Partitions de Boosey and Hawkes pour Orchestre

The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer as an orchestral memorial to his teacher Nikolai Rimsky-Korsakov disappeared after just one performance in 1909. Following its rediscovery in 2015 and world premiere in St Petersburg last December orchestras around the world have swiftly added Funeral Song into their current seasons.   The Funeral Song score has been reconstructed from the complete set of parts by Dr. Natalia Braginskaya and the St Petersburg Conservatory in collaboration with Stravinsky?s publisher Boosey and Hawkes. This new addition to the iconic HawkesPocket Score range provides a unique insight into the music of the young Stravinsky before he found international success with his ballet The Firebird.   The Hawkes Pocket Score edition of Stravinsky?s Funeral Song op.5 is an essential addition to the collections of all musicologists scholars students and music lovers.

Ala et Lolly. Par PROKOFIEV SERGEI. Miiniature score version of Sergei Prokofiev's Scythe Suite Op. 20 for Orchestra. This work was composed in 1914-15 and was first performed on 16th January 1916 at the Maryinski Theatre, Petrograd, conducted by the composer. Hawkes Pocket Score 636. / Hawkes Pocket Scores HPS 636 / Répertoire / Orchestre

Capriccio Studienpartitur - STP - piano and orchestra composer: Stravinsky, Igor Éditeur: Boosey and Hawkes, London

Par RACHMANINOV SERGEI. Study Score - Hawkes Pocket Score 886. / Hawkes Pocket Scores HPS 886 / Répertoire / Orchestre

Bartók’s Concerto for Orchestra one of the most performed 20th century works regularly featuring in the concert programme series of many leading orchestra across the world.Bartok’s Concerto for Orchestra is in five movements arranged in what is termed an ‘arch’ form; the outer movements (first and fifth) are related as are the second and fourth and the third movement functions as the ‘keystone’ of the arch.Available here as part of the Boosey Masterworks series is the full score of Bartok’s popular orchestral work as edited by Malcolm MacDonald.

Hawkes Pocket Scores HPS 887. Par PANUFNIK ANDRZEJ. Détails de la formation instrumentale: 2.picc.2.corA.2.b Clarinette 2.dbn-4.2.1.1-timp.perc:tgl.picc/BD/SD- Pianot- strings - Durée: 17' -/ Répertoire / Orchestre

Hawkes Pocket Scores HPS 938. Par STRAVINSKY IGOR. Détails de la formation instrumentale: 2.2.2.1-2.3.3.1-timp- Pianot-strings - Durée: 18' - Format: Oktav/ Répertoire / Orchestre

Hawkes Pocket Scores HPS 1323. Par ROUSE CHRISTOPHER. Détails de la formation instrumentale: 2.picc.2.corA.2.b Clarinette 3-4.3.3.1-timp(2).perc(3):cyms/susp.cym/chin.cym/ bongo/BD/SD/glsp/TD/field dr/tamb/lg tam-t/xyl-harp-strings - Durée: 25' -/ Répertoire / Orchestre

Symphonic Suite. Par PROKOFIEV SERGEI. Study Score - Hawkes Pocket Score 1116. Prokofiev, S/ Répertoire / Orchestre

aus Egyptian Nights. Par PROKOFIEV SERGEI. Study Score - Hawkes Pocket Score 1344. Prokofiev, S/ Répertoire / Orchestre

Bach's Art Of Fugue represents one of the peaks of the prolific and remarkable composer's career by formulating and defining this quintessential Baroque compositional form. Written in undefined score the music was initially regarded more as an elegant and substantial theoretical achievement that requires a high level of virtuosity to perform at the keyboard. Over the years the set of pieces has been reinterpreted by all manner of instrument groups and ensembles and remains a unique challenge to the advanced Keyboard-instrument performer.This item is the authoritative Hawkes Pocket Score edition.

Hawkes Pocket Scores HPS 628-The study score for Shostakovich's Symphony No.5 Op.47. Hawkes Pockets Score 628

The 35-minute orchestral suite Book of Visions was co-commissioned by the Orchestre National de Belgique NHK Symphony Orchestra and Royal Scottish National Orchestra and received its premiere in Brussels on 15 April 2005 conducted by Mikko Franck.The work consists of four orchestral tales of night fire love and fate. Each aims to extract the essence of the phenomenon not in a descriptive way but rather as perceived by the composer metaphysically an approach akin to that of his series of ‘Angel’ works. Although no exact narrative is intended the final tale inevitably suggests autobiographical elements as its composition was violently interruptedby a near-fatal heart attack in January 2004.