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Liszt-Die drei zigeuner in d minor,for Voice and Piano
Liszt-Die drei zigeuner in d minor,for Voice and Piano
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Liszt-Du bist wie eine blume in F Major,for Voice and Piano
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Liszt-Comment disaient-ils in c minor,for Voice and Piano
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2011
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Rapsodies Hongroises And Other Melodies
Piano solo
EMB (Editio Musica Budapest)
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhaps...
(+)
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece #13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later #7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This editions contents are identical to those of the hardcover edition with the exception that the critical notes are not included. / Piano
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Années de pèlerinage - Deuxième Année - Italie (LISZT FRANZ)
Piano solo
[Sheet music]
G. Henle
Par LISZT FRANZ. La genèse et la publication des deux premiers volumes des Ann...
(+)
Par LISZT FRANZ. La genèse et la publication des deux premiers volumes des Années de pèlerinage de Liszt sont étroitement liées. À peine un an après leur retour de Suisse, Liszt et sa compagne, Marie d?Agoult, entreprennent en août 1837 un voyage en Italie qui durera plus de deux années. Si, dans le volume Suisse, le compositeur s?était principalement attaché à dépeindre en musique la nature, les paysages et l?histoire du pays, il transcrit dans la partie Italie des impressions provenant de la poésie (Pétrarque, Dante) et des arts plastiques (Raphaël, Michel-Ange). L?ensemble de sept pièces composées entre 1838 et 1849, qui s?achève sur son point culminant, la sonate dite Dante, a fait, avant sa publication en 1858, l?objet de multiples remaniements partiels. Le cahier Venezia e Napoli, paru trois ans plus tard sous forme d?un supplément, est disponible séparément sous la référence HN 985. Par ailleurs, la présente édition révisée prend pour la première fois en compte une copie manuscrite du n° 2 (copie destinée au graveur), comportant des corrections de la main de Liszt. Le pianiste suisse Francesco Piemontesi a pu être sollicité pour la réalisation des doigtés. / Date parution : 2022-02-03/ Recueil / Piano
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Franz Liszt: Années de pèlerinage: Piano: Instrumental Work
Piano solo
Peters
The three volumes of Années de pèlerinage (?Pilgrim Years?) are among Liszt?s ...
(+)
The three volumes of Années de pèlerinage (?Pilgrim Years?) are among Liszt?s most important compositions for piano solo. From dramatic-virtuoso to pensive-romantic music, the 29 ?travel pieces? represent the complete range of Liszt?s compositional expression. For the first time, this first volume of the trilogy, Suisse (Switzerland) is published together with the Trois Morceaux suisses, in line with the composer?s original intention to combine all his Swiss-inspired character pieces into a single volume. The musical journey is supported by the inclusion of historical illustrations of the scenes and landscapes that inspired the composer. Edited by world-renowned Liszt expert and concert pianist Leslie Howard, the edition also contains Liszt?s original fingerings.
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Hungarian National Songs (LISZT FRANZ)
Piano solo
[Sheet music]
EMB (Editio Musica Budapest)
Hardcover, Cloth-Bound. Par LISZT FRANZ. This volume contains Liszt's earliest p...
(+)
Hardcover, Cloth-Bound. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano
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Etudes D'Exécution Transcendante D'Apres Paganini - Bravourstudien Nach Paganinis Capricen And Other Works - Suppl.12
Piano solo
EMB (Editio Musica Budapest)
La partie principale du Supplément Volume 12 dispose le prédécesseur de Grand...
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La partie principale du Supplément Volume 12 dispose le prédécesseur de Grandes Etudes de Paganini , une série de six études écrites après Paganini entre 1838 et 1840, et en passant par Liszt performances transcendant ( Etudes d'exécution transcendante d'apres Paganini ) . La série a été inspiré non seulement par le violoniste virtuose et Caprices et le Concerto pour violon du compositeur en si mineur , mais aussi par les études de Paganini de Schumann , Liszt probablement rencontrés grâce à Clara Wieck au début de 1838. Le volume comprend également les première et deuxième versions solo de piano de Die Zelle dans Nonnenwerth (1840 et 1841 ) , que Liszt compose d'un certain nombre de fois dans plusieurs versions , ainsi que deux transcriptions de Wagner et les premières versions de l'adaptation de deux oeuvres de Russie compositeurs .Une préface détaillée en hongrois , anglais et allemand , y compris les nouveaux résultats de la recherche , de nombreux fac-similés de manuscrits et notes critiques font de ce volume de la nouvelle édition Liszt une publication particulièrement important de valeur scientifique . Simultanément, le livre de poche pour des raisons pratiques , son volume Complete Edition tissu lié est publié avec les notes critiques . / Piano
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Robert Schumann Franz Liszt: Liebeslied (Widmung): Piano: Instrumental Work
Piano solo
G. Henle
from 'Myrthen' op. 25-In his virtuosic piano arrangement of Schumann?s ?Widmung?...
