a-Moll. Par BUXTEHUDE DIETRICH. Einzige Quelle für die Suite in a ist der 1704 in Breitenberg bei Itzehoe entstandene Teil einer Sammelhandschrift des Organisten Johann Kruse. Aufgrund der Autorenangabe 'D. B. H. ', die in entsprechender Weise auch bei Stücken anderer Komponisten vorgenommen worden ist und sich bestätigt hat, ist es naheliegend, das Werk Dieterich Buxtehude zuzuweisen, zumal Kruse in Hamburg aller Wahrscheinlichkeit nach auch Kontakt zu ihm hatte. Unter den Buxtehude zugeschriebenen Cembalosuiten steht die hier erstmals veröffentlichte wegen der Kürze ihrer vier Sätze den ihr zugrundeliegenden Tanz-Grundmustern am nächsten - ein klein dimensioniertes, aber kunstvolles Werk./ Répertoire / Clavecin

Dietrich Buxtehude (1637 ? - 1707) est connu en premier lieu comme l'un des maîtres de Jean-Sébastien Bach. Le réduire à ce rôle n'est pas juste puisque, comme le dit l'or- ganiste Michel Chapuis, ' Si Jean-Sébastien Bach n'avait pas existé, Dietrich Buxtehude serait certainement le premier '. Dans sa découverte du ' plus grand musicien et compositeur d'Allemagne du Nord ', le lecteur est entraîné sur les traces de Dietrich Buxtehude à travers le temps, les lieux et l'histoire, depuis les débuts de la Réforme luthérienne jusqu'au XXIème siècle, de la Suède au Danemark et à l'Allemagne du Nord, de la musique à la facture d'orgues, tout en faisant connaissance avec la richesse et la diversité de la vie et de l'oeuvre du compositeur. / Livre

Für die Passionszeit des Jahres 1680 komponierte Dieterich Buxtehude sein größtes oratorisches Werk, den Kantatenzyklus Membra Jesu nostri und widmete diesen dem mit ihm befreundeten schwedischen Hofkapellmeister Gustav Düben. In den sieben Einzelkantaten, die prinzipiell alle dem Schema „instrumentale Einleitung – Chorsatz mit Bibeltext – Vokalsoli (Aria) mit mittelalterlicher geistlicher Dichtung – Wiederholung des Chorsatzes“ folgen, werden Füße, Knie, Hände, Seite, Brust, Herz und Gesicht des gekreuzigten Christus allegorisch gedeutet.
BuxWV 75
Coro SSATB, 2 Vl, Vne, 5 Vga (2 Vl, Vne, 2 Vga), Bc
Latin / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS

Dietrich Buxtehude’s Magnificat is an opulent-sounding work which obtains striking results with musically simple means. It contains no particular difficulties and makes a welcome addition to the repertoire of many choruses. Besides the score with enclosed instrumental parts the choral score and supplementary parts can be purchased seperately.

Par BUXTEHUDE DIETRICH. Das neugeborne Kindelein (The newborn babe, the heavenly child) (BuxWV 13) for Mixed choir (SATB), Strings, Basso continuo Dietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lubeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings, style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo. Dietrich Buxtehude's Cantata forfour part chorus is suited remarkably well for the Christmas services as well as the general religious services which choruses take part in every year. This opulent-sounding work possesses its every own special Christmas magic. It is a piece which can claim a place in the repertoire of many choruses. - Score with parts (BA717), separate parts (BA717) and choral score (BA717-91) available for sale/ Répertoire / SATB

Voorhout, Johannes (Illustr.) - Buxtehude, Dieterich (Trad.) -/ Répertoire / Affiche

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Singet dem Herrn ein neues Lied' is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in concertato style, offers both soloists rewarding challenges. / Date parution : 2006-02-01/ Répertoire / Solo S, Violon et Basse Continue

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Singet dem Herrn ein neues Lied' is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in concertato style, offers both soloists rewarding challenges. / Date parution : 2006-02-01/ Répertoire / Solo S, Violon et Basse Continue

Par BUXTEHUDE DIETRICH. Dietrich Buxtehude’s Cantata for fourpart chorus is suited remarkably well fort he Christmas services as well as the general religious services which choruses take part in every year. This opulent-sounding work possesses its every own special Christmas magic. It is a piece which can claim a place in the repertoire of many choruses. Besides the score with enclosed instrumental parts, the choral score and supplementary parts can be obtained seperately/ Répertoire / 4 Parties Mixtes, Instruments à Cordes et Basse Co

Motet. Par BUXTEHUDE DIETRICH. Dietrich Buxtehude?s Magnificat is an opulent-sounding work, which obtains striking results with musically simple means. It contains no particular difficulties and makes a welcome addition to the repertoire of many choruses. Besides the score with enclosed instrumental parts, the choral score and supplementary parts can be purchased seperately./ Répertoire / SSATB

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between instruments and the voice, with the inclusion of virtuoso passages. / Date parution : 2006-01-01/ Répertoire / Solo S, 2 Violons, Viole de Gambe et Basse Continu

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Düben, refers to the accompanying violin parts in the words “con due vel piu violini”. This may indicate that each part should be played by several instrumentalists. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Düben, refers to the accompanying violin parts in the words “con due vel piu violini”. This may indicate that each part should be played by several instrumentalists. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Düben, refers to the accompanying violin parts in the words “con due vel piu violini”. This may indicate that each part should be played by several instrumentalists. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B

Par BUXTEHUDE DIETRICH. Buxtehude took the melody and words from the evening hymn Christ, der du bist der helle Tag. The words are embellished with coloratures and a change of meter enhances the work’s charme. This composition goes beyond the bounds of a straightforward chorale cantata through its use of concertante elements, which also applies the voice parts. The title of this work, on a copy made by Gustav Düben, refers to the accompanying violin parts in the words “con due vel piu violini”. This may indicate that each part should be played by several instrumentalists. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B