/ Violoncelle
SKU: BT.EMBZ14886
9x12 inches.
The latest volume of Chamber Music for Violoncellos contains four sacral works, two of which were arranged for cello quartet by the editor of the series, Árpád Pejtsik. Both Angelus!, Liszt's piano piece of ethereal beauty, and the Kyrie of Mozart's Requiem, an irresistibly surging four-part fugue, are magnificent when played with the immensely rich sound of the four cellos. The second part of the volume contains a pair of inspired works by two prominent cellists and composers of the 19th century: Karl Friedrich Wilhelm Fitzenhagen's Consecration Hymn and Friedrich Grützmacher's Ave Maria. While an instrumental skill of at least intermediate level is required for playing the upperparts due to the use of higher positions, the lower parts can be performed by beginner cellists. The editor has assisted the appropriate interpretation of the works by providing the fingering and bowing. Band 15 der Reihe für Violoncelli enthält vier Kirchenmusikwerke. Die ersten beiden wurden vom Herausgeber der Reihe, Árpád Pejtsik, für Celloquartett arrangiert. Es folgen zwei Werke von zwei berühmten Cellisten und Komponisten des 19. Jahrhunderts:Karl Friedrich Wilhelm Fitzenhagens CONSECRATION HYMN und Friedrich Grützmachers AVE MARIA. Für die höheren Lagen sollten die Schüler mindestens fortgeschritten sein, die tieferen Lagen können von Anfängern gespielt werden. Der Herausgeber hat für eine werkgetreue Wiedergabe Fingersätze und Striche hinzugefügt.
Inhalt:1. Liszt: Angelus! Priere aux anges gardiens2. Mozart, Wolfgang Amadeus: Kyrie from the Requiem (K 626)3. Grützmacher, Friedrich: Consecration Hymn (Op. 65)4. Fitzenhagen: Ave Maria
Conte nts:1. Liszt: Angelus! Priere aux anges gardiens2. Mozart, Wolfgang Amadeus: Kyrie from the Requiem (K 626)3. Grützmacher, Friedrich: Consecration Hymn (Op. 65)4. Fitzenhagen: Ave Maria
SKU: BT.EMBZ14728
Volume 12 in the series contains works by great composers adapted for four cellos. They all share a festive mood. Beethoven's variations on the theme of the British nation anthem 'God Save the King' are followed by 'The Shepherds' Farewell' from Berlioz' oratorio The Childhood of Christ, and three Christmas pieces by Mendelssohn. The excerpt from Wagner's Parsifal - excellently transcribed by Hermann Jacobowsky at the end of the 19th century - is associated with Good Friday, but because of its sacred character its mood blends with that of the preceding pieces.Inhoud:1. Beethoven, Ludwig van: God Save the KingThema und Variationen2. Berlioz, Hector: The shepherds farewell3. Mendelssohn-Bartholdy, Felix: 3 Christmas pieces4. Wagner, Richard - Jacobowsky, Hermann: Aus dem ParsifalIm zwölften Band werden für Cello bearbeitete Werke von großen Meistern publiziert. Gemeinsam ist ihnen ihre feierliche Stimmung. Den Beethoven-Variationen auf das Thema der britischen Hymne ‚God save the King' folgen der ‚Abschiedsgesang der Hirten' aus dem Oratorium ‚Des Heilands Kindheit' von Berlioz und drei Weihnachtsstücke Mendelssohns. Der Ausschnitt aus Wagners Parsifal - in der hervorragenden Hermann Jacobowsky- Transkription vom Ende des 19. Jahrhunderts - ist mit dem Karfreitag verbunden, seine Stimmung passt jedoch durch seinen sakralen Charakter zu den vorherigen Stücken.Sommaire :1. Beethoven, Ludwig van: God Save the KingThema und Variationen2. Berlioz, Hector: The shepherds farewell3. Mendelssohn-Bartholdy, Felix: 3 Christmas pieces4. Wagner, Richard - Jacobowsky, Hermann: Aus dem ParsifalConte nts:1. Beethoven, Ludwig van: God Save the KingThema und Variationen2. Berlioz, Hector: The shepherds farewell3. Mendelssohn-Bartholdy, Felix: 3 Christmas pieces4. Wagner, Richard - Jacobowsky, Hermann: Aus dem Parsifal
SKU: HL.49008156
ISBN 9790001122184. UPC: 884088073091. 9.0x12.0x0.175 inches.
These duet studies are intended as a companion volume and as additional exercises to the method 'Cello mit Spass und Hugo', but they are equally well suited as complementary material to any other course of study. Each piece tackles a clearly defined technical or tonal task, yet they are meant to be fun and useful additional to the chamber music repertoire in their own right. Initially the upper part is intended for the pupil, the lower one for the teacher. But as both parts are comparatively equal, they could also be attempted by two pupils. For group tuition it is suggested to introduce a couple of rhythmical accompanying parts.