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from 'Myrthen' op. 25-In his virtuosic piano arrangement of Schumann?s ?Widmung? (?Du meine Seele du mein Herz?) Franz Liszt transformed this intimate song into a dramatic declaration that reaches its powerful climax at the phrase ?Mein guter Geist mein bess?res Ich? using chords to be played con somma passione. In Liszt?s autograph the melody is overlaid by the song text but he changes the title to ?Liebeslied?. The first edition published in Leipzig in 1848 retainedthis heading and thus the song is still known today under two different titles. In collaboration with Liszt scholar Mária Eckhardt Henle Verlag presents this best-known of all of Liszt?s Schumann arrangements in a reliable HenleUrtext quality edition.
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7 Songs
Baryton Et Quatuor A Cordes
Schott
Aribert Reimann's idea to arrange the lieder of Franz Liszt for baritone and str...
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Aribert Reimann's idea to arrange the lieder of Franz Liszt for baritone and string quartet goes back to his collaboration with Dietrich Fischer-Dieskau, recording some of these lieder for the German broadcasting company formerly known as Sender Freies Berlin (SFB). Since then, Reimann has continued to be fascinated by Liszt's thrilling harmony and unconventional treatment of the voice. Here, he has compiled a cycle containing seven lieder from Liszt's middle and late periods, arranged so that each song is the logical continuation of its predecessor. Liszt's fundamental harmony has been retained, but the registers have been altered to such an extent that they appear in a completely new light. / Baryton Et Quatuor A Cordes
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Ferenc Liszt: Rapsodies hongroises: Piano: Instrumental Album
Piano solo
EMB (Editio Musica Budapest)
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhaps...
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Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece No. 13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later No. 7 in the Hungarian HistoricalPortraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
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Hungarian Folk Songs And Other Melodies (LISZT FRANZ)
Français
Piano solo
Durand
Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written...
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Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano
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Rapsodies Hongroises And Other Melodies
Piano solo
EMB (Editio Musica Budapest)
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhaps...
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Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece #13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later #7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This editions contents are identical to those of the hardcover edition with the exception that the critical notes are not included. / Piano
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Etudes D'Exécution Transcendante D'Apres Paganini - Bravourstudien Nach Paganinis Capricen And Other Works
Piano solo
EMB (Editio Musica Budapest)
La partie principale du Supplément Volume 12 dispose le prédécesseur de Grand...
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La partie principale du Supplément Volume 12 dispose le prédécesseur de Grandes Etudes de Paganini , une série de six études écrites après Paganini entre 1838 et 1840, et en passant par Liszt performances transcendant ( Etudes d'exécution transcendante d'apres Paganini ) . La série a été inspiré non seulement par le violoniste virtuose et Caprices et le Concerto pour violon du compositeur en si mineur , mais aussi par les études de Paganini de Schumann , Liszt probablement rencontrés grâce à Clara Wieck au début de 1838. Le volume comprend également les première et deuxième versions solo de piano de Die Zelle dans Nonnenwerth (1840 et 1841 ) , que Liszt compose d'un certain nombre de fois dans plusieurs versions , ainsi que deux transcriptions de Wagner et les premières versions de l'adaptation de deux oeuvres de Russie compositeurs . Une préface détaillée en hongrois , anglais et allemand , y compris les nouveaux résultats de la recherche , de nombreux fac-similés de manuscrits et notes critiques font de ce volume de la nouvelle édition Liszt une publication particulièrement important de valeur scientifique . En même temps que le volume de l'édition complète en tissu assortis , sa poche pour des raisons pratiques est également publiée , dont le contenu , à l'exception des notes critiques , est identique avec le volume de l'édition complète . / Piano
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Franz Liszt: Consolations: Piano: Instrumental Album
Piano solo
Wiener Urtext
The Consolations are among the best-known Piano works by Franz Liszt. Their popu...
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The Consolations are among the best-known Piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris wereconsulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore a clear notation without page-turn problems makes it easier to study and perform the popular works.
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Franz Liszt: At The Piano - Liszt: Piano: Score
Piano solo
G. Henle
11 well-known original pieces in progressive order of difficulty with practical ...
