nach einer Ausgabe von 1799-Wolfgang Amadeus Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio) for two flutes edited by Gerhard Braun.

Teil 2 Für Fortgeschrittene. Braun, Gerhard / Wurz, Hanns (Trad. )/ Répertoire / Flûte Traversière

Für Den Einzel- Und Gruppenunterricht, Teil 1 Für Anfänger. Braun, Gerhard (Trad. )/ Répertoire / Flûte Traversière et Piano

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-The second volume of sonatas for Flute and Piano (originally for Harpsichord) containing Sonata in D Wq 85 and Sonata in D Wq 86 edited by Gerhard Braun with Continuo realization by Siegfried Petrenz.Volume 1: EB8474

Original duets for two oboes edited by James Brown. Includes music by Bochsa Braun Mozart-Thurner and Yvon.

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recordings were performed by an 50-strong professional wind band, the Luxembourg Military Band, conducted by Lieutenant Colonel Jean-Claude Braun. The series includes the newest works by the composer Otto M. Schwarz, such as Anima Negra, Symphonic Suite from ?Die Jungen von der Paulstrasse?, The Pied Piper of Hamelin and Symphonic Suite from ?1805 - A Town´s Tale?. / Date parution : 2022-02-17/ Recueil / Flûte Traversière

Par DER GROSSE FRIEDRICH. Editeur(s) d'origine: Braun, G. -Petrenz, S./ Répertoire / Flûte Traversière et Piano

Instrumentation : for Treble Recorder and Cembalo (Cello ad lib.) Arranger : Braun, Gerhard Editor : Petrenz, Siegfried Air aus Terpsichore Sarabande aus Terpsichore Gigue aus Terpsichore Aria aus Terpsichore Ballo di pastori e pasterelle aus Il pastor fido Menuet aus Il pastor fido Marsch aus Il pastor fido Pour les Chasseurs aus Il pastor fido Air aus Il pastor fido Musette aus Il pastor fido Gavotte aus Alcina Sarabande aus Alcina Gavotte aus Alcina Gavotte aus Arianna Minuet in the Oratorio

A moving Christmas anthem combining Holst's noble tune Thaxted with words by Jaroslav Vajda one of the most highly acclaimed text writers of his generation beautifully arranged by William Braun.

édition Gerhard Braun Compositeur : Telemann Georg Philipp Instrumentation : S, Flb alto, Bc

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Schindler, F. -Braun, G./ Répertoire / Flûte Traversière

Par HASSE JOHANN ADOLF. Editeur(s) d'origine: Braun, G. -Petrenz, S./ Répertoire / Flûte Traversière et Basse Continue

Mozarts Geistliche Musik. Mozart, Wolfgang Amadeus / Schmid, Manfred Hermann / Kaspar, Peter Paul / Reinalter, Helmut / Bircher, Patrick / Walterskirchen, Gerhard / Leisinger, Ulrich / Hochradner, Thomas / Sangl, Carena / Michaelis, Rainer / Braun, Martin / Bauer, Richard / Papst Benedikt XVI., / Harnoncourt, Nikolaus / Harnoncourt, Philipp / Hofer, Peter / Kapellari, Egon / Maier, Hans / Müller, Luise / Planyavsky, Peter / Praßl, Franz Karl / Schmitz, Heinz-Walter / Schüssel, Wolfgang (Trad.)/ Répertoire / Divers

Par WERNER OSKAR. L'inspiration du compositeur à écrire cette pièce a été la peinture d'Edouard Manet a appelé 'les danseurs espagnols' et la performance d'un ensemble tzigane soi-disant composé du violon instruments, clarinette et cymbalum. Ce sont les instruments dont il essaie d'imiter dans sa pièce. Eléments improvisés avec des changements inattendus de l'humeur sont destinés à ressembler à un acte spontané de Manet de la peinture. Oskar Werner (né à Hambourg en 1930) jouait de la harpe dans divers orchestres- la dernière avant sa retraite en 1995 était de Braunschweig Orchestre d'Etat où il était harpiste solo. En outre, il a également enseigné le piano et la harpe à l'Ecole Municipale de Musique à Braunschweig. Aussi disponible à Zimmermann: Werner Oskar: Quatre pièces pour harpe solo (ZM 29 090)./ Répertoire / Piano

Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show Rossini was very proud of this opera considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano in two volumes derives from the critical edition of the score published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini also not in Rossini’s hand is the Aria Amaltea although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera since the first performance in Naples (1818 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819 was later replaced by the Aria Faraone Rossini himself composed in 1820 and in Appendix II the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances after 1822.