Matériel : Partition
Roger Emerson's dynamic collection is an excellent introduction to the classics for your less experienced choir. Available: 2-Part.
SKU: AP.49856
ISBN 9781470651589. UPC: 038081571706. English.
Encourage independent harmony singing with this carefully chosen collection of partner songs and canons. With accessible, mid-range vocal parts, universal themes, and a number of folk songs and classical melodies, this practical resource will be useful year after year. The music and lyrics will appeal to any age: fourth-graders just beginning their choral journey, developing middle schoolers, high school students in need of review and reinforcement, and even inexperienced adults. Includes reproducible student pages with isolated vocal parts, making it easy to find, follow, and mark parts. The piano accompaniment tracks may be used in rehearsal, for performance, or as an at-home tool for individual practice.
SKU: HL.14017423
8.5x11.75x0.53 inches.
Designed specially for schools without an SATB choir, this collection contains 21 settings for unison and two-part voices. These arrangements, all compatible with The Novello Book Of Carols, are scored for tuned and untuned percussion, two melody parts, (each in C and B flat), guitar chords, bass line and simplified piano. These carols provide the ideal opportunity of junior and middle school choirs to join adult choirs in performance, whilst fulfilling the need for ensemble music throughout the year. Edited by William Llewellyn.
SKU: HL.14017421
SKU: PR.154400180
UPC: 680160642465. 9 x 12 inches.
Andrea Gabrieli was a major force in moving the classical music world toward the more modern Venetian school of the Renaissance. Called by Alfred Einstein One of the greatest and most influential masters of the Renaissance period, Gabrieli fully developed the use of choirs of voices and instruments, often in opposition to each other. David has selected three examples from a posthumous 1589 collection, advising that the four-part pieces were originally scored for viols but are here arranged for modern instruments. And while the arrangement will accommodate a number of players per part, single players would be more historically correct. As important as Andrea was to the Venetian School, his fame would be eclipsed by his nephew and student, Giovanni Gabrieli.
