for SSAA unaccompanied A simple and tender seeting of William Blake's famous poem, particularly suitable for younger voices.

O Regem caeli. for SSAA unaccompanied. Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines before atriple-metre section of resounding 'alleluia's.

The Arrow and the Song. for SSSAAA unaccompanied This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies soarthrough the vibrant texture, and offer plenty of opportunities for soloists.

Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.

This work have been composed for the DR Girl choir in 2014, with lyrics by Knud Romer.

I Wonder as I Wander. Already a haunting melody, this setting is even more captivating with the addition of the oboe obbligato. Although piano can always accompany adequately, the use of harp furthers the mystic sonorities. This is a stunning Christmas concert selection of medium difficulty.

for unaccompanied five-part women's chorus (SSSAA) Although quite short this is one of Clarke's boldest and in some respects most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.