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Conversations (WHITTENBERG CHARLES)
20.89
Conversations (WHITTENBERG CHARLES)
Contre Basse
[Partition]
Peters
Par WHITTENBERG CHARLES. Double Bass - Durée: 6 min 30 / Contemporain / Réper...
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Par WHITTENBERG CHARLES. Double Bass - Durée: 6 min 30 / Contemporain / Répertoire / Contrebasse
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Swingin' Bassoons Pour 2 Bassons
18.71
Swingin' Bassoons Pour 2 Bassons
En Français
2 Bassons (duo)
Delatour France
'Swingin' bassoons? est un duo de bassons sur un rythme 'swing?, Cette pièce ...
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'Swingin' bassoons? est un duo de bassons sur un rythme 'swing?, Cette pièce est une sorte de conversation musicale pour cet instrument trop rarement utilisé dans les musiques de jazz, / 2 Bassons
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Dobbins B. - The Contemporary Jazz Pianist Vol.3
31.09
Dobbins B. - The Contemporary Jazz Pianist Vol.3
Piano seul
Charles Colin Music
I .Stride Piano Styles Cantankerous Chromatics Blues for Fats Basie's Beat B...
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I .Stride Piano Styles Cantankerous Chromatics Blues for Fats Basie's Beat Blood Brother II. Boogie Woogie Piano Basie's Boogie Prickly Pete Wobbly Waltz III. Gospel Piano Sanctified I'm In His Hands Holy Roller IV. Bebop Piano Styles A 624 Red's Blues T Time The Thing Yardbird Conversation V. Solo Ballad Styles For Art's Sake Song for Bill Evans Ballad VI. Harmonic Styles of 1960's and 1970's Centrifuge Waltz for Clare Memories Liberation VII. Latin and Ostinato Styles of the 1970's Autumn Song Winter Song Spring Song Summer Song VIII .Free Jazz Bent Vortex Mobile Anticipation Conclusion Appendix I Solo Piano Recordings of Interest Published Solo Piano Jazz Music Appendix II Publihsed Solo Piano Jazz Music
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Trips: Rock Life in the Sixties: History
15.50
Trips: Rock Life in the Sixties: History
[Livre]
Dover Publications
Name an iconic Sixties rock moment and Ellen Sander was probably there. A beauti...
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Name an iconic Sixties rock moment and Ellen Sander was probably there. A beautifully written, sweeping yet intimate account of America's cultural awakening in that decade. Massively entertaining" ? Rolling Stone As a pioneering rock journalist for Hit Parader, Vogue, Saturday Review, and other publications, Ellen Sander had a backstage pass to the hottest music scenes of the 1960s. In this feast of juicy anecdotes and keen social commentary, she draws upon her professional and personal experiences to chronicle pop culture's highs and lows during the turbulent decade. Join her for weird and wild road trips with companions ranging from Yippies to the members of Led Zeppelin. Stops along the way include the folk music clubs of Greenwich Village, Haight-Ashbury in its riotous heyday, and the euphoric festivals at Monterey and Woodstock. "It is a memoir, a sourcebook, and a love letter," Sander writes, "a recollection of a time, parenthesized by ambivalence and apathy, a search for the ultimate high, a generation with an irrepressible vision, its art, artists, its audience, and the substance of its statement." This expanded edition of Trips adds "The Plaster Casters of Chicago," Sander's seminal piece on groupie culture, the lengthy "Concerts and Conversations," as well as a new Preface and chapter postscripts. Update of the Charles Scribner's Sons, New York, 1972 edition.
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Barrientos C. - Mambo For Mo - Guitare
8.00
Barrientos C. - Mambo For Mo - Guitare
Guitare
Guitare classique
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.
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The Music of Lutoslawski: Theory
29.99
The Music of Lutoslawski: Theory
Théorie de la musique
[Livre]
Omnibus Press
Expanded Third Edition. Witold Lutoslawski is widely regarded as one of the fore...
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Expanded Third Edition. Witold Lutoslawski is widely regarded as one of the foremost composers of the post-war era and one of the truly great musicians of the 20th century. Charles Bodman Rae's examination of Lutoslawski's life and work draws on wide-ranging and meticulous research, including hours of recorded conversation with the composer himself. Now expanded for this third edition to include an additional chapter and many more photographs, The Music of Lutoslawski is an absorbing study of the man and his music.
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Musically Incorrect (Conversations About Music At The End Of The 20Th Century)
Divers
Peters
/ Livre
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Piano Treasury Of Hymns Cd
27.40
Piano Treasury Of Hymns Cd
Piano, Voix
[Partition + CD]
-
Intermédiaire
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
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The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Gospel Homecoming 40 Favorite Gospel Songs
22.70
Gospel Homecoming 40 Favorite Gospel Songs
En Français
Piano, Voix et Guitare
[Conducteur]
-
Facile
ID Music
A Gospel Homecoming est une collection de certains des plus beaux chants gospel ...
