Leonardo a été initialement écrit pour la télévision. Au cours des années 1980, j'ai été impliqué dans un projet BBC pour faire un film sur Léonard de Vinci, avec une attention particulière à son influence sur la technologie du 20e siècle et la philosophie. Comme un artiste visuel, mais celui qui a été à l'origine une formation de physicien, toute personne qui est la vie-travail travées et fait converger les arts avec les sciences est fascinant pour moi. Edward Cowie 2010. / Orchestre / 116 pages / Partition

10 Original Duets for C Euphonium B.C.. Par SCHWARZ OTTO M.. Les duos Doobidoo for Two sont le fruit d‘une collaboration entre le compositeur Otto M. Schwarz et le tromboniste & compositeur Leonhard Paul. Leonhard Paul est mondialement connu comme un des membres créatifs du Mnozil Brass. Il a étudié la pédagogie musicale ainsi que le jazz et il est aujourd’hui chargé de cours à l’Université de Musique de Vienne (MDW). Dans ce recueil, vous trouverez des duos de différents styles, souvent avec des indications humoristiques. Ces duos existent pour 2 trompettes, 2 cors, 2 trombones, 2 euphoniums clé de fa & clé de sol, 2 tubas et dans des versions euphonium & tuba ainsi que trompette & trombone./ Répertoire / 2 Euphoniums C

10 Original Duets for Horn. Par SCHWARZ OTTO M.. Les duos Doobidoo for Two sont le fruit d‘une collaboration entre le compositeur Otto M. Schwarz et le tromboniste & compositeur Leonhard Paul. Leonhard Paul est mondialement connu comme un des membres créatifs du Mnozil Brass. Il a étudié la pédagogie musicale ainsi que le jazz et il est aujourd’hui chargé de cours à l’Université de Musique de Vienne (MDW). Dans ce recueil, vous trouverez des duos de différents styles, souvent avec des indications humoristiques. Ces duos existent pour 2 trompettes, 2 cors, 2 trombones, 2 euphoniums clé de fa & clé de sol, 2 tubas et dans des versions euphonium & tuba ainsi que trompette & trombone./ Répertoire / 2 Cors

Par CALL LEONHARD VON / KOHLER GOTTLIEB HEINRICH. / Répertoire / 3 Flûtes Traversières

Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano

Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately recognized the young man's talent. He remained at the 'Pietà' for a long time as a pupil first and then as a mastricello; finally, on the master's death, he deservedly succeeded him. / Date parution : 2023-06-01/ Répertoire / Soprano, Alto, Cordes et Basse Continue

Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi's La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.