SKU: TM.02237SC
Score and parts contain both Original key of Db and alternate key of Bb printed back to back. Typeset 2019.
SKU: CA.3116409
ISBN 9790007209018. Language: German/English.
Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and parts available separately - see item CA.3116400.
SKU: CA.3116449
ISBN 9790007209070. Language: German/English.
Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.
SKU: CA.3116414
ISBN 9790007209056. Text language: German/English.
SKU: CA.3116412
ISBN 9790007209032. Text language: German/English.
SKU: CA.3116405
ISBN 9790007187194. Language: German/English.
Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score available separately - see item CA.3116400.
SKU: CA.3116419
ISBN 9790007209063. Language: German/English.
SKU: CA.3116413
ISBN 9790007209049. Text language: German/English.
SKU: CA.3116407
ISBN 9790007242343. Language: German/English.
SKU: CA.3116403
ISBN 9790007187187. Language: German/English.
SKU: CA.3116411
ISBN 9790007209025. Text language: German/English.
SKU: CA.3116400
ISBN 9790007187170. Language: German/English.
Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form.
SKU: BR.EB-7164
ISBN 9790004173183. 7.5 x 10.5 inches.
SKU: BR.OB-4664-19
ISBN 9790004318164. 9 x 12 inches.
SKU: BR.OB-4664-15
ISBN 9790004318140. 9 x 12 inches.
SKU: BR.CHB-4664-02
ISBN 9790004407516. 7.5 x 10.5 inches.
SKU: BR.OB-4664-11
ISBN 9790004318133. 9 x 12 inches.
SKU: BR.OB-4664-26
ISBN 9790004318171. 9 x 12 inches.
SKU: BR.OB-4664-16
ISBN 9790004318157. 9 x 12 inches.
SKU: BR.PB-4664
ISBN 9790004205037. 9 x 12 inches.
SKU: TM.02237SET