Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis in...(+)
Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn.
The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.
Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.
- Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn
- Idiomatic piano reduction (BA 5694-90)/ Répertoire / Piano
Par DOST RAINER. Ce volume contient huit pièces pour choeur de l'Italie, la Fra...(+)
Par DOST RAINER. Ce volume contient huit pièces pour choeur de l'Italie, la France, Argentine, Afrique du Sud et d'autres pays. Les chansons reflètent le caractère de répertoire de chants traditionnels et surtout appel à des choeurs de jeunes. La collection comprend la partition complète de chaque pièce ainsi que des pièces distinctes qui fait répéter pour les chorales plus facile.
Le CD d'accompagnement comprend la performance de toutes les pièces ainsi que les parties vocales enregistrées individuellement./ Recueil / Choeur
KV 626-Hardback facsimile; Half-leather binding; 235 pages - 24 4 x 33 0 cm.Mozart???s Requiem: Truth and Legend.Facsimile of the autograph score held in the Austrian National Library with a foreword/introduction by Christoph Wolf.Mozart???s ???Requiem??? is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer???s early death truth and legend fragments and attempts to complete the work.The surviving manuscript reflects its dramatic history: Mozart???s handwriting often appears on the same page as inscriptions by S?ssmayr and others. One corner of a pagewith Mozart???s final musical thoughts was later stolen but an old photograph bears witness to it.This high-quality new facsimile presents each page individually trimmed to convey a vivid impression of the original.Besides a detailed description of the manuscript by G?nter Brosche the volume contains a Foreword by Christoph Wolff depicting the work???s genesis.Barenreiter Facsimilie:The seal is used exclusively for facsimile editions published by B?renreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:A facsimile in high-quality colour printingScholarly commentaryAttractive cover design
Sacred Cantata-In the words of Karl Wilhelm Ramler this cantata is one of the m...(+)
Sacred Cantata-In the words of Karl Wilhelm Ramler this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759 it combines festive trumpet sounds with moving chorale settings.Telemann has used his musical resources with moderation and restraint allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmas setting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30) thereby providing a reliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.
Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz-'I have never ...(+)
Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz-'I have never experienced such silence or seen an audience moved in this way.'(Felix Mendelssohn Bartholdy)Up to the present day there has scarcely been a work in the history of music which has fascinated listeners and performers more than Bach's 'St Matthew Passion'. Originally composed for Vespers on Good Friday and even longer in duration than the 'St John Passion' it reconstructs the story of Christ's Passion with immense musical emotional and spiritual intensity.And so this monumental and complex composition has come to rank amongst the high points of Western culture. For good reason the 'rediscovery' of Johann Sebastian Bach's music began in 1829 with theperformance of this work by Felix Mendelssohn Bartholdy and the Berlin Singakademie.The autograph manuscript is regarded as one of Bach's most beautiful the fair copy demonstrates the importance he attached to the careful preservation of the work for posterity. A further special feature is the coloured ink with which he wrote the biblical text and the music of the chorale 'O Lamm Gottes unschuldig'.This facsimile edition reproduces the autograph score of the 'St Matthew Passion' for the first time in high-quality colour printing. The Bach specialist Christoph Wolff introduces the background to the work's composition and the characteristics of the manuscript.Martina Rebmann (Staatsbibliothek zu Berlin) provides further details regarding the history of the autograph manuscript; with a preface by Barbara Schneider-Kempf general director of the Staatsbibliothek.BÄRENREITER FACSIMILEThe seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:- a facsimile in high-quality colour printing- scholarly commentary- attractive cover designFacsimile of the authograph score in the Staatsbibliothek zu Berlin - Preussischer Kulturbesitz.With a commentary by Christoph Wolff Martina Rebmann and Barbara Schneider-Kempf.Documenta musicologica II 47166 pages of facsimile and approx. 30 pages commentary (Eng/Ger)Format: 37.5 x 24cm; Half-leather binding hardbackISBN 978-3-7618-2294-4