Concerto in A major for Oboe d'amore (Oboe), Strings and Bc

Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1055. Full score (parts not included) for oboe d'amore, violin I, violin II, viola and continuo (cello, bass, harpsichord). Urtext of the New Bach Edition. A Major. 26 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006465637.

By Johann Sebastian Bach (1685-1750). Edited by Mehl. For oboe d'amore solo, strings, harpsichord. Oboe d'amore Concerto in D Major. Cello / double bass part

Reconstruction of a lost solo conerto according to BWV 1055 with a solo part for both oboe and oboe d'amore. By Johann Sebastian Bach. Edited by Fischer, Wilfried;Biggam, Mark. For Oboe d'amore (a)/ Oboe, Strings, Basso continuo. Piano Reduction/Vocal Score; Urtext Edition. Duration 21'. Published by Baerenreiter-Ausgaben (German import). ISBN M006465699.

Oboe d'amore

SKU: HL.50156870

Oboe d'amore Part. Composed by Georg Philipp Telemann. Edited by Tö and ttcher. Special Import. 8 pages. Sikorski #SIK568/OB. Published by Sikorski (HL.50156870).

UPC: 073999803266. 9.25x12.25x0.02 inches.

By Various. Edited by Miller, Liebermann. For oboe/english horn/oboe d'A. Published by C.F. Peters.

Oboe d'amore; Violin

SKU: HL.50156880

Second Violin Part. Composed by Georg Philipp Telemann. Edited by Tö and ttcher. Special Import. Sikorski #SIK568/VN2. Published by Sikorski (HL.50156880).

6.75x10.5 inches.

Oboe d'amore

SKU: HL.50156900

Score. Composed by Georg Philipp Telemann. Edited by Tö and ttcher. Special Import. Sikorski #SIK568P. Published by Sikorski (HL.50156900).

6.75x10.5 inches.

Oboe d'amore; Viola

SKU: HL.50156890

Viola Part. Composed by Georg Philipp Telemann. Edited by Tö and ttcher. Special Import. Sikorski #SIK568/VA. Published by Sikorski (HL.50156890).

6.75x10.5 inches.

Oboe d'amore; Violin

SKU: HL.50480693

First Violin Part. Composed by Georg Philipp Telemann. Edited by Tö and ttcher. Special Import. Sikorski #SIK568/VN1. Published by Sikorski (HL.50480693).

6.75x10.5 inches.

Cello; Oboe d'amore

SKU: HL.50480694

Violoncello Part. Composed by Georg Philipp Telemann. Edited by Tö and ttcher. Special Import. Sikorski #SIK568/VC. Published by Sikorski (HL.50480694).

6.75x10.5 inches.

By Georg Philipp Telemann. Edited by Schroeder, Sulyok. For oboe d'a (oboe), piano. Published by Edition Kunzelmann.

By Johann Sebastian Bach. Edited by Mehl. For oboe d'a solo, strings, cembalo. After BWV 1053,49 and 169. Published by C.F. Peters.

By Johann Sebastian Bach. Edited by Mehl, Winklhofer. For oboe d'a, piano. Published by Edition Kunzelmann.

By Johann Sebastian Bach. Edited by Mehl, Winklhofer. For oboe, piano. After the Concerto in D Major for Oboe d'amore. Published by Edition Kunzelmann.

Viola

SKU: KU.OCT-10208_VA

Composed by Johann Sebastian Bach. Edited by Arnold Mehl. Arranged by Arnold Mehl. Bach format (230 x 302). Bwv 1053R. Staple Bound. Part. 8 pages. Edition Kunzelmann #OCT-10208_VA. Published by Edition Kunzelmann (KU.OCT-10208_VA).

ISBN 9790206202759. Key: D major.

Cello, double bass

SKU: KU.OCT-10208_VCKB

Composed by Johann Sebastian Bach. Edited by Arnold Mehl. Arranged by Arnold Mehl. Bach format (230 x 302). Bwv 1053R. Staple Bound. Part. 9 pages. Edition Kunzelmann #OCT-10208_VCKB. Published by Edition Kunzelmann (KU.OCT-10208_VCKB).

ISBN 9790206202766. Key: D major.

Violin 1

SKU: KU.OCT-10208_VL1

Composed by Johann Sebastian Bach. Edited by Arnold Mehl. Arranged by Arnold Mehl. Bach format (230 x 302). Bwv 1053R. Staple Bound. Part. 9 pages. Edition Kunzelmann #OCT-10208_VL1. Published by Edition Kunzelmann (KU.OCT-10208_VL1).

