by Anna Castellari. Par LEO LEONARDO. / Date parution : 2022-02-03/ Recueil / Harpe

Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano

Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately recognized the young man's talent. He remained at the 'Pietà' for a long time as a pupil first and then as a mastricello; finally, on the master's death, he deservedly succeeded him. / Date parution : 2023-06-01/ Répertoire / Soprano, Alto, Cordes et Basse Continue

Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi's La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.

Cet album, pour les français cor et piano, arrangements facile de caractéristiques des sélections instrumentales de la bande originale de blockbuster de 1997 de James Cameron sur le naufrage du Titanic, qui avait Leonardo DiCaprio et Kate Winslet comme les personnages de fiction Jack Dawson et Rose DeWitt Bukater - deux membres de différentes classes sociales qui tombent amoureux à bord de l'infortuné voyage inaugural de 1912 du navire. La sélection comprend My Heart Will Go On, le thème de l'amour du film. / Cor Français Et Piano

Par HORNER JAMES. Cet album, pour trombone et piano, arrangements facile de caractéristiques des sélections instrumentales de la bande originale de blockbuster de 1997 de James Cameron sur le naufrage du Titanic, qui avait Leonardo DiCaprio et Kate Winslet comme les personnages de fiction Jack Dawson et Rose DeWitt Bukater - deux membres de différentes classes sociales qui tombent amoureux à bord de l'infortuné voyage inaugural de 1912 du navire. La sélection comprend My Heart Will Go On, le thème de l'amour du film./ Feuillet / Trombone et Piano

Tonalité : G-Dur -. Par SCHROTER LEONHART / HERMAN NIKOLAUS. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SSATB

Von Gott will ich nicht lassen. Par BACH JOHANN SEBASTIAN / SCHROTER LEONHART. Gattungen: Kirchenlieder, Sätze -/ Répertoire / Choeur Mixte

Allein Gott in der Höh. Par PRAETORIUS MICHAEL / SCHROTER LEONHART. Fastenzeit und Passion -/ Répertoire / Choeur Mixte

Compositeur(s): ALEXANDRE GEORGES, FRANCK GEORGES, DENIS LEONHARDT, ERIC KAÏJA GUERRIER and ALEXANDRE BERTRAND / Piano Et Chant