The Ragtime And Blues Guitar Of Big Bill Broonzy

The guitar styles and techniques of Blind Blake Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach tofingerstyle playing combines complex right hand picking with intricate left hand fingerings single string runs and rhythmic licks. In this lesson Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals.A detailed 44-page tab/music PDF booklet is included.

The Art of Acoustic Blues Guitar - The Basics. Whether your favourite blues guitarist is Robert Johnson, Muddy Waters, Blind Blake, John Lee Hooker, Big Bill Broonzy, or Mississippi John Hurt, studying the basic techniques presented in this program is the first step toward being able to capture the essence of their traditional styles. In this book, Woody Mann shows you practical ways to develop fundamental technique and offers you insights into the musical logic of blues guitar. Woody walks you through each song, explaining the chord positions and picking techniques. He teaches blues in the keys of D, G, C, E, and A, presenting a wide selection of classic blues songs and instrumentals from the masters of blues guitar. Included in this program are the basics of the Delta blues of Robert Johnson, the ragtime style of Blind Blake (the man with the piano-playing guitar), and the music of Big Bill Broonzy, Memphis Minnie, Willie Walker, and Willie Moore. Each song illustrates how solo players approach the guitar like a piano, playing melodies and bass lines simultaneously. Developing this independent two-line picking technique enables you to get the feel, syncopation, and subtleties of the music. The songs in themselves are studies in acoustic blues technique and present the authentic elements of the acoustic blues sound and style including blues technique and ways to play off of the chords and improvise within a song. This program is recommended for beginning acoustic blues guitarists as well as electric guitarists and acoustic fingerstyle guitarists of all levels who would like to go beyond pattern picking and develop a more dynamic and syncopated sound. Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis, the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively, performed throughout the world, and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music, having taught countless guitarists through his popular books and videos.

Guitar Of Big Bill Broonzy. Big Bill Broonzy's recording career spanned from 1927 until his death in 1958. His repertoire was well recorded, from solos and duets to ensemble playing. He was rediscovered just as the "folk-revival" began in the early 1950's. Broonzy was a master of ragtime and country blues guitar whose playing was highlighted by a strong pulsating bass and melodic lead lines. In this comprehensive new audio lesson, Woody Mann explores the ideas, techniques, and styles of this legendary musician who has influenced generations of guitarists. Includes access to online audio containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction. Selections include: House Rent Stomp: Brownskin Shuffle: Moppin' Blues: Hey, Hey: Worryin' You Off My Mind: Stove Pipe Stomp: and Saturday Night Rub. Written in standard notation and tablature.

La partition BLUES, RAGTIMES, BOOGIES a été composée pour Guitare . Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Jazz & Blues. / Guitare / Partition

Demon In Disguise-?The extraordinary folk-blues guitarist David Bromberg has strolled back into the spotlight as abruptly as he resigned from it nearly three decades ago when he dissolved his fantastic and popular touring band in 1980 to study violin making... The fluid orchestral invention of Bromberg?s fingerpicking ? his original calling card on pivotal late-1960S and 1970S sessions for Jerry Jeff Walker (?Mr. Bojangles?) and Bob Dylan (New Morning) ? is in undiminished bloom invigorating sturdy old blues and ballads.? - ROLLING STONEIn this intimate portrait the legendary David Bromberg talks about his influences and performs the music he loves - a wide panorama of Americanblues folk country bluegrass ragtime jazz and contemporary sounds.Inspired by the music of Pete Seeger and the Weavers among others he began studying the guitar at age 13. After graduating from Tarrytown High School he enrolled at Columbia University intent on a career as a musicologist. During this period he discovered the old recordings of Blind Blake Lonnie Johnson Big Bill Broonzy Marshall Owens Luke Jordan and other great country bluesmen as well as contemporary recordings of B.B.King Freddie King and Albert King. He studied with Rev. Gary Davis for several years and as Rev. Davis said ?I have no children but I have several sons?. David was a son to the great Reverend.Drawn to Greenwich Village's flourishing coffeehouse folk music scene of the mid-1960?s David left Columbia University and opted to devote full time to his music. Shortly thereafter his extraordinary guitar picking and exceptional stylistic range brought him to the attention of many other musicians: Bob Dylan Ringo Starr George Harrison Tom Paxton and Chubby Checker are only a few of the notables who sought David out as a back-up artist for recording. In all he has played as a sideman on over 100 albums.

Woody Mann enseigne les sons et les techniques du style guitare blues ragtime classique. Inspiré par les premiers maîtres comme Blind Blake, Big Bill Broonzy, le Révérend Gary Davis et Blind Boy Fuller, Woody a écrit des airs originaux qui dégradent les complexités de la musique en instruments claires et lisible. Il illustre des techniques de cueillette syncopés, ornements de la corde, des lignes de basse rythmiques, ragtime classique riffs et montre comment atteindre la caractéristique swinging sonore de blues de ragtime. Chansons comprennent: # Midtown Fling, vers la fin de matinée Blues, Manhattan Rag, pays Buck, de m. Blake Dance, Technique et Variations / Guitare / Dvd