The fact that classical music and jazz are not mutually exclusive is proven by the new volume in the popular series by Uwe Korn: For the tune book, 10 classical themes have been carefully arranged for flute and piano and made into jazz pieces for two. Great fun to play. / Flûte Et Piano
SKU: HL.49046942
ISBN 9783795718749. UPC: 196288087311. 9.0x12.0x0.224 inches.
The fact that classical music and jazz are not mutually exclusive is proven by the new volume in the popular series by Uwe Korn: Forthe tune book, 10 classical themes have been carefully arranged for flute and piano and made into jazz pieces for two. Great fun to play. Downloadable audio tracks included (code printed inside).
SKU: KJ.ZB375
UPC: 8402701948.
An instant classic! This straight-ahead swing tune has something for each section in the ensemble: solos for sax, trumpet, and bass; a tasty trombone and bass break; and superb ensemble writing. Combined with Sorenson's unique sense of melody and consummate arranging skills, this chart is a must-have for your next concert!
SKU: HL.49045960
'Classic meets Jazz' is a welcome theme for many choirs, especially if the choir wants to rehearse a varied repertoire representing many styles. In these arrangements based on works by Bach (Minuet), Brahms (Wiegenlied), Schumann (Traumerei) and Susato (Rondo), different jazz styles such as Medium Swing, Ballad or Latin are used.
SKU: HL.49045961
For many choirs, 'Classic meets Jazz' is a welcome theme, especially if a choir wants to learn and rehearse a stylistically wide-ranging repertoire. These arrangements which are based on works by Schubert (serenade 'Leise flehen meine Lieder'), Brahms (Intermezzo Op. 118/6) and Chopin (Nocturne Op. 9/2) use several jazz styles such as swing, bossa nova and jazz waltz. Content text: Serenade (F. Schubert: Leise flehen meine Lieder) I'm free (J. Brahms: Intermezzo op. 118/6) Amelie's Lullaby (F. Chopin, Nocturne op. 9/2).
SKU: DB.01-00681
ISBN 9790012200284.
Cont emporary Classical meets Jazz Grooves.Theremin' s Journey is quite different. True, there is a piano - which plays bluesy, filmic, generally quite unmemorable music - but add in the theremin and pre-recorded electronics and the listener is off on a bizarre jazz meets sci-fi meets film-pop journey. The high-pitched spooky whine of the theremin is unmistakable, and unforgettable in small doses, as here; the work was in fact commissioned by Joanne Pearce Martin, who plays both theremin and piano. This track actually carries a 'health' warning on the cover: Crackles are part of the electronic track and are intentional: the CD is not defective! As it happens, the crackling is not particularly noticeable, and in general the electronics are atmospheric and additive in combination with the theremin. Especially the first and last two or three minutes of the 'journey' are really quite fascinating musically. (musicweb-international.c om, May 2011) // Theremin's Journey places that curiously otherworldly instrument and piano in cheeky avant-garde tandem with electronic sonorities...(GRAMOPHONE, August 2011).
