Partitions de ADG productions pour Piano seul

This book is the latest addition to Carlos Campos? series of Afro-Latin books for keyboard. Mr. Campos? previous books in this genre are Salsa: Afro-Cuban Montunos for Piano, Salsa: Further Adventures in Afro-Cuban Music, Latin Jazz Piano Vol. 1, Ultimate Latin Riffs and Salsa: Afro-Cuban Montunos for Guitar. In Merengue Piano Styles, Mr. Campos delves into an aspect of the music of the Dominican Republic called merengue, known for its intricate rhythms and ultra fast tempos. Mr. Campos divides most of the examples in this book into ?Derecho? and ?Pambiche? styles. Selected examples are included in the accompanying CD, recorded at different tempos. Tracks containing bass and percussion only are also included. The complete set of recordings containing every example in this book are also available in high quality mp3 files (over 300 megabytes of mp3 files) and/or midi files, see below. While living in Boston, Carlos Campos spent many years studying and performing this particular genre with many merengue bands in the New England area. He later arranged, produced and recorded for several merengue artists. In the past, the only way to learn how to play the different styles of Afro-Latin music was to live in an area where that music genre was already very popular, so that one might connect with as many authentic musicians as possible, learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially into the musical style of our choosing is absolutely necessary for our musical growth, the need for concise, well-written and organized materials, written by someone who knows and lives this type of music is also essential. We at ADG believe that Mr. Campos? books have done a great service to the musical community by making Afro-Latin musical styles more accessible to students worldwide. We hope that this book and the rest of Mr. Campos? books find a special place in your musical world and that they become an integral part of your daily musical practice.

60 Of The Funkiest Keyboard Riffs Known To Mankind by Andrew Gordon consists of 60 riffs in a funky style. The first 30 riffs are designed to be played using a Clavinet sound while the second 30 riffs are designed to be played by an Organ sound. These 60 riffs cover a multitude of musical styles including Rhythm and Blues Soul Disco Jazz Latin Blues Rock Gospel and Hip-Hop. Musicians and bands that have influenced these 60 examples include: Stevie Wonder Herbie Hancock Billy Preston Ramsey Lewis Jimmy Smith Jimmy McGriff Charles Earland Stevie Winwood Richard Tee James Brown Tower Of Power and Earth Wind and Fire.This product is for the intermediate to advanced musician who needs a comprehensive practical guide to these styles. The online audio has each example recorded twice. The first example has the left hand part on the left channel and the right hand part on the right channel as well as a separate bass line and drums. The second version of each example has only the bass and drums recorded so that you can play along with the backing rhythm tracks.

Le vrai piano latine rédigée par Kiki Sanchez apprend à jouer les rythmes latins les plus importants sur le piano, tels que: Salsa, Cumbia, Gaujira, Timba, Cumbia, Bolero et d'autres styles. En outre, le livre explique clairement comment effectuer des rainures Piano latines sur clave 2-3 et 3-2 ainsi que montrant la structure traditionnelle Salsa organisation et la façon d'effectuer Piano Montuno à l'aide d'harmonies jazz américains.Vision Sanchez est d'étendre vos capacités musicales et avoir une meilleure compréhension sur la façon de jouer plusieurs rythmes latins sur le piano. Ceux-ci seront non seulement vous aider avec vos capacités piano, mais permettra d'enrichir vos connaissances musicales en tant que producteur, arrangeur et éducateur. Dans ce livre Kiki introduit un montuno de son Pérou natal appelé le Festejo péruvienne. Comme Kiki éducateur a été de travailler avec Pati Vargas sur le voyage d'Amérique latine musicale, enseignement de la musique et les différentes cultures de l'Amérique latine dans plusieurs écoles et collèges publics de la région sud de la Floride.Le CD qui accompagne le livre comprend 50 pistes audio, 114 fichiers mp3 et 114 fichiers MIDI / Piano

