Une douzaine Diversions italien est parfaite pour perfectionner leurs compétences techniques et pour la performance de guitare solo au niveau intermédiaire. Dédié à ses parents qui l'ont conduit vers l'Italie fréquemment comme un enfant de cultiver une appréciation de son patrimoine, l'auteur a nommé chaque pièce après un important site italien ou une entité culturelle. / Guitare Classique / 44 pages / niveau : Intermédiaire / Partition Online Audio - Format: 11 X 8,5

Dans un programme artistique et extrêmement instructif, Guillermo Rios nous entraîne dans l'univers magique de la ' Libres de tuques '. L'absence d'un compteur d'impulsions dans ces formulaires en aucune façon les limites leur milieu musical potentiel pour servir à l'artiste les plus possibilités expressives. Malaguenas, Mineras, Rondenas, Granadinas, Tarantas sont tous discutés. Le split screen augmente claires vues des mains de deux Guillermo et comprend des représentations de ses propres arrangements exquis dans ces formes de belles flamenco. / Guitare Classique / 85 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

Cette grande collection de musique du XIXe siècle est une reconnaissance des compositeurs cubaines qui, avec Manuel Saumell et Ignacio Cervantes, produit un riche héritage de la musique populaires et classiques des genres. Ecrit en notation standard. / Guitare Classique / 80 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

The product of a 14 year research project this book contains over 350 studies to thoroughly train the right hand of classical guitarists in the use of all five fingers - adding the little finger to the present four fingertechnique. These studies build a five-finger technique in the playing of chords arpeggios tremolos and harmonics beginning with the thumb and one-finger combinations and increasing in complexity to the thumb and four fingers.The studies are played over easy yet interesting left hand progressions up and down the fingerboard. Postlewate demonstrates how to develop your own right hand studies by including examples from standard classical guitarrepertoire pieces by Fernando Sor Federico Moreno Torroba and Heitor Villa-Lobos at the end of the book. This book is a companion to MB 98711 - HOMAGE TO VILLA-LOBOS and other compositions (music composed transcribed arrangedand edited by Charles Postlewate for the guitar using five fingers of the right hand) and its accompanying 60-minute CD HOMAGE TO VILLA-LOBOS (MB 98711CD). Spanish Description [Este libro es el resultado de unproyecto de investigación de 14 años de duración. Este incluye más de 350 estudios para entrenar la mano derecha del guitarrista clásico a usar los cinco dedos-añadiendo el dedomeñique a la técnica actual de cuatro dedos. Estos estudios desarrollan una técnica de cinco dedos para tocar acordes arpegios trémolos y armónicos empezando con combinaciones del pulgar y undedo y aumentando en complexidad al uso del pulgar con los cuatro dedos. Los estudios se tocan sobre progresiones fáciles pero interesantes de la mano izquierda por el diapason. Postlewate le muestra cómodesarrollar sus propios estudios para la mano derecha a base de ejemplos del repertorio tradicional de la guitarra clásica por Fernando Sor Federico Moreno Torroba y Heitor Villa-Lobos incluídos al final del libro.

The purpose of Composer's Desk Reference For The Classic Guitar is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the Guitar. The first of its kind for theGuitar the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar.Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section. The very structureof the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? Howdoes the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examiningthe parameters of successfully written pieces The Composer's Desk Reference For The Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time andseasoned Guitar composers.

Media Comments:(...)A publication that is relevant and enjoyable to use on your own as it is in a tutorial setting is a rare thing indeed but wonderfully achieved here by Richard Graf in his book of duos Guitar for Two. Entertaining titles of original works include Mission Possible (an entertaining spoof version of Mission Impossible) and Reggae for Carmen (an amusing mix of Stevie Wonder’s Masterblaster and the Habañera from Carmen) as well as other more traditional arrangement of tunes such as Danny Boy and House of the Rising Sun. The relatively simple top line combined with the more detailed accompaniment offers a range of challenges which will make this book of usethroughout the easy to intermediate stages of learning the guitar. A CD included allowing accompanied performance of the pieces at home. Although the CD is performed on steel-strung guitars this book is nevertheless also perfectly relevant for classical guitarists. Graf has pitched his writing to provide challenging yet idiosyncratic pieces within a framework of highly entertaining styles.(...)(Music Teacher 6/03)Contents: Graf Richard: RichBlues · Bonfa Luiz: Manha de Carneval (Black Orpheus) · Graf Richard: Rain in Spain · Scarborough Fair · Graf Richard: Mission Possible · Russian Tango (Dark Eyes) · Graf Richard: Whatz up · Reggae for Carmen (Habanera) · Graf Richard: Sad Tango · Graf Richard: Flip Flap · House of the Rising Sun · Graf Richard: Bolero · Danny Boy · Oh Happy Day · Graf Richard: Zeit vergeht

