La référence GB5974 de l'éditeur Billaudot dont l'auteur célèbre est Conrad Matthieu, qui a pour titre LES GAMMES UTILISEES DANS L'IMPROVISATION (CONJOINTES, ARPEGES), a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Pédagogie. / Etudes / Partition

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first - 'Hagars Klage' (D 5), dated 30 March 1811 - is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied', D 23), which - the only one of these songs - was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ('Des Teufels Lustschloss', D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works' composition and transmission, together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 - D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l'onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) / Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 /Appendix (lower transpositions of the songs only in high ranges):Die Schatten, D 50 / Adelaide, D 95 / Voix Moyenne(s)

Les éditions Bärenreiter sont les détentrices des droits de la partition Easy Organ Pieces, Volume 1-4 de Auteurs Divers qui fait partie du style Classique et contentera toutes les personnes pratiquant Orgue. / Orgue

Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton

Référence unique par son ISBN 9790043080169 cette partition musique de Conrad Matthieu n'est autre que 32 JAZZOLOGIES. Les droits d'auteur de cette partition de musique de style Jazz & Blues se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est GB8016. / Etudes / Partition

Tonalité : D-Dur -. Par BECK CONRAD. Kirchenlieder, Sätze - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB

Par HAGIUS CONRAD. Verwendung / Anlässe: Trauer, Tod - Langue : Allemand/ Répertoire / Choeur SAM

Par BECK CONRAD. Gattungen: Psalmen, deutsch - Langue : Allemand / Psaumes / Répertoire / Choeur SAM

Par HAGIUS CONRAD. Gattungen: Motetten - Verwendung / Anlässe: Hochzeit, Taufe, Trauer, Tod - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Par BECK CONRAD. Gattungen: Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank, Morgen, Mittag, Abend - Langue : Allemand / Psaumes / Répertoire / Choeur SAM

This is a sea shanty but very lyrical. It's the end of the voyage when the men are all weary. It is a good one to bridge the gap between the other Rosa Conrad shanty and the more lyrical folk songs in the Accessible Choral Library series.