Matériel : Conducteur et Parties séparées
The contemporary 90's style of the Broadway musical has given this entertainment medium a whole new audience with record ticket sales stunning reviews and several hit songs. John Higgins salutes some of the best musical momentswith Circle of Life (Lion King) This Is The Moment (Jekyll and Hyde) Godspeed Titanic (Titanic) Seasons of Love (Rent) and Beauty And The Beast (Beauty And The Beast).
SKU: HL.49016223
ISBN 9790001101042. 8.25x11.75x0.068 inches.
Gottfried Sonntag, a in military musician in Bayreuth, created a (concert) march from some of the central musical motifs of the 'Ring'. In those days this was a frequent way of making music from stage works more accessible to a wider public or of exploiting its popularity. Moreover, Richard Wagner expressed his approval of arrangements of his works for wind band.(1 Piccolo-Flote ad lib., 1 Flote, 2 Oboen ad lib., 2 Fagotte ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es ad lib., 1 Tenor-Saxophon in B ad lib., 1 Bariton-Saxophon in Es ad lib., 4 Horner in F oder in Es, 4 Trompeten in B (3. und 4. ad lib.), 3 Posaunen, 2 Flugelhorner in B, 3 Tenorhorner in B, 1 Bariton, 2 Tuben, Schlagzeug: Glockenspiel ad lib., kleine Trommel, grosse Trommel, Becken).
SKU: HL.49016224
ISBN 9790001101059. 8.25x11.75x0.366 inches.
SKU: BT.DHP-1074314-140
9x12 inches. English-German-French-Dut ch.
For Three Aspects of Kurt Weill Peter Kleine Schaars took inspiration from the three periods that characterise the life of Weill - he successivelylived in Berlin, Paris and New York. One theme is used to create threetotally different atmospheres, a protest march against the fascists inBerlin, a French Musette (valse de Paris) and an American big bandstyle Broadway orchestra. Let this great work show the versatility ofyour concert band! Peter Kleine Schaars werd ge nspireerd door de drie periodes die het leven van Weill (1900-1950) kenmerkten - in Berlijn, Parijs en New York. Three Aspects of Kurt Weill bevat één thema dat in drie verschillende stemmingennaar voren komt, corresponderend met de drie genoemde periodes: als een protestmars en een parodie op het fascistische gebruik van muziek, als een Franse musette en ten slotte in een Amerikaanse bigbandstijl.Kurt Weill, der unter anderem mit seiner Musik zur Dreigroschenoper berühmt wurde, lebte nacheinander in Berlin, Paris und New York. Three Aspects of Kurt Weill weist ein Thema auf, das dementsprechend in drei völlig unterschiedlichen Stimmungen erscheint: als Protestmarsch gegen die Faschisten in Berlin, als französische Musette und im amerikanischen Big- Band-Stil. Beweisen Sie die Verwandlungsfähigkeit Ihres Blasorchesters! Dans le cadre du projet “La musique de Kurt Weill”, organisé Leeuwarden (Pays-Bas) en 2006, Peter Kleine Schaars a donné une seconde jeunesse plusieurs œuvres que le compositeur allemand avait créées pour le Dreigroschen Orchester (L’Orchestre de quat’sous), un ensemble qu’il avait spécialement formé et dont il avait fixé l’instrumentation pour interprété sa Kleine Dreigroschenmusik (Une petite musique de quat’sous).Peter Kleine Schaars s’est inspiré des trois périodes qui ont marqué la vie de Kurt Weill (1900-1950) : ses étapes Berlin, Paris et New York. Three Aspects of Kurt Weill (“Trois impressions divertissantes de Kurt Weill”) développe un thèmerécurrent exposé dans trois climats musicaux différents qui correspondent aux trois étapes de la vie de Weill.Le premier mouvement est une marche protestataire “aux accents berlinois” qui parodie l’utilisation de la musique sous le fascisme. Les trompettes ont le premier rôle. Le second mouvement chemine sur une valse musette toute parisienne qui fait la part belle au saxophone alto et l’accordéon. Le troisième et dernier mouvement développe le thème dans une trame swing typique du Big Band. Votre formation se métamorphose en un grand orchestre digne de Broadway ! Per il brano Three Aspects of Kurt Weill, Peter Kleine Schaars ha preso ispirazione dai tre periodi che caratterizzano la vita di Weill - visse prima a Berlino, poi a Parigi e infine a New York. Un tema viene utilizzato per creare tre atmosfere completamente diverse: una Marcia di protesta contro i fascisti a Berlino, una Musette (valzer di Parigi) e una big band americana nello stile delle orchestre di Broadway. Lascia che questa grande opera mostri la versatilit della tua banda in concerto!
