Tarik O'Regan's Where All Is Buried for SATB choir with Percussion. Commissioned by the Providence Singers with support from its Wachner Fund for New Music.

Richard Rodney Bennett's wonderful version of the Missa Brevis arranged for SATB Choir with a Piano accompaniment for rehearsal purposes.

An Outrage is an enticing piece of music composed by Nico Muhly and has been scored for SATB Drones and Drum.It's galloping melodic lines slip out of the percussive writing as if by centrifugal force holding a sense of outrage at bay.Nico Muhly has composed a wide scope of work for ensembles soloists and organizations including the American Symphony Orchestra New York City Ballet The Royal Ballet and artist Conrad Shawcross to name a few. Muhly has also lent his skills as performer arranger and conductor to the likes of Usher and Björk.

The Greatest of These is Love. For SATB choir and organ. Written for Steven Martin and the Choir of St Eustachius Parish Church, Tavistock on the occasion of the Church's 700th anniversary.

Nonsense syllables and passages for various forms of laughter make this a highly entertaining work for both singers and listeners. Challenging and quick rhythms make this a great selection for good high school choirs and above. / Choeur Mixte (SATB) Et Percussions

A tremendously fun arrangement of a South African greeting song that exclaims, 'Bless you in the name of the father!? The use of a soloist and Percussion brings this setting to life. A perfect closer for your concert, festival or honour choir! / Choeur Mixte (SATB) Et Percussions

Work for Solo Voices SATB Chorus Timpani Tubular Bells and Strings. Text: Arch-Priest Gregory Petrov.

Three John Donne Settings was commissioned by the Friends of the National Youth Choir of Wales. Comisiynwyd gan Gyfeillion Côr Cenedlaethol Ieuenctid Cymru.Three John Donne Settings was first performed on 26 July 2013 by the National Youth Choir of Wales conducted by David Lawrence at St. Mary’s Church Conwy as part of the Conwy Classical Music Festival.

Six settings of Innuit texts for mixed voices and optional percussion. If percussion is not available then singers should clap the rhythms indicated four to each part depending on the acoustics of the building.MagicWords was commissioned for the Little Missenden Festival. It received its first performance there on 13 October 2000 by the Joyful Company of Singers conducted by Peter Broadbent. Duration c. 15 minutes. A piano part isincluded for rehearsal purpose.

Commissioned by the Providence Singers with support from its Wachner Fund for New Music. Includes full vocal and percussion score (for 6 percussionists) on each page.