composition is a great concert opener or festival selection for a young band. Beginning with a joyful motive and lots of featured percussion, it uses sudden dynamic changes and a dark middle section to create plenty of contrast and excitement. The ending begins very softly, building to a tension filled climax that eventually returns to the joyful motive from the beginning of the piece. Lots of fun for the musicians and the audience! Be sure to keep the tempo moving throughout--don't let it slow down or it will lose energy, especially in the soft sections. Keep articulations crisp and let the horns wail (doubles in altos). Make sure your percussionists observe the marked dynamics and do not cover the winds. Otherwise, this piece is very accessible, with reasonable ranges and rhythmic challenges. It may take a minute or two to balance the dark chords in the middle section, but it will be well worth it for the contrast. Have fun!.Commissioned by the Midway High School Band, NCJoshua Tew and Jesse Shelton, DirectorsCommission funded by the Simple Gifts Grant Fund (Clinton, NC)In memory of Deborah Tew, mother of Joshua TewThis composition is a great concert opener or festival selection for a young band. Beginning with a joyful motive and lots of featured percussion, it uses sudden dynamic changes and a dark middle section to create plenty of contrast and excitement. The ending begins very softly, building to a tension filled climax that eventually returns to the joyful motive from the beginning of the piece. Lots of fun for the musicians and the audience!Be sure to keep the tempo moving throughout--don’t let it slow down or it will lose energy, especially in the soft sections. Keep articulations crisp and let the horns wail (doubles in altos). Make sure your percussionists observe the marked dynamics and do not cover the winds. Otherwise, this piece is very accessible, with reasonable ranges and rhythmic challenges. It may take a minute or two to balance the dark chords in the middle section, but it will be well worth it for the contrast. Have fun!