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11 well-known original pieces in progressive order of difficulty with practical comments-Franz Liszt is still regarded as one of the greatest pianists of all time: a superb virtuoso whose own piano works also bristle with extreme technical difficulties. But no one needs to be afraid of big names. Our carefully chosenselection from Liszt?s immense oeuvre ranges here from the easy to the moderately difficult. These pieces are truly charming and well-suited for ?ordinary mortals?. And for those who reach the end of the volume there?s aworthwhile reward: perhaps Liszt?s best-known piano piece the third ?Liebestraum? ...
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LISZT F. - AT THE PIANO LISZT
Piano solo
G. Henle
Franz Liszt est toujours considéré comme l'un des plus grands pianistes ...
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Franz Liszt est toujours considéré comme l'un des plus grands pianistes de tous les temps : un superbe virtuose dont les œuvres pour piano sont également hérissées de difficultés techniques extrêmes. Mais personne ne doit avoir peur des grands noms. Notre sélection soigneusement choisie de l'immense œuvre de Liszt va ici du facile au modérément difficile. Ces pièces sont vraiment charmantes et bien adaptées aux « mortels ordinaires ». Et pour ceux qui arrivent à la fin du volume, il y a une récompense qui en vaut la peine : peut-être la pièce pour piano la plus connue de Liszt, le troisième « Liebestraum »...
Pièce pour piano no. 3 en fa dièse majeur de Quatre pièces pour piano
Pièce pour piano no. 4 en fa dièse majeur de Quatre pièces pour piano
N° de consolation 1 en mi majeur de Consolations
N° de consolation 2 en mi majeur de Consolations
N° de consolation 3 en ré bémol majeur de Consolations
Années de Pèlerinage, Deuxième Année – Italie : Il Penseroso
Hymne de l'enfant à son réveil de Harmonies poétiques et religieuses
Années de Pèlerinage, Première Année – Suisse : Le mal du pays
Années de Pèlerinage, Deuxième Année – Italie : Canzonetta del Salvator Rosa
Années de Pèlerinage, Troisième Année : Aux Cyprès de la Villa d'Este
Liebestraum no. 3 en lab majeur de Liebesträume – 3 Notturnos
/ Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG
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Frédéric Chopin Ferdinand Hiller Franz Liszt: Chopin - Liszt - Hiller Band 5:
Wiener Urtext
Easy piano pieces with practising Tips-This volume presents easy pieces for Pian...
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Easy piano pieces with practising Tips-This volume presents easy pieces for Piano by great virtuosos. It unites the two greatest and perhaps best-known pianists of the 19th century Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the Piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin Hiller's works are frequently reminiscent of folk music. His Irländisches Lied and Fandango included in the collection are fine examples of 19th-century 'world music'.
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Franz Liszt: Années de pèlerinage: Piano: Instrumental Album
Piano solo
G. Henle
Première Année - Suisse. The three volumes of the ?Années de pèlerinage? bel...
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Première Année - Suisse. The three volumes of the ?Années de pèlerinage? belong to the core of Liszt?s piano oeuvre. In the first volume, ?Suisse?, the composer realised impressions of an extended sojourn in Switzerland in 1835/36. The pieces, for the most part published already in 1840/41, were later substantively reworked by Liszt, and the collection enlarged by two numbers, until it received its final form in 1855. For the revision of the Henle Urtext edition, it was possible for the first time to also take into account the engraver?s copy of the first edition that was once again accessible. The resulting modification in the weighting of the sources and further important new findings in Liszt research are presented in detail in the preface and the comments. We were able to enlist the Swiss pianist Francesco Piemontesi for the fingerings.
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Franz Liszt: Rhapsodie espagnole: Piano: Instrumental Work
Piano solo
G. Henle
Liszt’s Piano rhapsodies stand in the tradition of his transcriptions of ...
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Liszt’s Piano rhapsodies stand in the tradition of his transcriptions of operatic or song melodies yet employ folk dances and songs as their source material. Completed in 1864 Rhapsodie Espagnole is a late reminiscence of Liszt’s extended travels to Spain and Portugal in 1844 45. On the basis of two popular Iberian dance tunes Folia and Jota Liszt here sets off fireworks of representative rhythms and tone colours with a highly virtuosic presto finale. The long inaccessible autograph manuscript of the composition is now accessible once more an occasion for G. Henle Publishers to revise its Urtext edition.
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Franz Liszt: Easy Piano Pieces and Dances: Piano: Instrumental Work
Piano solo
-
Easy
Barenreiter
Besides the popular Consolations it also includes Liszt’s delightful pian...
