Par WILSON DANA. Cette composition intrigante, marquée par ses sons innovants et qui hantait l'orchestration, est un hommage à Martin Luther King, Jr.. Intention du compositeur était de saisir la façon dont le Dr King inspiré changement profond qui nous conduit à voir comment nous, pas d'autres, ont été se comporter and ndash - et donc and ldquo - ensemble l'écho des ténèbres, and rdquo - selon les mots du poète Seamus Heaney. Cette pièce dramatique et réflexion sera véritablement inspirer./ Répertoire / Ensemble à Vent

Moses Hogan and John Jacobson have combined their considerable talents to create a secular gospel-style work that is accessible to choirs of all ages. Ideal for Dr. Martin Luther King Jr. day Black History month and many otherconcert occasions it is instantly appealing! Available for: SATB SAB and 2-Part. Performance Time: Approx. 2:30.

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These 'living' trees said to be the work of benign spirits were brought into people's houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum' the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

Description Felix Mendelssohn: Symphony No.5 Reformation (Dover Miniature Score) In this staple of the orchestral repertoire, Mendelssohn interprets the Reformation in symphonic terms, building to a powerful series of variations on Martin Luther's confessional chorale, Ein feste Burg ist

Commissioned by the Pennsbury High School Concert Choir, James D. Moyer, director in celebration of the tenth annual Big Sing concert in Princeton University Chapel, April 25, 2018 and to mark the fiftieth anniversary of the assassination of Martin Luther King, April 4, 1968 and his preaching in Princeton University Chapel

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year./ Répertoire / Solistes STB, Choeur SATB, ou Basson, Instruments

from Selma-The dramatic song by American rap artist and actor Common and singer/songwriter John Legend is featured in the historical film drama Selma based on the 1965 Selma to Montgomery voting rights marches led by Martin Luther King and other civil rightsleaders of the time. A powerful learning opportunity for a new generation!

A Mighty Fortress Is Our God arranged by John Rutter for SATB choir congregation and Organ.An arrangement of Martin Luther's popular hymn Ein feste Burg with the English translation by F.H. Hedge. Rutter arranges verses 1 3 and 4 using J.S. Bach's harmonization for verse 2. An accompaniment for Brass Ensemble is available on sale.

Moses Hogan and John Jacobson have combined their considerable talents to create a secular gospel-style work that is accessible to choirs of all ages. Ideal for Dr. Martin Luther King Jr. day Black History month and many otherconcert occasions it is instantly appealing! Available for: SATB SAB and 2-Part. Performance Time: Approx. 2:30.

Mezzo Org. Par PLANYAVSKY PETER. Psalm 39: Ich bin verstummt (nach Martin Luther) - Psalm 23: Der Herr ist mein Hirt (Rupert Storr) / Date parution : 1964-01-01/ Répertoire / Choeur

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Op. 33 for Brass Quintet. Commissioned by the Three Choirs Festival 1992 and premiered by the London Gabrieli Brass Consort.This is a short piece for brass quintet in one movement. The polyphony of the introduction gives wayto massed chords which in turn lead to the first main section. This is a funeral march during which all the instruments have solos in turn. The trombone is first then trumpet I; horn; later in duet with trumpet II; finallythere is long solo for the tuba.The second section is a series of fanfares on trumpets joined by the horn which alternate with successive phrases of a chorale melody on the lower instruments - horn trombone and tuba. MitFried and Freud ich far dahin is Martin Luther’s masterly and very beautiful re-creation in German of the Nunc dimittus. The massed chords of the introduction then return and the piece ends with the polyphony with which itbegan.Parts available: SOS04782

Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year./ Répertoire / Solistes STB, Choeur SATB, (Basson), Instruments à