Broadway Now Music Express Vol. 18 No. 5

SKU: BT.CMP-0034-95-020

Captivated by the rolling hills, majestic horse farms and beautiful horses of the Central Kentucky Bluegrass region, James Curnow has named this exciting overture after one of the most scenic areas near his home. After a fanfare opening, the Percussion section provides high energy for the main theme. A contrasting middle section showcases the expressive abilities of your ensemble. With a return of the main theme, momentum builds steadily to the exciting conclusion.Exhilarating!< br>
Überwältigt von der Schönheit der sanften Hügel, prächtigen Pferdefarmen und edlen Pferden in der so genannten Bluegrass Region in Kentucky, benannte James Curnow diese spannende Ouvertüre nach einer der malerischsten Landschaften seiner Heimatregion. Nach der einleitenden Fanfare bereitet das Schlagzeug energievoll auf das Hauptthema vor. Im kontrastreichen Mittelteil kann Ihr Ensemble all seine Ausdrucksmöglichkeiten entfalten. Mit der Rückkehr zum Hauptthema nimmt die Musik stetig an Schwung und treibender Kraft hin zum aufregenden Schluss zu. Sehr belebend!

SKU: BT.CMP-0034-95-120

Captivated by the rolling hills, majestic horse farms and beautiful horses of the Central Kentucky Bluegrass region, James Curnow has named this exciting overture after one of the most scenic areas near his home. After a fanfare opening, the Percussion section provides high energy for the main theme. A contrasting middle section showcases the expressive abilities of your ensemble. With a return of the main theme, momentum builds steadily to the exciting conclusion.Exhilarating!< br>
Überwältigt von der Schönheit der sanften Hügel, prächtigen Pferdefarmen und edlen Pferden in der so genannten Bluegrass Region in Kentucky, benannte James Curnow diese spannende Ouvertüre nach einer der malerischsten Landschaften seiner Heimatregion. Nach der einleitenden Fanfare bereitet das Schlagzeug energievoll auf das Hauptthema vor. Im kontrastreichen Mittelteil kann Ihr Ensemble all seine Ausdrucksmöglichkeiten entfalten. Mit der Rückkehr zum Hauptthema nimmt die Musik stetig an Schwung und treibender Kraft hin zum aufregenden Schluss zu. Sehr belebend!

SKU: BT.MUSMI0348

Italian.

Ques to metodo racchiude 50 ritmiche Funk alla maniera dei più grandi artisti di ieri e di oggi: James Brown, Parliament, The Headhunters, Commodores, The Meters, The Brothers Johnson, Ohio Players, Graham CentralStation, B.T. Express, Sly & The Family Stone, Jamiroquai, ecc. Queste ritmiche - oltre al piacere di suonarle - vi permettono di scoprire e di lavorare su tutte le tecniche che contribuiscono a creare ottimi accompagnamentiFunk: ghost notes, triadi, rivolti, il suonare staccato, palm mute, motivi ritmici a note singole, ecc. Un capitolo preliminare vi presenta le nozioni essenziali della ritmica Funk per quanto riguarda il ritmo, gli accordi eletecniche caratteristiche. Il DVD Video permette di ascoltare e visualizzare i 50 accompagnamenti a velocità normale poi ridotta, dandovi in questo modo la possibilità di effettuare i gesti giusti, scegliere lediteggiature adatte nonché suonare a tempo! Il CD mp3 invece è composto da tante basi musicali quante ritmiche, ossia 50 playalongs suonati con due tempi (metronomici) diversi: il primo è la velocitànormale cioè il tempo da raggiungere, mentre il secondo è una velocità ridotta per aiutarvi nello studio. Questi playalongs hanno una durata volontariamente lunga (da 4 a 5 minuti ognuno, ossia più di 7ore di musica in tutto!) per darvi il tempo di esercitarvi nelle migliori condizioni possibili.

SKU: BT.EMBZ14553

English-German-Hungari an.

Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sándor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet GyulaIllyés (Óda Európához - Ode to Europe, based on the poem by Illyés), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932).

Der zweite Band der gesammelten Ausgabe der Chorwerke von Sándor Veress umfasst sieben ungarische Volkslied-Zyklen, bzw. Kantaten, ein Chorpoem in ungarischer Sprache und einen englischen Chorzyklus. In der ersten Schaffensperiode seines Lebens (1929-1939), die er in Ungarn verbrachte, nimmt sein unmittelbarer Kontakt zur ungarischen Volksmusikforschung eine entscheidende Rolle ein: Das Volkslied-Erlebnis seiner persönlichen Sammeltätigkeit kam in der ersten Periode seiner Kompositionen für gemischten Chor unmittelbar zur Geltung. In der Emigration, während der sechziger Jahre, kehrte er noch zweimal zur Gattung gemischter Chor a cappella zurück: 1962 komponierte ereinen gemischten Chor zum 60. Geburtstag des großen ungarischen Dichters Gyula Illyés (nach einem Gedicht von Illyés) unter dem Titel Ode an Europa. 1967 schrieb er im Auftrag der Australischen Rundfunkgesellschaft, für den Kammerchor 'Adelaide Singers' einen siebensätzigen Madrigalzyklus (Songs of the Seasons).

SKU: HL.50490228

ISBN 9790080145531. UPC: 884088531638. 7.5x10.75x0.365 inches. Hungarian, English, German. Sandor Veress; Melinda Berlasz.

Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sandor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet Gyula Illyes (Oda Europahoz - Ode to Europe, based on the poem by Illyes), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932).

SKU: HL.4008509

UPC: 196288176275.

Omagg io was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concertband premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de música de Málaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the piano, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The thirdmovement, THE KING TRIUMPHANT, pays homage to Steven’s late father, Rex, and its title alludes both to Rex's name ('Rex' being Latinfor 'king') as well as his love of Eric Ball’s Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.

SKU: BT.CMP-0983-06-040

9x12 inches. English.

A bold and powerful work for young bands! The aggressive theme sets the stage for this forceful original piece. In the spirit of The Planets by Holst, Titan-Moon of Saturn celebrates the multi-national Cassini-Huygens spacecraft that landed on Saturn’s moon, Titan, on January 14, 2005. There are many questions about Titan that this daring space exploration mission will seek to answer some of them. In addition to being a great piece for your own band, it is the perfect expression for a massed band performance. This is also a wonderful opportunity for some cross-curricular work with the science department.Mighty!

Das provokante Thema bereitet den Boden für diesen kühnen, kraftvollen Marsch für Jugendblasorchester. Im Geist von Die Planeten von Gustav Holst geschrieben, handelt Titan - Mond des Saturn von der Landung des Raumschiffs Cassini-Huygens auf selbigem Mond am 14. Januar 2005. Mike Hannickels Musik spiegelt das Abenteuer dieser Unternehmung und die vielen noch ungelösten Geheimnisse um Titan wider. Ein Thema, das die Fantasie beflügelt und motiviert!

Parmi toutes les lunes de Saturne, celle qui a le plus intrigué, c’est Titan. Deuxième plus grand satellite du système solaire, son étude est au coeur de la mission Cassini-Huygens. Le 14 janvier 2005, la sonde Huygens, séparée de l’orbiteur Cassini, a atteri sur Titan et fourni de nombreuses et précieuses informations sur ce monde part. Titan de Mike Hannickel est une marche puissante qui retrace cette aventure, fascinante plus d’un titre.