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A Gospel Homecoming est une collection de certains des plus beaux chants gospel jamais! Voici une collection de chansons soigneusement sélectionnés qui évoquent une époque plus simple ... à partir de sélections Southern Gospel aux cantiques préférés. Comme vous le chanter et de jouer à travers ces chansons, vous serez transportés vers un lieu de paix et de fraternité. Utilisez cette collection précieuse comme une pièce maîtresse pour créer votre propre groupe ou des rassemblements bourse musicale. Vous pouvez rentrer chez vous ... avec un retour aux sources évangéliques. / Piano/Vocal/Guitare (PVG) / niveau : Facile / Partition
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Charles C. Converse: What a Friend We Have in Jesus: SATB: Vocal Score
13.75
Charles C. Converse: What a Friend We Have in Jesus: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
Lovely arrangement of the familiar hymn that is easily learned and a standard of...
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Lovely arrangement of the familiar hymn that is easily learned and a standard of the repertoire
13.75 GBP - vendu par Musicroom GB
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2 vendeurs
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Charles C. Converse Cleavant Derricks: Take It To The Lord in Prayer: SATB
36.50
Charles C. Converse Cleavant Derricks: Take It To The Lord in Prayer: SATB
Chorale SATB
Hope Publishing Company
Rhythm Parts: Conductor's Score Tambourine Piano Synth (B3) Bass Guitar & D...
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Rhythm Parts: Conductor's Score Tambourine Piano Synth (B3) Bass Guitar & Drums
36.50 GBP - vendu par Musicroom GB
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Highlights Of Familiar Hymns In Transcriptions
Piano seul
Theodore Presser Co.
/ Piano
16.67 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Charles C. Converse: What A Friend We Have In Jesus - Instr.: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
Instrumental Accompaniment Set-Includes: Harp or Keyboard 2 Clarinets Cello B...
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Instrumental Accompaniment Set-Includes: Harp or Keyboard 2 Clarinets Cello Bass and Full Score
23.99 GBP - vendu par Musicroom GB
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Charles C. Converse: What a Friend We Have in Jesus: SATB: Vocal Score
2.75
Charles C. Converse: What a Friend We Have in Jesus: SATB: Vocal Score
Chorale SATB
[Vocal Score]
This is a beautiful arrangement of the well-loved title song for mixed chorus s...
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This is a beautiful arrangement of the well-loved title song for mixed chorus soprano solo harp (or keyboard) clarinets cello and string bass.
2.75 GBP - vendu par Musicroom GB
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Charles C. Converse Cleavant Derricks: Take It To The Lord in Prayer: SATB
2.75
Charles C. Converse Cleavant Derricks: Take It To The Lord in Prayer: SATB
Hope Publishing Company
John 15:15 Ephesians 6:18 I Thessalonians 5:17 Matthew 11:28-20 Philippians 4...
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John 15:15 Ephesians 6:18 I Thessalonians 5:17 Matthew 11:28-20 Philippians 4:6
2.75 GBP - vendu par Musicroom GB
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3 vendeurs
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Keveren, Phillip / Rejino, Mona / Kern, Fred : Adult Piano Method : Traditional Hymns Book 1
14.95
Keveren, Phillip / Rejino, Mona / Kern, Fred : Adult Piano Method : Traditional Hymns Book 1
Piano seul
[Partition + CD]
-
Facile
Hal Leonard
Variétés Internationales / Partition CD /
14.95 EUR - vendu par Note4Piano
Délais:
2-5 jours - En Stock Fournisseur
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What A Friend
Divers
Zen-on
/ Divers
6.82 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Hymns
27.40
Hymns
Guitare notes et tablatures
[Partition + CD]
-
Intermédiaire/avancé
Hal Leonard
Steve Hunter est un guitariste américain réputé surtout pour ses collaboratio...
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Steve Hunter est un guitariste américain réputé surtout pour ses collaborations avec Alice Cooper et Lou Reed. Retrouvez ici les transcriptions pour guitare (tablatures) des morceaux de l'album intitulé 'Hymsn de la guitare'. Inclus une biographie de l'artiste ainsi qu'un CD des enregistrements originaux. / Guitare / Partition Cd
27.40 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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12 Songs For Guitar
25.53
12 Songs For Guitar
Guitare
Guitare classique
Schott
/ Guitare
25.53 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Early American Banjo (TWISS TIM)
26.13
Early American Banjo (TWISS TIM)
Banjo
-
Intermédiaire/avancé
Mel Bay
Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American...
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Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo
26.13 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Modern
24.42
Modern
Piano seul
Schott
Modern Piano propose 90 pièces originales faciles des 20e et 21e siècles. Les ...
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Modern Piano propose 90 pièces originales faciles des 20e et 21e siècles. Les oeuvres sélectionnées témoignent d'une grande variété de styles et englobent musique nouvelle et néoclassique, danses modernes, jazz, blues, pop, rock, pièces pédagogiques, musique méditative, musique new-age et bien d'autres choses encore : un spectre multicolore de styles variés jetant des ponts entre musique classique et populaire, avec des pièces 'crossover' où se rejoignent de différents mondes musicaux.Les miniatures sélectionnées ici invitent à un voyage de découvertes musicales riches en expériences nouvelles autour de sonorités et de rythmes modernes. Toutes les pièces peuvent être utilisées aussi bien dans le cadre de l'enseignement que pour les auditions, les examens et les concours d'élèves, ou tout simplement comme répertoire à jouer par tous les pianistes aux oreilles grandes ouvertes. / Piano
24.42 EUR - vendu par LMI-partitions
Délais:
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