Partitions de Barenreiter pour Clarinette et Piano

Parce que la clarinette est un instrument important dans la musique Klezmer, ces arrangements dévoilent le spectre complet de la création musicale ashkénaze-juif d'un seul coup. Les huit pièces illustrent une multitude de danse et de chant de styles, de petits ornements et les techniques de jeu (par exemple, les notes pliées, mélismes chromatiques et pistes) pour conférer la saveur distinctive de cette musique. Le volume offre la possibilité d'interpréter les morceaux dans une variété de façons, en offrant également la portée de l'expression personnelle. La partie de piano idiomatique fournit des lignes audacieuses de la basse, des progressions harmoniques typiques, contrechants, et un nombre considérable d'embellissements. - Tous les importantes caractéristiques stylistiques de la musique Klezmer - notation authentique - Facile à niveau moyen de difficulté D'après le contenu: 'Chava', 'Fun Tashlik', 'Mazel Tov', 'Odessa Bulgarish', 'Shalom Aleichem', 'The Happy Nigun', 'Zol Shoyn Kumen Die G'ule', 'Tants Istanbul' / Clarinette Et Piano

Transposed version into B-flat major for Bb Clarinet & Piano. Par MOZART WOLFGANG AMADEUS. Transposed Version Into B-Flat Major For Bb Clarinet And Piano/ Répertoire / Clarinette et Piano

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. - First Urtext edition of the orchestral version - First scholarly-critical edition of a pioneering work for clarinet - Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng) / Clarinette Et Piano

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Urtext, réduction clarinette, piano
Compositeur : Mozart Wolfgang Amadeus
Editor : Schelhaas, Martin