Cantata No.212: Mer Hahn En Neue Oberkeet (The Chamberlain is now our Squire) BWV 212.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach?s secular cantatas.The Peasant Cantata of 1742 Bach?s last datable cantata is a musical description of folk life.It was composed as a tribute to Picander?s superior Carl Heinrich von Dieskau who had inherited the family estate in 1742.Both cantatas reveal Bach?s mastery in their unusual subject-matter formal design and musicalworkmanship. Now they appear in separate editions based on the ?New Bach Edition? with straightforward and easy-to-play Piano reductions by Andreas Köhs.- Urtext of the ?New Bach Edition?.- Straightforward and easy-to-play Piano reduction.- Vocal score (BA10212-90) performance material (BA10212) and study score (TP1212) available for sale.

THE CHAMBERLAIN IS NOW OUR SQUIRE EDITION : STUDY SCORE INSTRUMENTATION : 2 SOLO PARTS, CHOIR AND CHAMBER ORCHESTRA CATALOGUE OF WORKS : BWV 212 DATE OF PUBLICATIONS : 21/01/1986 NUMBER OF PAGES : 68 ARRANGER : ALBERTI, MAX SERIES : EULENBURG MINIATURE S

Les duos faciles pour violon de Jean-Sébastien Bach, dans l'arrangement de Gustav Lenzewski, ont toujours joui d'une grande popularité. Pour cette réédition, Wolfgang Birtel a adopté l'arrangement complet du recueil - à l'exception de quelques mouvements / 2 Violons / 24 pages / niveau : Facile / Partition

This volume reproduces all 25 of Bach's complete sets of preludes and fugues (i.e. compositions written as pairs), from the authoritative Bach-Gesellschaft edition. Organists and music lovers can enjoy Bach's beautiful compositions in one convenient edition ? ideal for reading, study, and performance. Content :
Prelude and Fugue, C Major (BWV 531. BG XV, 81)
Prelude and Fugue, D Major (BWV 532. BG XV, 88)
Prelude and Fugue, E Minor (BWV 533. BG XV, 100)
Prelude and Fugue, F Minor (BWV 534. BG XV, 104)
Prelude and Fugue, G Minor (BWV 535. BG XV, 112)
Prelude and Fugue, A Major (BWV 536. BG XV, 120)
Prelude and Fugue, D Minor (BWV 539. BG XV, 148)
Prelude and Fugue, G Major (BWV 541. BG XV, 169)
Prelude and Fugue, A Minor (BWV 543. BG XV, 189)
Prelude and Fugue, B Minor (BWV 544. BG XV, 199)
Prelude and Fugue, C Major (BWV 545. BG XV, 212)
Prelude and Fugue, C Minor (BWV 546. BG XV, 218)
Prelude and Fugue, C Major (BWV 547. BG XV, 228)
Prelude and Fugue, E Minor (BWV 548. BG XV, 236)
Prelude and Fugue, C Minor (BWV 549. BG XXXVIII, 3)
Prelude and Fugue, G Major (BWV 550. BG XXXVIII, 9)
Prelude and Fugue, A Minor (BWV 551. BG XXXVIII, 17)
Eight Short Preludes and Fugues (possibly spurious)
1. C Major (BWV 553. BG XXXVIII, 23)
2. D Minor (BWV 554. BG XXXVIII, 27)
3. E Minor (BWV 555. BG XXXVIII, 30)
4. F Major (BWV 556. BG XXXVIII, 33)
5. G Major (BWV 557. BG XXXVIII, 36)
6. G Minor (BWV 558. BG XXXVIII, 39)
7. A Minor (BWV 559. BG XXXVIII, 42)
8. B-flat Major (BWV 560. BG XXXVIII, 45)

Cantata for the 1st Easter Day-Der Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is aswide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Cantata No.211: Schweigt Stille Plaudert Nicht (Be quiet chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach?s secular cantatas.Written in or around 1733 the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the Soprano aria ?Ah how sweet the coffee tastes lovelier than a thousand kisses milder than Muscatel?.Both cantatas reveal Bach?s mastery in their unusual subject-matter formal design and musicalworkmanship. Now they appear in separate editions based on the ?New Bach Edition? with straightforward and easy-to-play Piano reductions by Andreas Köhs.- Urtext of the ?New Bach Edition?.- Straightforward and easy-to-play Piano reduction.- Vocal score (BA10211-90) performance material (BA10211) and study score (TP1211) available for sale.