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Francesco Durante: Magnificat in B: SATB
18.90
Francesco Durante: Magnificat in B: SATB
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Clavier
[Partition]
Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...
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B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
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Mass in F minor - WAB 28 (BRUCKNER ANTON)
124.74
Mass in F minor - WAB 28 (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
Carus Verlag
Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most signifi...
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Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano
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Hymn of Praise - Symphony cantata - MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
120.96
Hymn of Praise - Symphony cantata - MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
[Conducteur]
Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre
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Requiem - Op (REGER MAX)
20.79
Requiem - Op (REGER MAX)
Soli, choeur mixte et accompagnement
Carus Verlag
Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Ma...
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Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedler (The Hermit) op. 144a, Requiem op. 144b, and Weihegesang WoO V/6 for alto, mixed choir, and winds. / Date parution : 2023-06-01/ Répertoire / Solistes [Abar], SATB et Piano
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Te Deum (BIZET GEORGES)
12.53
Te Deum (BIZET GEORGES)
Soli, choeur mixte et accompagnement
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
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Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
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Te Deum (BIZET GEORGES)
47.88
Te Deum (BIZET GEORGES)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Orchestre
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Te Deum (BIZET GEORGES)
23.87
Te Deum (BIZET GEORGES)
Soli, choeur mixte et accompagnement
Carus Verlag
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that h...
(+)
Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
15.05
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
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BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
33.96
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Piano
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
435.96
The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, choeur mixte et accompagnement
[Set de Parties séparées]
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Orchestre
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Missa solemnis (BRUCKNER ANTON)
15.05
Missa solemnis (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
Carus Verlag
B-Dur - WAB 29. Par BRUCKNER ANTON. / Date parution : 2023-03-11/ Répertoire /...
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B-Dur - WAB 29. Par BRUCKNER ANTON. / Date parution : 2023-03-11/ Répertoire / Solistes SATB, Choeur SATB et Orchestre
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Missa solemnis (BRUCKNER ANTON)
99.54
Missa solemnis (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...
(+)
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
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Missa solemnis (BRUCKNER ANTON)
27.66
Missa solemnis (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
Carus Verlag
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies an...
(+)
WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre
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Lobgesang Op. 52 ? Hymn of Praise (MENDELSSOHN-BARTHOLDY FELIX)
119.70
Lobgesang Op. 52 ? Hymn of Praise (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Symphonie-Kantate B-Dur Nr. 2 - Vorwort in Dt. und Engl.. Par MENDELSSOHN-BARTHO...
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Symphonie-Kantate B-Dur Nr. 2 - Vorwort in Dt. und Engl.. Par MENDELSSOHN-BARTHOLDY FELIX. / Date parution : 2023-03-11/ Répertoire / Solistes SST, Ch?ur SSAATB et Orchestre
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Mass in C major (BEETHOVEN LUDWIG VAN)
99.54
Mass in C major (BEETHOVEN LUDWIG VAN)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again...
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Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again'? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression for the liturgical text, opening up new avenues for the further development of mass compositions in the 19th century. This important work of choral literature can now be performed by smaller forces thanks to this arrangement for soloists, choir and chamber orchestra. Instead of 12, just 5 wind instruments are required. The string parts can also be played by single soloists; the performance material contains suggestions about how to deal with the divisi passages. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.-Large mass also performable for smaller choirs-Wind instruments of the original version reduced to five single instruments-Vocal and choral scores of the original version can be used-carus plus: the work (original version) is available in the app carus music, the Choir Coach, as well as in the series Carus Choir Coach (audio only) / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orchestre
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
31.44
Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
28.92
Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
[Conducteur]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Friedenslied (SCHINDLER PETER)
16.32
Friedenslied (SCHINDLER PETER)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Conducteur]
Carus Verlag
G minor. Par SCHINDLER PETER. / Date parution : 2022-05-03/ Répertoire / Ch?ur...
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G minor. Par SCHINDLER PETER. / Date parution : 2022-05-03/ Répertoire / Ch?ur d'Enfants, SATB et Orchestre de Chambre
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The Dream Of Gerontius (ELGAR EDWARD)
162.54
The Dream Of Gerontius (ELGAR EDWARD)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Conducteur]
Carus Verlag
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the f...
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Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre
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Magnificat (BRUCKNER ANTON)
27.66
Magnificat (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Conducteur]
Carus Verlag
WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like' The Magnificat ...
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WAB 24. Par BRUCKNER ANTON. What does early Bruckner sound like' The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in length, and in the spirit of Mozart, it was written in 1852 for a service at the Monastery Church of St. Florian. With its concise form and scoring for small forces it offers many opportunities for use. Trumpets and timpani give a festive emphasis to this song of praise to Mary. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Ensemble de Chambre
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Alles, was von Gott geboren / All those born of God (BACH JOHANN SEBASTIAN)
11.97
Alles, was von Gott geboren / All those born of God (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Clavier
Carus Verlag
Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / ...
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Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SATB], Ch?ur SATB et Piano
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Christmas Oratorio (BACH JOHANN SEBASTIAN)
90.72
Christmas Oratorio (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Conducteur]
Carus Verlag
Cantatas I'VI - BWV 248 / 248.2. Par BACH JOHANN SEBASTIAN. / Date parution : 2...
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Cantatas I'VI - BWV 248 / 248.2. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SSATB], SATB et Orchestre
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Alles, was von Gott geboren / All those born of God (BACH JOHANN SEBASTIAN)
78.12
Alles, was von Gott geboren / All those born of God (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Carus Verlag
Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / ...
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Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SATB], Ch?ur SATB, Hautbois, 2 Violons, Alto
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Alles, was von Gott geboren / All those born of God (BACH JOHANN SEBASTIAN)
12.53
Alles, was von Gott geboren / All those born of God (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Carus Verlag
Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / ...
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Reconstruction by Klaus Hofmann - BWV 80a / 80.1. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SATB], Ch?ur SATB, Hautbois, 2 Violons, Alto
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