ISBN 9790206202735. Key: D major.

Violin 2

SKU: KU.OCT-10208_VL2

Composed by Johann Sebastian Bach. Edited by Arnold Mehl. Arranged by Arnold Mehl. Bach format (230 x 302). Bwv 1053R. Staple Bound. Part. 8 pages. Edition Kunzelmann #OCT-10208_VL2. Published by Edition Kunzelmann (KU.OCT-10208_VL2).

ISBN 9790206202742. Key: D major.

Oboe, two violins, viola & basso continuo

SKU: HH.HH580-FSP

Composed by Antonio Lotti. Edited by Michael Talbot. Full score and parts. Edition HH Music Publishers #HH580-FSP. Published by Edition HH Music Publishers (HH.HH580-FSP).

ISBN 9790708185949.

Anto nio Lotti’s surviving instrumental compositions are very few. Best known is an oboe d’amore concerto in A major, until now his sole identified work in the concerto genre. Now another concerto by him, this time for ordinary oboe, has turned up in Lund, Sweden. The manuscript parts are anonymous, but Lotti’s authorship is proved, first, by the fact that all three movements are arrangements of arias for soprano appearing in two of his operas written for Dresden and, second, by the fact that the use of da capo aria form for all three movements links the new concerto directly to Lotti’s oboe d’amore concerto, which may well be a similar pasticcio. The new G minor concerto, more lyrical than virtuosic in character, is every bit as attractive as its A-major counterpart and deserves to become an essential part of the baroque repertoire for the oboe.

Oboe d'amore

SKU: HL.49011778

Solo Oboe d'amore Part. Composed by Georg Philipp Telemann. This edition: PC75-01. Sheet music. Edition Schott. Classical. Solo Part. 6 pages. Eulenburg Edition #PC 75-01. Published by Eulenburg Edition (HL.49011778).

ISBN 9790200215694. UPC: 884088078591. 8.25x11.75x0.023 inches.

By Georg Philipp Telemann. Edited by Stein. For flute, oboe d'amore, viola d'amore, piano. (E). Duration 15'. Published by C.F. Peters.

(String Parts). By Georg Philipp Telemann (1681-1767). Edited by Töttcher. String. 100 pages

2 oboes d'amore (or clarinets in A), 2 horns, harpsichord (2Ob(Klar)/2Hn/Cemb)

SKU: KU.GM-987

Composed by Georg Philipp Telemann. Edited by Kurt Janetzky. Arranged by Kurt Janetzky. Bach format (230 x 302). Twv 44:2. Staple Bound. Full score, parts. 30 pages. Edition Kunzelmann #GM-987. Published by Edition Kunzelmann (KU.GM-987).

9 x 12 inches. Key: D major.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116909

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. 1x 31.169/21 oboe d'amore 1, 1x 31.169/22 oboe d'amore 2, 1x 31.169/23 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 169. Duration 17 minutes. Carus Verlag #CV 31.169/09. Published by Carus Verlag (CA.3116909).

ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900.

By Costel Puscoiu. For Recorder (Alto). Solos. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

Orchestra SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104907

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlangen. Sacred vocal music. Study score. Composed 1726. BWV 49. 56 pages. Duration 29 minutes. Carus Verlag #CV 31.049/07. Published by Carus Verlag (CA.3104907).

ISBN 9790007137465. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score available separately - see item CA.3104900.

SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104914

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlangen Vc picc. Sacred vocal music. Single Part, Cello piccol. Composed 1726. BWV 49. 2 pages. Duration 29 minutes. Carus Verlag #CV 31.049/14. Published by Carus Verlag (CA.3104914).

ISBN 9790007206215. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104913

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlangen. Sacred vocal music. Single Part, Viola. Composed 1726. BWV 49. 8 pages. Duration 29 minutes. Carus Verlag #CV 31.049/13. Published by Carus Verlag (CA.3104913).

ISBN 9790007206208. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SB vocal soli, oboe d'amore, 2 violins, viola, cello (piccolo), basso continuo, organ obligato

SKU: CA.3104911

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich geh und suche mit Verlangen. Sacred vocal music. Single Part, Violin 1. Composed 1726. BWV 49. 8 pages. Duration 29 minutes. Carus Verlag #CV 31.049/11. Published by Carus Verlag (CA.3104911).

ISBN 9790007206185. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.