SKU: BT.DHP-1074314-010
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert. Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it. The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music. .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festi val March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert. Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it. The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music. .
SKU: AP.44904S
UPC: 038081516165. English.
Written in the style of a Broadway overture, here's a colorfully scored original work in A-B-A form. Spirited rhythms, soaring melodies, and delightful tonality shifts provide the joyfully musical materials for a most satisfying and happy-sounding program offering that sounds more difficult than it plays. Perfect for contest or concert as well as an uplifting opener or closer for any program. (2:00).
SKU: BT.DHP-1084416-010
Dirk Brossé schreef dit werk ter gelegenheid van de zeventigste verjaardag van zijn vader. De compositie is gebaseerd op het thema ‘Happy Birthday’, dat er als een rode draad doorheen loopt. In een aaneenschakeling van korte passageskomt het karakter van ‘Il Signor Brossini’ tot uiting - nu eens hero sch, dan weer impressionistisch en romantisch, soms heftig en vurig maar ook kwetsbaar en ontroerend. Het gevoel voor humor is steeds aanwezig.Dieses Stück schrieb Dirk Brossé zum 70. Geburtstag seines Vaters, basierend auf dem wohl bekanntesten aller Geburtstagslieder: Happy Birthday. Mit viel Gefühl drückte Brossé in einer Reihe von kurzen Fragmenten die wichtigsten Charakterzüge seines Vaters aus: Heldenmut, aber auch Romantik und Introvertiertheit, Leidenschaft und Feuer, aber auch Zerbrechlichkeit und eine gute Prise Humor. Glückwunsch zu diesem gelungenen Werk, Signor (B)rossini!En 2007, Dirk Brossé compose Il Signor Brossini (Monsieur Brossini) l’occasion du 70e anniversaire de son père. Il fait de la mélodie du célébrissime Happy Birthday (Joyeux anniversaire) le fil conducteur de son œuvre. Divers petits fragments successifs brossent le caractère de “Monsieur Brossini” : tantôt héro que, tantôt impressionniste et romantique, parfois passionné et fougueux, mais aussi fragile et émouvant, et toujours avec humour.La mélodie de la chanson Happy Birthday a été composée par deux sœurs américaines, Patty et Mildred J. Hill, en 1893, lorsqu’elles enseignaient Louisville dans le Kentucky. En 1990, cette mélodie fut vendueaux éditions Warner Chappell pour la coquette somme de quinze millions de dollars.D’après le Livre Guinness des Records, Happy Birthday est l’air le plus chanté de tous les temps. Les orchestrations sont multiples et couvrent une pléiade de combinaisons instrumentales. Quant au texte, il a été traduit dans presque toutes les langues. Si le titre Il Signor Brossini fait référence au brillant compositeur italien Gioacchino Rossini, il rappelle également les origines italiennes de la famille Brossé.
SKU: BT.DHP-1084416-140
SKU: CF.CPS204F
ISBN 9781491148303. UPC: 680160905805. 9 x 12 inches.
Use this piece to celebrate someone's birthday or just for fun in a concert setting. Happy Birthday Theme and Variations is a novelty arrangement that incorporates traditional melodic variation techniques along with familiar classical-music themes to entertain your audience. Challenge your students and audience to identify these melodic fragments.
