les Feuilles Mortes-The iconic tune Autumn Leaves les Feuilles Mortes by Hungari...(+)
les Feuilles Mortes-The iconic tune Autumn Leaves les Feuilles Mortes by Hungarian-born composer Joseph Kosma hardly requires an introduction to jazz afficionados. The music was originally set to French lyrics by Jacques PrÚvert and later English lyrics by Johnny Mercer. This classic band arrangement by Alfred Reed showcases the rich harmonic language that underlines the melody with thick sonorous orchestration. This piece can be the perfect change of pace when placed among works with quicker tempi or more rigourous demands on the players.
Polyphony from Four Symphonic Essays Oversized Score-This piece is the first in ...(+)
Polyphony from Four Symphonic Essays Oversized Score-This piece is the first in a series of orchestral essays (Entitled Four Symphonic Essays) which explore different aspects of musical texture: monophony homophony cacophony and in this work polyphony. This piece combines the influence of J.S. Bach's music with the graphic designs of M.C. Escher.
When the Second World War began the British March King Kenneth J. Alford (pseud...(+)
When the Second World War began the British March King Kenneth J. Alford (pseudonym for Major F. J. Ricketts R.M.) was increasingly in bad health and had composed relatively little music recently. As Hitler's armies marched victoriously across Europe Britain was soon alone facing the Nazi peril. Alford's great contribution to the war effort was the composition of two of his great masterpieces ARMY OF THE NILE celebrating the first Allied victories over the Germans in North Africa and EAGLE SQUADRON. The latter of these marches celebrates American airmen who travelled to England during the early years of the war (before the entry of the United States into the conflict) tovolunteer for service with the Royal Air Force serving with great distinction during the Battle of Britain. Alford skillfully weaves a number of well-known tunes into the fabric of the music including the Royal Air Force March and The Star-Spangled Banner while also including a reference to the Siegfried motive from Wagner's Ring of the Nibelung. Mark Rogers' edition of this classic march includes a handsome full score and concert size set of parts.
When the Second World War began the British March King Kenneth J. Alford (pseud...(+)
When the Second World War began the British March King Kenneth J. Alford (pseudonym for Major F. J. Ricketts R.M.) was increasingly in bad health and had composed relatively little music recently. As Hitler's armies marched victoriously across Europe Britain was soon alone facing the Nazi peril. Alford's great contribution to the war effort was the composition of two of his great masterpieces ARMY OF THE NILE celebrating the first Allied victories over the Germans in North Africa and EAGLE SQUADRON. The latter of these marches celebrates American airmen who travelled to England during the early years of the war (before the entry of the United States into the conflict) tovolunteer for service with the Royal Air Force serving with great distinction during the Battle of Britain. Alford skillfully weaves a number of well-known tunes into the fabric of the music including the Royal Air Force March and The Star-Spangled Banner while also including a reference to the Siegfried motive from Wagner's Ring of the Nibelung. Mark Rogers' edition of this classic march includes a handsome full score and concert size set of parts.
Thirty easy level sight reading pieces for first- and second-year bands.- Time s...(+)
Thirty easy level sight reading pieces for first- and second-year bands.- Time signatures: 4/4 3/4 2/4 cut time- Keys: Concert F Concert Bb Concert Eb- Note/rest values: Whole half quarter eighth dotted half- Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio- Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine
Thirty easy level sight reading pieces for first- and second-year bands.- Time s...(+)
Thirty easy level sight reading pieces for first- and second-year bands.- Time signatures: 4/4 3/4 2/4 cut time- Keys: Concert F Concert Bb Concert Eb- Note/rest values: Whole half quarter eighth dotted half- Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio- Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine
Thirty easy level sight reading pieces for first- and second-year bands.- Time s...(+)
Thirty easy level sight reading pieces for first- and second-year bands.- Time signatures: 4/4 3/4 2/4 cut time- Keys: Concert F Concert Bb Concert Eb- Note/rest values: Whole half quarter eighth dotted half- Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio- Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine
Thirty easy level sight reading pieces for first- and second-year bands.- Time s...(+)
Thirty easy level sight reading pieces for first- and second-year bands.- Time signatures: 4/4 3/4 2/4 cut time- Keys: Concert F Concert Bb Concert Eb- Note/rest values: Whole half quarter eighth dotted half- Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio- Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine
Condensed Score-Thirty easy level sight reading pieces for first- and second-yea...(+)
Condensed Score-Thirty easy level sight reading pieces for first- and second-year bands.- Time signatures: 4/4 3/4 2/4 cut time- Keys: Concert F Concert Bb Concert Eb- Note/rest values: Whole half quarter eighth dotted half- Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio- Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine