Volume 22 - Sez. Prima - Partitura In 2 Vol. + C. C. / Ed. Critica Ch. S. Brauner P. B. Brauner

ANBRUCH est apparu de 1919 à 1937 et a été le premier magazine consacré exclusivement à la musique nouvelle. Auteurs comme Bartók, Berg, Braunfels, Casella, Gál, Grosz, Krenek, Malipiero, Milhaud, Reznicek, Scherchen, Schönberg, Schreker, Strobel, Stuckenschmidt, Toch, Ullmann, Weill, Wellesz, Wiesengrund-Adorno, etc., fait bientôt le magazine le plus important moyen d'une scène musicale controversée, mais très animée. Le contenu inclus des rapports et analyses par et sur les compositeurs, la pratique d'affaires et de la performance de musique. ANBRUCH est sans doute une des plus importantes sources musicologiques pour la vingtaine et la trentaine du XXe siècle.Coïncidant avec le 100e anniversaire de Universal Edition, tous les 19 volumes de ANBRUCH sont publiés en fac-similé sur CD-ROM. parallèle pour le CD. / Divers

Volume 27 - Sez. Prima - Partitura In 2 Vol. e Commento Crit./ Ed. Critica Ph. Gossett P.B. Brauner

Hermann Schroeder (1904-1984) a étudié avec Heinrich Lemacher et Walter Braunfels et devient professeur de Composition et de la théorie de la musique à l'Académie de musique à Cologne. De la fin des années 1920 il a apporté une importante contribution aux nouveaux développements stylistiques dans la musique d'orgue ses compositions de petite échelle, en particulier, comme le ' préambules et Interludes '(1954) ou la ' Little préludes et Intermezzos' (1932, ED 2221) point dans de nouvelles directions : les contraintes de forme évidemment été utiles dans le processus de rupture de romantisme - clarté et précision formelle prennent la place de la monumentale grandeur de forme. Convenant de concert ou de performances liturgiques. / Orgue

Edizione Critica A Cura Di Patricia B. Brauner E Anders Wiklund. Par ROSSINI GIOACHINO. Langue: Deutsch / Date parution : 1905-07-09/ Répertoire / Choeur Mixte et Orchestre

This study score is based on the critical edition of ?The Barber Of Seville? edited by Patricia B. Brauner and published in 2008 as part of the series ?Works of Gioachino Rossini?. But who needs a new critical edition of ?The Barber Of Seville?? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars andperformers.Thus the famous overture which Rossini had already used in his earlier opera ?Aureliano in Palmira? differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in ?Aureliano in Palmira?) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera ?The Barber Of Seville? (with just one flute one oboe and no timpani).A series of appendices contain music and information which have been included in no other edition of the opera to date.- Takes into account all original sources also including five manuscripts with Rossini?s autograph ornamentation.- Takes into consideration the full extent of Rossini?s personal notational characteristics.- With a detailed foreword (Eng/Ital)

Edition no.: BA 8957 ISMN: 9790006525515 Editor: Münden, Gerd-Peter Language(s) of work: German, English, Latin Language(s) of text: German, English Product format: Score, Anthology Includes the following individual parts: Mixed choir: SSATBB, Children's choir: SSA oder Youth choir: SSA oder Chor (gleichstimmig) Organ ad lib. Binding: Stapled Pages / Format: IV, 52 S. - 29,0 x 21,0 cm Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults’ or children’s choir. - Well-known Advent and Christmas carols in new settings - With texts in German and English - With short Latin introductions as a part of each motet - Ideal for a children’s or adults’ choir during the Christmas season Contents There comes a galley, laden / Es kommt ein Schiff, geladen O saviour, open heaven’s gate / O Heiland, reiß die Himmel auf O Lord, how shall I meet you / Wie soll ich dich empfangen Angels from the realms of Glory / Hört der Engel helle Lieder As I was watching o’er my sheep / Als ich bei meinen Schafen wacht Good Christian men rejoice / Nun singet und seid froh The Editor Gerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

Minerva by Jan Van der Roost was composed on the commission of the German ?Musikverein Braunshausen? on the occasion of the 75th anniversary of the orchestra. The composition first performed on September 17 1999 is not a street march but a concert march just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio on the other hand is characterized by a broad melodic approach using large intervals. This theme wreathed by high woodwinds is heard one more time after a contrasting newpart but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!

Volume 8 - Sez. Prima – Partitura + C.C. / Ed. Critica G. Carli Ballola P.B. Brauner Ph. Gossett-Gioachino Rossini's L'Occasione Fa Il Ladro for Vocalists Choir and Opera Orchestra.