Cello Power Book 2

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Chamber Music Cello

SKU: CF.BF129

Cello Warm-ups in Thumb Position. Composed by Alfredo Piatti, Antonin Dvorak, David Popper, Edward Elgar, F. Grutzmacher, Franz Joseph Haydn, Georg Goltermann, Jean Breval, Libby Freidman, Luigi Boccherini, Marion Feldman, and Pietro Antonio Locatelli. Edited by Marion Feldman. Score and part(s). With Standard notation. 40 pages. Carl Fischer Music #BF129. Published by Carl Fischer Music (CF.BF129).

ISBN 9781491153321. UPC: 680160910823.

Cello Power is a series of books designed to be used to expand the cello student�??s facilityand knowledge of the instrument. The books are structured to focus on the advancedmaterials that appear in our cello literature. Most important are the exercises and myfurther recommendations on how to work on them. The process is first to digest thefundamental of each and thereby to enable one to build a solid technique in preparationfor the difficult passagework ahead. An example are the double-stop excerpts, which arebroken down into two-string bow patterns to aid in intonation and to clarify the spacingfor the left hand.Books 1 and 2 are planned to fill the gap left vacant by lack of materials covering, ina progressive order, the transition from the introduction of the thumb position into astudent�??s studies and the work on the much more difficult application of this informationinto studies by Popper, Grützmacher and Piatti. Of course, then there are the ensuingrepertoire demands of the concertos of Dvo�?ák and Saint-Saëns and such like.Book 3 is aimed at developing a sure and secure technique and facility in the lower areaof the cello. This includes material to help make the fifth, sixth and seventh positions lessawkward for the student. The goal is to aid in the ability of the student to become moreable to apply this technical comfort to the attainment of a more nuanced and emotionallyfulfilling musical performance on the cello.
Cello Power is a series of five books designed to be used to expandthe cello student�??s facility and knowledge of the instrument. Thebooks are structured to focus on the advanced materials thatappear in our cello literature. Most important are the exercisesand my further recommendations on how to work on them. Theprocess is first to digest the fundamental of each, and therebyto enable one to build a solid technique in preparation for thedifficult passagework ahead. An example are the double-stopexcerpts, which are broken down into two-string bow patterns toaid in intonation and to clarify the spacing for the left hand.Books 1 and 2 are planned to fill the gap left vacant by lack ofmaterials covering, in a progressive order, the transition from theintroduction of the thumb position into a student�??s studies and thework on the much more difficult application of this informationinto studies by Popper, Grützmacher and Piatti. Of course, thenthere are the ensuing repertoire demands of concerti by Dvo�?ák,Saint-Saëns and such like.Book 3 is aimed at developing a sure and secure technique andfacility in the neck area of the cello. This includes materials to helpmake the fifth, sixth and seventh position less awkward for thestudent. The goal is to aid in the ability of the student to becomemore able to apply this technical comfort to the attainment of amore nuanced and emotionally fulfilling musical performance onthe cello.

Editeur :

Carl Fischer

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