Matériel : Partition
/ Alto / Partition
SKU: HL.49045441
ISBN 9790001161794. UPC: 841886028593. 9.25x12.0x0.082 inches. German - English - French.
Ferdinand Kuchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons.Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment - with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
SKU: BT.EMBZ14606B
Dániel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos. Das dreisätzige Concertino von Dániel Csengery (1974) entstand 2006. Es ist eine bunte, leicht gestimmte Komposition von lebendiger Rhythmik für fortgeschrittene Pianisten (Z. 14606B) und Jugendorchester (Z. 14606A). Die Bratschenstimme kann auch von einer dritten Geige gespielt werden.
SKU: HF.FH-8103
ISBN 9790203481034. 8.3 x 11.7 inches.
SKU: HL.49013812
ISBN 9790001022880.
Jose ph Haas was the teacher, Paul Hindemith the model of the director of many years' standing of the Frankfurter Musikhochschule. The Heitere Suite was created in 1945. After a slow introduction (quasi rezitativo) with a viola solo full of suspense, the first violins start playing a succinct, rhythmically accentuated theme dominat-ing the whole movement and appearing in many different forms. Lively intensifications and, not least, the occasional soloistic use of the instruments are giving colour to this work. A valu-able addition to our concert programmes of moderate modern style. (Das Liebhaberorchester).