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Besides the popular Consolations it also includes Liszt’s delightful piano arrangements of Hungarian folk music and simplified versions he made of various pieces. Some miniatures from Liszt’s vast oeuvre that were previously available only in obscure sources appear here for the first time in a collection.- An ideal introduction to Liszt’s piano music- Reliable edition with explanatory notes and tried-and-true fingering
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Franz Liszt: Klaviersonate h-moll: Piano: Score
Piano solo
[Sheet music]
G. Henle
Faksimile der Handschrift revidierte Ausgabe-L?autographe de la Sonate en si de...
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Faksimile der Handschrift revidierte Ausgabe-L?autographe de la Sonate en si de Liszt est un document fascinant. On y voit à travers les nombreuses biffures et les collages comment le compositeur a peaufiné l?architecture de son oeuvre. Si le fac-similé de ce manuscrit disponible auxéditions Henle permettait déjà de se plonger dans la genèse de la sonate il n?était pas possible jusqu?ici de voir ce que Liszt avait noté à l?origine dans les passages recouverts par une version ultérieure. On a désormais détaché les morceauxcollés ce qui permet de découvrir dans notre nouvelle édition fac-similé la mouture précédente. Dans une préface circonstanciée la spécialiste de Liszt Mária Eckhardt commente le regard unique que l?on peut ainsi jeter au-dessus de l?épaule ducompositeur en plein travail.
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8 Variations Pour Le Piano-Forte. Op. I. 1824
Piano solo
Anne Fuzeau Productions
Edition : Paris, Erard, s.d. (=1824)Présentation d'Alain Roudier : L'opus I de ...
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Edition : Paris, Erard, s.d. (=1824)Présentation d'Alain Roudier : L'opus I de Liszt et la mécanique à double échappement d'Erard.Lettre d'Adam Liszt à Sébastien ErardLettre de Pierre Erard à Sébastien ErardAffiche du concert donné par Franz Liszt le 126.1824 à Londres.Huit variations pour le piano-forte. / Piano / 32 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Liszt, Franz / Wagner, Richard : Choeur des fileuses tirée de Le Vaisseau Fantôme
Piano solo
[Sheet music]
G. Henle
Franz Liszt arrangea maintes ?uvres d?autres compositeurs pour son instrument de...
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Franz Liszt arrangea maintes ?uvres d?autres compositeurs pour son instrument de prédilection, privilégiant toutefois les extraits des ?uvres scéniques de son ami et beau-fils Richard Wagner.
Liszt traita à deux reprises le «Vaisseau Fantôme»: hormis la Ballade de Senta, il mit tout son génie pour transcrire au piano également le ch?ur des fileuses extrait du 2e acte («Bon rouet, gronde et bourdonne»).
Étincelant d?une brillance virtuose, son «ch?ur des fileuses» est resté jusqu?à aujourd?hui l?une de ses transcriptions les plus appréciées.
Pour notre édition Urtext, nous avons pu disposer entre autres de l?autographe de Weimar et des révisions de la main de Liszt provenant des archives de la maison d?édition Breitkopf
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Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
Orchestra
[Study Score / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...
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This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
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Transcriptons Pour Orgue
Organ
Schott
Des oeuvres pour orgue de Liszt sont faits saillants de la littérature de l'org...
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Des oeuvres pour orgue de Liszt sont faits saillants de la littérature de l'orgue romantique virtuose. C'est pourquoi de nombreux organistes probablement saluons le fait que d'une série de transcriptions sur la base des oeuvres pour piano sont ajoutés au répertoire plutôt restreint de Liszt. Johannes Geffert, professeur de l'orgue artistique à l'Académie de Musique de Cologne, a choisi des oeuvres qui cadrent bien avec des concerts d'orgue d'église: 'Dieu de la solitude DANS Bénédiction' (de 'Harmonies poétiques et religieuses), n Legend 1 'St. François d'Assise - La prédication aux oiseaux ',' Sancta Dorothée (1877), 'Dans Festo Domini nostri Transfigurationis Jésus-Christ' (1880) et 'Vallée d'Obermann' (de 'Années de Pèlerinage'). Toutes les transcriptions sont aussi proches et fidèles à la version originale pour piano que possible. Intéressant plus du répertoire en temps utile pour la 2011 e année Liszt / Orgue
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Franz Liszt: Romance: Piano: Instrumental Work
Piano solo
EMB (Editio Musica Budapest)
Liszt Separate Editions are published with scholarly authenticity and are based ...
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Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition yet their extent is far smaller and they cost much less than the larger volumes of the full set. Liszt Separate Editions provide the same quality as the complete edition while also fully meeting practical requirements.
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Franz Liszt: Piano Concerto in A Major (Suppl.15): Instrumental Album
Piano solo
EMB (Editio Musica Budapest)
(Version for piano solo) and other works. Supplementary Volume 15 of the New Lis...
