Münchner Kyrie'. Par MOZART WOLFGANG AMADEUS. Der Beiname 'Münchner Kyrie' geht auf die Besetzung des Werkes zurück: Da hier Klarinetten vorgesehen sind, die Mozart in Salzburg nicht zur Verfügung hatte und in München für den 'Idomeneo' besetzte. Heute wird hingegen angenommen, dass Mozart dieses Werk 1791 komponierte. / Messe / Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Hautbois, 2

Par DVORAK ANTONIN. Em Pianoehlungen: Kammerchor - Em Pianoehlungen von Frieder Bernius - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Chorsammlungen für gemischten Chor -/ Répertoire / Choeur Mixte

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Mozart's Missa in C for SATB. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. / Messe / Répertoire / Solistes SATB, Choeur SATB/SATB, Flûte Traversière

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. / Psaumes / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Tonalité : C-Dur - Horn, Paul (Arr.) - Kv 141(66B). Par MOZART WOLFGANG AMADEUS. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Jahreswende - Langue : Latin / Musique religieuse / Répertoire / Choeur SATB, 2 Clarinettes, 2 Trompettes, Timbales

Haydn's Insanae et vanae curae for SATB.For the revival in the Burgtheater Vienna in March 1784 Haydn modernized his oratorio 'Il ritorno di Tobia'. He added the choruses 'Ah gran Dio' and 'Svanisce in un momento' the second of which called 'Der Sturm' was reworked in the sacred motet 'Insanae et vanae curae'. This was an authentic or an authorized parody.

This album for mixed choir and piano contains a selection of richly varied choruses from Italian French German English and Russian operas from the 17th to 19th centuries illuminating the great diversity of the genre.Foreword (Ger/Eng) which places the choruses in their dramatic context and includes suggestions for study and interpretationNotes on pronounciation of the Russian song textIn a large format (23 x 30 cm)