Concerto No. 2 in B Flat (Clarinet / Piano)

Clarinette solo avec accompagnement au piano. Edité par Thea King. Comprend la musique de Beethoven, Rimski-Korsakov, Crusell et Weber. / Clarinette

The Library Of Classical Music is a wonderfully vast collection of the greatest pieces of music from the Classical period. Featuring a diverse range of compositions from the innovators and masters, each work is arranged for solo Piano in a conveniently spiral-bound volume.Among the many composers whose work is included are C.P.E. Bach, J.C. Bach, Beethoven, Clementi, Czerny, Gluck, Haydn, Hummel, Mozart and Weber. The sheer amount of incredible music featured within The Library Of Classical Music makes this an essential book to have on your bookshelf or music stand. The joy of playing this music will be in learning your favourite pieces or discovering new ones by unfamiliar names. The Classical period saw a broad reaction against the layered complexities of Baroque music and led to a simpler relationship between melody and harmony. It reflected the mid-18th century's wider enthusiasm for reviving the clean, well-ordered structures of Greek classicism across the arts. The orchestra expanded in size, woodwind became a self-contained section and the Harpsichord was increasingly displaced by the recently invented fortepiano. Instrumental music dominated, notably symphony and string quartet, with examples of both strands represented here in beautiful and accurate Piano arrangements that are perfect for seasoned players of Classical music, or those new to the period.The Library Of Classical Music sheet music songbook covers the rich musical period that followed Baroque and preceded Romantic. The Classical era saw some of Europe's greatest composers exploring new musical possibilities, spanning some 70 years starting in the mid-18th century. The spirit of Classicism would last until the new preoccupations of Romanticism defined the next major period of Western music. All of this makes The Library Of Classical Music a brilliant collection of Piano sheet music that works as well as an introduction to the period as it does as a comprehensive anthology of the greatest works of that era. / Piano

Par MOZART WOLFGANG AMADEUS. Composed at the end of 1785, Mozart ’s Piano Concerto in E-flat major forms a group of three with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart ’s inclusion of Clarinets in the Orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. G. Henle Publishers is issuing this concerto, undeservedly overshadowed by its famous siblings, in a handy study edition in full score; a Piano reduction is in preparation./ Répertoire / Piano

Klavierauszug. Par WEBER CARL MARIA VON. À la suite du «Concertino» et du Concerto pour clarinette No 1, c’est le Concerto en mi bémol majeur No 2 qui paraît, dans l’édition réalisée par Norbert Gertsch. Là aussi, la partie soliste originale a été juxtaposée dans la réduction pour piano àla version courante de Carl Bärmann (les deux parties sont intégrées à l’édition). Le texte d’accompagnement explicite de façon détaillée l’importance propre des deux versions ainsi que la relation existant entre elles. / Partition brochée / Date parution : 1905-06-25/ Répertoire / Clarinette et Piano

Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano

in B-Dur / Bb Major. Par STAMITZ CARL. German composer Carl Stamitz wrote more than 60 concertos for Violin, Viola, Viola d'amore, Cello, Clarinet, Basset Horn, Flute, Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically, Stamitz 's music is not too far removed from the works of the young Mozart, or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785, which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century, where most of the important musical material was given to the strings, while the winds were left to fill in the harmony. Carl Stamitz 's style is pleasant and free-flowing as nicely illustrated in this concerto. / Classique / Répertoire / Clarinette et Piano

La musique de Wolfgang Amadeus Mozart a été répertoire requis pour chaque pianiste qui se respecte, pendant plus d'un siècle - maintenant Voici votre chance d'obtenir vos mains autour de ces mélodies intemporels à un stade précoce. Ces arrangements simples ont été soigneusement conçus pour être accessibles à l'interprète de début et aideront à construire la confiance et l'aisance à travers une variété de défis techniques et mélodiques. Ces pièces élégants et ludiques ont enchanté et captivé le public depuis le XVIIIe siècle et représentent une addition merveilleusement satisfaisante à votre répertoire. / Piano / 32 pages / Partition

Partitions piano pour débutants et niveaux intermédiaires. / Musiques de films & comédies musicales / Partition / Spirale /

Une magnifique collection des classiques populaires arrangés pour Piano facile. / Piano / Partition

The compositions in Easy Piano Pieces For Children have all been carefully selected for the beginner pianist. Over 100 selections in this songbook are progressively graded, with editorial markings and suggested fingering, allowing beginner children to learn with specially selected songs that they will enjoy playing.As an addition to the bestselling Everybody's Favorite series, these attractive and original pieces are easy to play and will allow young pianists to have fun while improving various aspects of their technique.This large songbook includes classic favourites by Mozart, Debussy and Grieg, Piano miniatures by Schumann, Arensky and Türk, as well as selections from Bartók's For Children, among many others. Each piece is graded with a star to indicate difficulty, while a glossary of music symbols and a keyboard chart are included to help early students with note and key recognition. / Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Par STAMITZ. Karl Stamitz's Clarinet Concerto In E Flat as arranged and edited by Johannes Wojciechowski, for Clarinet and Piano. Karl Stamitz's Clarinet Concerto In E Flat as arranged and edited by Johannes Wojciechowski, for Clarinet and Piano./ Répertoire / Clarinette, Orchestre et Piano