Leçon ONE : KING OF BLUES moderne : b.b., ALBERT KING, FREDDIE KING et T.BONE WALKER - en analysant des échantillons tunes, Fred enseigne comment jouer licks blues électrique de single-chaîne. Vous apprendrez à plusieurs postes d'échelle et comment improviser avec eux, comment faire le vibrato ' blues ' et comment utiliser les remplir licks, les accords et les délais. LECON deux : MODERN ROCK : BLUES anglais et le HEAVY METAL - cette leçon se concentre sur the licks, échelles et jouant les styles de Eric Clapton, Van Halen, Ted Nugent et Jimmy Page - guitaristes dont le jeu directement dérive de la maîtrise de blues. Cette leçon comprend instruction à effets (distorsion, barre de vibrato, etc.), les blues et les échelles coulissantes. Leçon 3: BLUES électrique JAZZY - notre dernière leçon de la série illustre comment jazz jusqu'à la progression de 12-bar blues, comment faire varier le blues échelles avec des échelles diminuée á la Charlie Christian, comment appliquer le blues des échelles d'airs de jazz, comment ' substituer les échelles ' et les techniques spéciales utilisées par Wes Montgomery... / Guitare / 56 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Until the beginning of the 1980s, the figure of François de Fossa was mainly known by his relationship with Dionisio Aguado, a relationship that included de Fossa?s collaboration in producing the two Parisian editions of the Aguado Escuela, and the complete translation of one of them into French. The situation changed radically in 1981 with the publication by Editions Orphée of a monograph which not only revealed very interesting and decisive factors in regard to the guitar quintets of Luigi Boccherini, but also included an important biographical study and a checklist of the known compositions of François de Fossa. Several works by de Fossa were published in later years, among which were works for two guitars, trios, quartets, an anthology of selected works for guitar solo published in 1990. De Fossa?s Quatre Divertissemens pour la Guitare seule extraits des Oeuvres de J. Haydn, his Op. 13, was part of that anthology. The current edition of it was engraved anew, and completely edited and fingered. The works of Haydn from which this music is drawn are as follows: Divertimento I ? Symphony N° 63 ?La Roxolane?, and Symphony N° 85 ?La Reine? Divertimento II ? Largo Cantabile, Rondo Allegretto. In spite of rigorous search, we have not been successful in identifying the movements of this Divertimento among the known works of Haydn. Divertimento III ? Symphony N° 85 ?La Reine?and Symphony N° 86 Divertimento IV ? Symphony N° 53 ?L?Imperiale? and Symphony N° 85 ?La Reine?. The Andante of this symphony was also used, at about the same time, by Fernando Sor, as the theme of his Thema Varié pour la Guitare ou Lyre, (WoO-1) as well as in his Op. 20. Of considerable interest here is de Fossa?s seemingly paradoxical approach to transcribing music by Haydn. In the case of Haydn string quartets, he chose the two guitars medium, providing for a more facile representation of the harmony and counterpoint. In transcribing these four divertimenti, extracted from several Haydn symphonies, he chose the solo guitar as the target instrumentation, clearly a medium that is far less appropriate for handling a complex musical texture than the guitar duo. It is perfectly understandable that he was not entirely successful in retaining the selection?s original integrity, having eliminated some parts as noted above. Nevertheless, the resulting works, those that are directly attributable to Haydn and the one that cannot, are splendid concert pieces for the solo guitar.

GuitarTime Popular Folk: Level 2 is a collection of popular folk songs especially selected and arranged for classical guitar. These arrangements are mostly in first position and are suitable for classical guitar students of all ages. Performance notes are included to aid the student in learning the music and historical facts about the music are offered as necessary to enrich the student’s knowledge of folk music. Right-hand fingering is indicated where necessary. Guide fingers are introduced to aid left-hand movement.

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Absolute Beginners: Acoustic Guitar is the complete guide to playing the Acoustic Guitar from the first time you pick it up all the way to playing your first songs along with backing tracks. With clear images easy-to-understand text and demonstrations of every exercise on an Audio Download this book is the easiest way to learn the techniques that are essential to learning to play the AcousticGuitar. Absolute Beginners: Acoustic Guitar opens with a clear introduction to the parts of the Guitar how to choose one and the different types. After this you'll learn the differencesbetween playing with a plectrum or your fingers you'll tune up then you'll be ready to play! A guide to your first chords and strumming will get you making music before you learn more chords different strumming patterns andsome scales. Throughout this the included Audio Download allows you to hear each exercise as it should sound ensuring you play everything correctly and train your ear at the same time. As you learnfingerpicking the twelve-bar blues some tunes and other techniques you'll find you've gone from knowing nothing about the Guitar to being able to play songs chords and even with others. The Audio Download also featuresprofessionally-recorded backing tracks for the songs so that you can play along and sound great. The book also features a handy guide to the notes of the neck and a chord reference sheet.  If you'rean Absolute Beginner with no knowledge of how to play the Acoustic Guitar this book will guide you on this journey with pictures an audio download and practical advice from expert authorDavid Harrison. The Absolute Beginners series has taught millions to play from novice to confident player over the years. Now it's your turn!

Classical guitarists of the early 1800s Mauro Giuliani Frenando Sor and Matteo Carcassi compiled a substantial study book for aspiring guitarists filling a large gap. Daniel Lavialle's revisions in 15 Studies For Guitar include detailed written instruction and fingerings. This compilation addresses rhyhtm counterpoint intervals arpeggios scales variations in key signatures and time signatures chords and performance directions amongst other aspects. For all aspiring guitarists 15 Studies For Guitar is essential to improving technique.