Break Free

SKU: BT.DHP-1125373-070

ISBN 9789043141796. 9x12 inches.

I Want to Break Free was written by John Deacon and appeared on Queen's 1984 album 'The Works'. It is still one of the most popular and regularly played songs on radio. This arrangement for variable brass quartet will appeal to intermediate level players.Part 1 FL Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 A-Kl T-Sax Fg Hn Pos Euph Part 4 B-Kl B-Sax Fg Pos B-Pos Euph Tuba Kb Opt. Perc 1 Perc 2 Mallets Timp

Der Titel I Want to Break Free aus dem Jahr 1984 ist heute noch einer der meistgespielten Radiohits. Kurz nach dem 40-jährigen Bühnenjubiläum von Queen sind die Hits wieder besonders aktuell - wie wäre es mit einer Interpretation im variablen Bläserquartett?Part 1 FL Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 A-Kl T-Sax Fg Hn Pos Euph Part 4 B-Kl B-Sax Fg Pos B-Pos Euph Tuba Kb Opt. Perc 1 Perc 2 Mallets Timp

I Want to Break Free est le deuxième single extrait de l'album The Works de Queen, sorti en 1984. Un grand succès du groupe Queen et un grand succès pour votre ensemble vent!Voix 1 Fl Htb Cl. Si♭/Mi♭ Sax. S. Trp Voix 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Voix 3 Cl. B. Cl. Alto Sax. T. Basson Cor Trb Euph. Voix 4 Cl. B. Sax. B. Basson Trb Trb B. Euph. Tuba C. Cordes Opt. Mallets Timb. Perc.

La musica dei Queen, ricca di intrecci e sonorit del tutto partiolari, è ideale per essere interpretata da un quartetto d'archi. Il brano I Want to Break Free è particolarmente ispirato.Part 1 FL Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 A-Kl T-Sax Fg Hn Pos Euph Part 4 B-Kl B-Sax Fg Pos B-Pos Euph Tuba Kb Opt. Perc 1 Perc 2 Mallets Timp.

SKU: HL.14027970

ISBN 9788759859353. 16.75x11.75x0.425 inches. English.

Break-Danc e is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.

SKU: HL.14027971

ISBN 9788759859360. English.

Break-Danc e is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.

SKU: BT.RSK200061

ISBN 9781912352708. English.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals.

For Rockschool's 2018-2024 Drums series, Rockschool have commissioned arrangements of titles reflecting popular music's rich heritage in all its forms and have tailored each piece to make it exactly right for the grade. You can also use titles from Rockschool's Classics series as part of the syllabus.

The arrangements have been written and performed by top session musicians who have worked with some of the biggest names in rock, metal and pop. The tracks were recorded at Real World's acclaimed recordingstudios and feature live instruments and first rate performances for an unrivalled level of feel, authenticity and musicianship.

Featu ring:

• Queen - I Want To Break Free
• Usher - Yeah
• Wretch 32 - Liberation
• Sam and Dave - Soul Man
• Wilson Pickett - In The Midnight Hour
• Michael Jackson - Billie Jean
• 6 Rockschool Originals

Plu s:

• Band and artist fact files with recommended listening
• In-dept h walkthroughs of every track
• Easy-access downloadable audio
• Example tests and exercises

SKU: HL.141551

UPC: 888680045074. 6.75x10.5 inches.

Ariana Grande's awesome chart-topper has an insistent beat, electropop instrumentals and powerful vocals that your pop and show choir will love to sing!

SKU: HL.14043546

9.0x12.0x0.088 inches.

Judith Weir 'S Day Break Shadows Flee For Solo Piano. This 10 Minute Work Was Commissioned By Bbc Radio 3. It Was First Performed By Benjamin Grosvenor On 1St September 2014, As Part Of The Proms Chamber Music Series At Cadogan Hall. ' Day Break Shadows Flee , Written For Benjamin Grosvenor, Is A Two-Part Invention, A Piano Solo Composition In Which The Two Hands Work In Close Co-Ordination But Independently. My Intention Was Generally To Avoid Using Thick Chords (Although Octaves And Other Clear Sonorities Are Included) While Allowing Both The Right And Left-Hand Lines To Be Free, Mobile And Expressive. The Treble And Bass Sectors Of The Keyboard Are Clearly Contrasted AndOften Widely Separated. In Atmosphere And Expression The Music Is Another Kind Of Two-Part Invention, Contrasting Bright, Upwards-Arching Phrases (Heard At The Opening And Evoking The Arrival Of Light At The Beginning Of The Day) With Veiled, Mysterious Scurryings, Suggesting The Stranger, More Nervous Life Lived At Night And In The Early Morning. ' - Judith Weir.

SKU: BT.RSK200069

ISBN 9781789360059. English.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Guitar Grade 1 contains eight of thebiggest rock tracks from the past five decades arranged for you to play in your Grade 1 Exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Peformance Certificate.

Featur ing:

• Red Hot Chili Peppers - Zephyr Song
• Cream - Sunshine Of Your Love
• Thin Lizzy - Jailbreak
• Free - Wishing Well
• Bon Jovi - Living On A Prayer
• Eric Clapton-Wonderful Tonight
• Bryan Adams - Run To You
• Snow Patrol - Chasing Cars

Plus:

• Band and artist fact files with recommended listening
• In-depth walkthroughs of every track
• Easy-access downloadable audio
• Example tests and exercises
• Amp settings and tone advice for each track

SKU: HL.49019224

ISBN 9790001177085. UPC: 884088907570. 9.0x12.0x0.113 inches.

In Enjott Schneider's 'Rondo oscuro', an eye-twinkling naive rondo theme leads to more complex intermediate parts in which the soloist is faced with a flute ensemble demanding various degrees of rhythmic freedom or rhythmic involvement of him: In the first interlude, he has to break free from the straitjacket of the rhythmic accompanying canon with a rubato; in the second interlude, he has to juxtapose the fluid surface of the accompanying flute parts with a metrically free cadence; in the third interlude, he is involved in continuous acceleration and then deceleration. A really extraordinary and entertaining composition!