Partitions de Faber Music Limited pour Orchestre

Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre

Music for Japan is a terrific and rousing composition for orchestra by Peter Sculthorpe written in 1970. The slow yet significant meandering timbre and accent work towards to a middle section for amplified percussion strongly rhythmic and develops into an exciting and inspiring character. Then beautiful swirling effects add to the final chordal structure with its exultant layers of orchestral sound. This is the complete score for Full Orchestra.

Par WOOLRICH JOHN. Capriccio pour violon solo et orchestre à cordes, a été commissionné par le Scottish Ensemble avec le soutien vient le RVW Trust. Il a été réalisé par Jonathan Morton et le Scottish Ensemble le 10 Août 2009 dans le cadre des BBC Proms 2009./ Répertoire / Orchestre

Par HARVEY JONATHAN. Mandala de corps a été commandée par la BBC pour la BBC Scottish Symphony Orchestra en 2006. Le travail est influencé par les rituels de purification dans les monastères bouddhistes tibétains et est organisé pour un grand orchestre./ Répertoire / Orchestre

Par BRIDGE FRANK. 'The individual emotional quality and organic structure of Oration place it high in Bridge's output and indeed in British music of the first half of this century. . .a profound work. . .'Music and Letters (Trevor Bray), April 1981/ Répertoire / Conducteur

Par BRITTEN BENJAMIN. Britten's ballet for small Orchestra was first performed by the students of the Royal College Of Music Sinfonietta at the Royal College in January 2004. The piece itself was written in 1931 during the summer holidays after the end of Britten's first year at the Royal College of Music, at the age of seventeen. Having been advised to send the original score to the Camargo Society, then the foremost promoter of ballet in the UK, but Britten was without success and never revised the work./ Répertoire / Conducteur

Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development Association which explored the changes to rural life in East Anglia after the increased mechanisation of agriculture. In his incidental music Britten incorporated a riotous medley of folk songs and other traditional tunes (including 'Early One Morning' 'The Vocar of Bray' and Sheild's 'The Plough Boy') many of which were suggested to him by the Norfolk-based composer E.J.Moeran.

Bill Zakariasen of the New York Daily News says 'The program included one bona fide masterpiece written in 1967 by Peter Sculthorpe. . .Sun Music III (Nos. I II and IV are equally imposing) could have been written only in Australia. The sounds of the Far East - notably the Balinese gamelan - are juxtaposed with wild string harmonics and incredibly subtle use of percussion while long-breathed themes of utmost desolation place us square in the middle of the Outback.'25 January 1987

Par VINE CARL. Carl Vine’s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) ‘evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible, creating a series of fleeting glimpses – what Prokofiev called visions fugitives – abstract patterns glimpsed in the half-light or imagined behind clouds.’ / Scores / Répertoire / Orchestre

Full Score. Par ANDERSON JULIAN. Written for the Cleveland Orchestra in 2009, Fantasias was Julian Anderson's first multi-movement work for orchestra. This 23-minute showpiece abounds in vivid contrasts, from the jagged brass fanfares with which it opens to the headlong rush of its dazzling finale. At its heart is an extended and evocative nocturne, overflowing with all manner of brilliantly imagined sounds which its composer describes as a 'musical rainforest'./ Répertoire / Orchestre

Par BENJAMIN GEORGE. . . .Benjamin revealed an incredible sense of timbre and a precise technique of instrumentation which is unrivalled among his fellow composers. His precedence in both spheres was highlighted most vividly in At First Light. . .a masterpiece, which literally throws the whole concept of new music into complete confusion. . . Salzberger Nachrichten (Reinhurst Kannonier), 30 March 1991 / Niveau : Intermédiaire / Répertoire / Conducteur

Par BRIDGE FRANK. 'Isabella' is Bridge's second symphonic poem, and was completed on January 1907, and was the first orchestral work he chose to acknowledge. It is the only one of Bridge's orchestral work to follow a detailed narrative. It is based on Keats' 'Isabella or the The Pot of Basil', a poetic version of Boccasccio's gruesome Florentine tale./ Répertoire / Conducteur

Par BENJAMIN GEORGE. 'Benjamin augurs well to become the most important British composer of his generation. An Antara is a Peruvian panpipe. Benjamin's 1987 work synthesizes its sound via computer and adds trombones, flutes, percussion and strings for a 20-minute essay that dazzles as much for its textures (from lush strings to the wham of an orchestral anvil) as it does for its alert rhythmic scheme.' San Francisco Examiner, 29 September 1989/ Répertoire / Conducteur

Par MAW NICHOLAS. Il est écrit pour plaire et est ne pas mettre un pied erroné, qu'elle danse énergiquement le long de certains thèmes chantantes, avec des rythmes vivifiant, cast dans une structure claire et au-dessus de tous les florissant une compréhension magistrale d'orchestration. L'extravagance laiton de la première danse sonne comme Walton et le bois piquant écrit plus tard comme Britten, donc les dettes du Maw à ses ancêtres anglais sont clairement balisées. ' Richard Fairman, Financial Times, 27 septembre 1995/ Répertoire / Conducteur

Par SCULTHORPE PETER. '. . .an absolutely sterling score, accessible yet boldly original, conceptually fascinating and musically compelling.'John Rockwell, The New York Times, 7 February 1988/ Répertoire / Conducteur