SKU: RM.COIT04597
ISBN 9790231045970.
SKU: HL.339744
ISBN 9780876392089. UPC: 840126916744. 9.0x12.0x0.336 inches.
Develop mastery and control over the viola fingerboard, in all keys. Whether you are playing classical, jazz, fiddle tunes, or other styles, these twenty-first century strategies can significantly improve your technique and musicality, and provide the foundation for improvisation. Play-along audio tracks are included for accompaniment, as you begin to explore this previously uncharted but essential territory. This approach is core to Berklee's viola curriculum. The book covers: Fingering strategies for comfortably playing in all keys; Scale diagrams for easily visualizing your fingerboard; Major, minor, and pentatonic scales, modes, and arpeggios; Etudes applying these scales and arpeggios in an improvisational context; Essential chord and scale relationships that are useful for improvising; Exercises to help memorize and internalize the scales; and more! Rob Thomas is a professor in the Berklee College of Music String Department, where he has taught since 2002. He has performed and recorded with the String Trio of New York, the Jazz Passengers, Chuck Owen's Jazz Surge big band, the Mahavishnu Project, the Chris Parker Quintet, Gypsy Jazz Caravan, and many others.
SKU: HL.49019220
ISBN 9790220133114.
Feld man's was a music shop in London in the early 20th century.They sold collections of popular music for playing at home, and some of these were called 'Feldman's Sixpenny Editions'. Collections like these were among my first feverish encounters with music as a boy. I fell in love with pieces like 'Martial Steps' and 'The dog barks, the caravan passes On'. I entered into them completely, becoming one not only with the music, but with the paper they were printed on, and the advertisements on the back. I pored over these, laying my face on them, waiting for signs of my future direction. The piano plays a significant role in the music. The last piece in the collection, 'The Innermost Secret', refers to the lunches Satie had with Debussy. Satie said that Debussy cooked pork chops 'with the innermost secret'. (Gerald Barry).
SKU: CL.011-4171-01
Imagine an oasis in the desert. Far in the distance a caravan is sighted. The air is filled with excitement and anticipation, the quiet desert becoming louder and more animated as the large caravan approaches and passes. This scene is musically depicted in Larry Neeck’s Desert Caravan, which provides numerous opportunities for your band to work with melody, dynamics, and drama. Transport your audience to a faraway place, as the sounds of the camels and their herdsman slowly die away, and the caravan fades into the distance. A delightful musical journey!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: BT.DHP-1084643-015
9x12 inches. English-German-French-Dut ch.
In Camel Ride you will experience the magic of a colourful Arabic caravan as it slowly passes by. With this short work for a flexible ten part instrumentation, composer Jan de Haan has brilliantly reflected the atmosphere of the parade and carefully capturing the mysticism of the East. Camel Ride will make a great interlude in your concert performances. In Camel Ride horen we een karavaan voorbijtrekken. In rustige tred schrijdt de kleurige stoet voort. Componist Jan de Haan heeft met dit korte werk deze sfeer voortreffelijk weten te treffen.Der im Titel dieses Werkes genannte Kamelritt ist durchaus wörtlich zu nehmen: Die Musik beschreibt eine vorüber ziehende Karawane. Ruhig, mit gleichmäßigem Schritt, hört man die Wüstenschiffe inmitten eines bunten Menschengewimmels stetig voranschreiten. Jan de Haan ist es in diesem kurzen Werk für zehn Stimmen ausgezeichnet gelungen, die Atmosphäre dieser exotischen Szenerie in diesem Stück für eine zehnstimmig variable Besetzung einzufangen.Au rythme de la caravane de chameaux, bercés par le vent, nous effectuons une promenade musicale de petits villages en criques isolées, de dunes en plages du bout du monde, de cascades en marabouts éclatants de blancheur. Camel Ride : une touche insolite ! Una passeggiata musicale nel deserto in groppa ai cammelli: atmosfere esotiche e mozzafiato, accompagnati dal vento tra le dune fermandosi in splendide oasi. Camel Ride: un brano insolito!
SKU: BT.DHP-1084643-170
In Camel Ride you will experience the magic of a colourful Arabic caravan as it slowly passes by. With this short work for a flexible ten part instrumentation, composer Jan de Haan has brilliantly reflected the atmosphere of the parade and carefully capturing the mysticism of the East. Camel Ride will make a great interlude in your concert performances. In Camel Ride horen we een karavaan voorbijtrekken. In rustige tred schrijdt de kleurige stoet voort. Componist Jan de Haan heeft met dit korte werk deze sfeer voortreffelijk wetenDer im Titel dieses Werkes genannte Kamelritt ist durchaus wörtlich zu nehmen: Die Musik beschreibt eine vorüber ziehende Karawane. Ruhig, mit gleichmäßigem Schritt, hört man die Wüstenschiffe inmitten eines bunten Menschengewimmels stetig voranschreiten. Jan de Haan ist es in diesem kurzen Werk für zehn Stimmen ausgezeichnet gelungen, die Atmosphäre dieser exotischen Szenerie in diesem Stück für eine zehnstimmig variable Besetzung einzufangen.Au rythme de la caravane de chameaux, bercés par le vent, nous effectuons une promenade musicale de petits villages en criques isolées, de dunes en plages du bout du monde, de cascades en marabouts éclatants de blancheur. Camel Ride : une touche insolite ! Una passeggiata musicale nel deserto in groppa ai cammelli: atmosfere esotiche e mozzafiato, accompagnati dal vento tra le dune fermandosi in splendide oasi. Camel Ride: un brano insolito!
SKU: HL.14002312
ISBN 9783865430878.
Inte rmezzo-Szene bearbeitet fur Flotengruppe, Metallophon und Schlagwerk von A. Rosenstengel. Diese Komposition gehoret zu seinen bekannt testen Orchesterwerken. Eine echt orientalische Atmosphare beherrscht dieses Werk. Die Kameltreiber kommen allmahlich naher, die Rufe der Bettler nach Gaben werden erhort. Die schone Prinzessin tritt auf, von ihren Dienerinnen begleitet. Die Prinzessin bleibt stehen um sich an den Gauklern und Schlangenbeschworen zu ergotzen. Der Kalif schreitet jetzt uber die Markt und unterbricht die Unterhaltung. Die Prinzessin macht sich zum Aufbruch bereit und die Karawane setzt ihre Reise fort. Die Motive der Prinzessin und der Kameltreiber hort man noch in der Ferne und der Marktplatz wird wieder einsam. Scene d'intermede pour groupe des Flutes a bec, Vibraphone et Percussion arrangee par A. Rosenstengel du morceau Orchestral original par Albert W. Ketelbey. Une atmosphere orientale se repand de ce morceau. Les chameliers approchant lentement du marche, on entend dans le tumulte les mendiants reclamer leur 'Backchiche'. La belle princesse entouree de ses servantes fait son apparition et s'arrete a regarder les jongleurs et charmeurs des serpents. L'arrive du Calife interrompt l'entrain du marche, la princesse prepare son depart et les chameliers continuent leur chemin. Les themes de la princesse et des chameliers s'eteignent dans la lointain et la marche devient desert. Intermezzo scene for Recorder/Flute group, Vibraphone and Percussion arranged by A. Rosenstengel from the original Orchestral piece by Albert W. Ketelbey. An oriental atmosphere pervades this work. The cattle-drivers slowly approach the market; the cries of beggars are heard across the bustle. The beautiful princess enters carried by her servants - she stays to watch the jugglers and snake-charmer. The Caliph now passes through the market and interrupts the entertainment, the princess prepares to depart and the caravan resumes its journey as the sounds of the Persian Market fade into the distance.