Calypso Isle

SKU: CF.YPS236F

ISBN 9781491158111. UPC: 680160916719. 9 x 12 inches.

As the title suggests, Calypso Isle is a light, breezy Latin piece that includes the percussion section: Maracas, Claves & Bongo Drums. It is suggested that this section be brought stage-front as a feature of the performance. The director should feel free to add to this section additional players and instruments. Notice the repeat at mm. 3-10. The Low Brass and Woodwinds enter the second time. At mm. 36-41 there are multiple repeats in the percussion section, to be extended as desired; then cue in the ensemble at m. 42. Here the director might encourage some rhythmic improvisation among the players.
As the title suggests, Calypso Isle is a light, breezy Latin piece that includes the percussion section: Maracas, Claves & Bongo Drums. It is suggested that this section be brought stage-front as a feature of the performance. The director should feel free to add to this section additional players and instruments.Notice the repeat at mm. 3-10. The Low Brass and Woodwinds enter the second time. At mm. 36-41 there are multiple repeats in the percussion section, to be extended as desired; then cue in the ensemble at m. 42. Here the director might encourage some rhythmic improvisation among the players.

SKU: CF.YPS236

ISBN 9781491158104. UPC: 680160916702. 9 x 12 inches.

As the title suggests, Calypso Isle is a light, breezy Latin piece that includes the percussion section: Maracas, Claves & Bongo Drums. It is suggested that this section be brought stage-front as a feature of the performance. The director should feel free to add to this section additional players and instruments. Notice the repeat at mm. 3-10. The Low Brass and Woodwinds enter the second time. At mm. 36-41 there are multiple repeats in the percussion section, to be extended as desired; then cue in the ensemble at m. 42. Here the director might encourage some rhythmic improvisation among the players.
As the title suggests, Calypso Isle is a light, breezy Latin piece that includes the percussion section: Maracas, Claves & Bongo Drums. It is suggested that this section be brought stage-front as a feature of the performance. The director should feel free to add to this section additional players and instruments.Notice the repeat at mm. 3-10. The Low Brass and Woodwinds enter the second time. At mm. 36-41 there are multiple repeats in the percussion section, to be extended as desired; then cue in the ensemble at m. 42. Here the director might encourage some rhythmic improvisation among the players.