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(Version for piano solo) and other works. Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the earliest known draft of the Piano Concerto in A major (written in 1839 for solo piano). Not only does the draft give insight into the process of the work?s genesis, but it also holds its own as a work for piano solo. Additionally, the volume contains several shorter works, such as a piano transcription of Robert Schumann?s Lied Widmung, which shows how original Liszt?s interpretations were, and also two early drafts of the Zweite Elegie dedicated to Lina Ramann (a former pupil of Liszt?s and his first biographer). The latter have been published in facsimile. Supplementary Volume 15 features a detailed preface in German, English and Hungarian, which reveals valuable details on each work. The cloth-bound version also has critical notes in English.
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Franz Liszt: Complete Etudes For Solo Piano Series I: Piano: Instrumental Album
Piano solo
Dover Publications
Including the Transcendental Etudes Ed. Busoni-Liszt's reputation as perhaps th...
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Including the Transcendental Etudes Ed. Busoni-Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the Romantic reportoire. The first volume Series 1 include many of Liszt's most inspired piano works and are edited by the great pianist composer and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Hartel in Leipzig in 1910-11. Each set of Etudes is a highly successful work in its own terms and are all fiendishly difficult. The separate ' Mazeppa' isyet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of 'Feux Follets' to the startling bravura of 'Wilde Jagd' (both from Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality
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Franz Liszt: Balladen: Piano: Instrumental Album
Piano solo
G. Henle
Liszt wrote his two Ballades in 1845 49 and 1853 during a time of personal turmo...
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Liszt wrote his two Ballades in 1845 49 and 1853 during a time of personal turmoil. The successful virtuoso increasingly saw himself as a composer who strove after formal clarity as shown by the Bminor sonata that was also composed in 1853. When Liszt began work on the first Ballade he had just separated from his mistress of many years Marie Comtesse d’Agoult. He called the first sketches for the work DernièresIllusions. A better-known work is the second Ballade in B minor with whose ending he struggled (the two fortissimo endings in Liszt’s autograph have been published for the first time in the appendix to ouredition).
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Franz Liszt: Christus: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt&r...
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Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt’s “Christus” is an attempt to capture in music the life of Christ from his birth to his Passion and Resurrection thereby following in the tradition of Handel’s biblical oratorios. Despite the familiar subject matter Liszt was concerned less with depicting Jesus’s deeds than with producing an object of meditation. To this end he employed a full array of musical devices to create a work abounding in sharp contrasts: symphonic textures alongside simple hymns modal harmonies alongside bold chromaticism and varied combinations of voices and instrumentsalongside purely instrumental groupings. David Friddle’s new edition is the first to publish the original text of “Christus” on the basis of all available sources. His extensive introduction also sheds light on the performance practices of Liszt’s day. Our vocal score contains a German translation of the original Latin as a guide. - First Urtext edition of this work. - Straightforward easy-to-play piano reduction. - Duration: approx. 175 minutes. - Full score (BA7680) and vocal score (BA7680-90) for sale; performance material (BA7680-72) for hire.
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Rigoletto - Concert Paraphrase
Piano solo
[Sheet music]
G. Henle
Franz Liszt n'a pas seulement écrit une série de phrases par l'opéra pendant ...
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Franz Liszt n'a pas seulement écrit une série de phrases par l'opéra pendant ses années de virtuose, mais certains composé de la sorte dans les années à Weimar ses partir de 1848e Il n'a pas, cependant, les écrire pour lui mais pour l'ami pianiste (qui était alors son beau-fils) Hans von Bülow. Parmi ces oeuvres, la paraphrase sur Giuseppe Verdi 'Rigoletto', qui a été publié en 1860, occupe une place particulière en raison de son incroyable virtuosité et en même temps sa texture en filigrane. A l'occasion du 200e anniversaire de naissance de Liszt, G. Henle éditeurs présente un fac-similé de l'autographe de ce travail, avec un commentaire détaillé, ainsi que dans Urtext édition (HN 978). Comme il s'agit d'un manuscrit de travail, de sorte que le fac-similé qui permet de scruter de manière Liszt de travail. / Piano / 6 pages / Partition
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21 Selected Piano Works
Piano solo
Alfred Publishing
De renommée internationale pianiste Joseph Banowetz présente cette perception ...
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De renommée internationale pianiste Joseph Banowetz présente cette perception définitive des chefs-d'oeuvre d'origine par Franz Liszt, avec une préface complète biographie de compositeur, photographies d'époque, et les notes de performance détaillées sur les solos. Le CD d'accompagnement comprend plus cher répertoire pour piano de Joseph Banowetz performant Liszt / Piano
23.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
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2011