Partitions de Centerstream pour Mandoline

A Collection of Cakewalks, Rags, Slow Drags, and Foxtrots from the Gilded Age. Par . The popularity of the mandolin in the United States between 1885-1915 led to the formation of many regional mandolin orchestras and mandolin clubs across the country, particularly in the urban areas of the Northeast and Midwest, but also as far west as San Francisco and as far south as New Orleans, e.g., the Tulane University Mandolin Club. In fact, Scott Joplin dedicated one of his early rags, The Entertainer, to his local mandolin club in Sedalia, Missouri, i.e., to Mr. James Brown and his mandolin club. So tune up your mandolin and enjoy playing the music that would have been heard in the neighborhood dance halls and feel like you're back in the Gilded Age! Each song in this collection is arranged for mandolin in staff notation and mandolin tablature with chord symbols. / Date parution : 2023-06-01/ Recueil / Mandoline

Increase your lick repertoire. 400 Smokin' Bluegrass Mandolin Licks utilizes 24 common bluegrass chord progressions to teach you over 400 licks which will allow you to create solos to literally hundreds of bluegrass tunes. Licks are developed from major pentatonic and blues scales. Mandolin-specific techniques such as tremolo double stops drone strings and cross picking are included in many of the phrases. Licks and solos are presented in numerous different keys including the keys of F Bb and B. The demo CD includes every lick performed at learning speed. Each practice progression uses sample licks and is played with rhythmaccompaniment on the included CD. 'Nine-Pound Hammer ' 'Black Mountain Rag ' 'Little Maggie ' 'Salt Creek ' and 'Ragtime Annie' are just some of the many traditional bluegrass tunes included.

Eighteen favourites each presented in two versions: a simple lead sheet arrangment with melody lyrics and chords; and an advanced solo arrangement that combines the melody and accompaniment. Arranged by Eric Cutshall.

While many extant photos of string band artists show members holding a mandolin it often can barely be heard in most period recordings because the most important instrument to capture was usually the fiddle or voice. Thiscollection provides you with the opportunity to learn over 70 old-time-music period songs recorded mostly by Ernest Stoneman or the duo Grayson and Whitter during the 1920s and early 1930s. Many of these songs were also?covered? by other string bands regardless of whether they had the opportunity or not to be commercially recorded. CD tracks of some of the songs in this collection as recorded by a number of different string bandartists are provided so that performances can be compared.