100 Blues Ultimate Riffs pour piano / claviers, la série débutant par le musicien, éducateur et auteur de renommée mondiale Andrew D. Gordon est un guide exhaustif d'introduire les étudiants débutants à l'diverses expressions ou '' riffs 'qui font jouer du piano Blues, à la fois à partir d'un point de vue rythmique et solo.En raison de la poursuite du succès de son livre plus avancé 100 Blues Ultimate Riffs pour Piano / Claviers Andrew a décidé à l'auteur le même type de livre pour les étudiants débutants.Ce livre est idéal pour les débutants et intermédiaires étudiant en musique avec la plupart des exemples notés dans les clés de plus facile. En plus d'apprendre comment jouer Blues riffs le livre est un outil utile pour les exercices de lecture à vue avec de nombreux et différents gauche rythmes main droite.Le 12 Bar Blues et la progression de la gamme de Blues, de l'avis de Andrew's, les deux aspects les plus importants de jouer le Blues est expliqué en détail ainsi que '' droite 'et' 'swing' 'rythmes.Il ya cinq sections pour les riffs dans le livre, l'article 1 contient base riffs Blues, l'article 2 contient Rhythm and Blues influencé riffs, l'article 3 contient Boogie Woogie riffs, l'article 4 contient Rock influencé riffs de blues et de l'article 5 contient Evangile influencé riffs Blues. Inclus avec ce livre est un CD audio qui contient tous les riffs, a enregistré deux fois:. premier, le piano avec basse et batterie et la deuxième seulement la basse et la batterie de sorte que vous pouvez jouer-a-long ' / Piano

Par GORDON ANDREW D.. Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings. The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound. Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings. The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound. / Niveau : 4 / Recueil / Piano

Cet ouvrage est le dernier ajout à la série de Carlos Campos de livres Afro-Latin pour clavier. Livres précédents m. Campos dans ce genre sont Salsa : Afro-Cuban Montunos pour Piano, Salsa : Further Adventures en musique Afro-Cuban, Latin Jazz Piano Vol. 1, ultime Riffs Latin et Salsa : Afro-Cuban Montunos pour guitare. Dans les Styles de Piano Merengue, m. Campos se penche sur un aspect de la musique de la République dominicaine appelée merengue, connu pour ses rythmes complexes et ultra tempos rapides. M. Campos divise la plupart des exemples dans ce livre en ' Derecho ' et ' Pambiche ' styles. Exemples choisis sont inclus dans le CD qui l'accompagne, enregistré à différents tempos. Pistes contenant basse et percussions seulement sont également inclus. Le jeu complet des enregistrements contenant chaque exemple dans cet ouvrage sont également disponibles dans les fichiers mp3 de haute qualité (plus de 300 Mo de fichiers mp3) et/ou des fichiers midi, voir ci-dessous. Pendant son séjour à Boston, Carlos Campos passent plusieurs années à étudier et effectuer ce genre particulier... / Piano

Ultimate Latin Riffs for Piano/Keyboards is a book written by the combined talents of internationally renowned authors/educators Carlos Campos and Andrew D. Gordon. This book provides an extensive study into the various piano/keyboard Latin styles including: Salsa Mambo Merengue Calypso Cha Cha etc. These exciting 50 examples will have you spending many enjoyable hours learning the intricacies of Latin piano/keyboard playing. The book is transcribed note for note from the superbly recorded audio files. Each example is recorded twice the first version with piano bass and drums and the second version with just bass anddrums so that the pianist/keyboardist can practice along with the rhythm section.

In All 12 Keys. Par GORDON ANDREW D.. / Date parution : 2022-11-29/ Etude / Piano

100 Ultimate Blues Riffs for Piano/Keyboards the Beginner Series by musician educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or riffs that make up Blues piano playing both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book 100 Ultimate Blues Riffs for Piano/Keyboards Andrew decided to author a similar type of book for beginner students. This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful toolfor sight reading exercises with many different left and right hand rhythms. The 12 bar Blues progression and the Blues scale in Andrew s opinion the two most important aspects of playing the Blues is explained in detail as well as straight and swing rhythms. There are five sections to the riffs in the book section 1 contains basic Blues riffs section 2 contains Rhythm and Blues influenced riffs section 3 contains Boogie Woogie riffs section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book are downloadable audio files that contains all the riffs recorded twice: first piano with bass and drums and second just bass and drums so you can play-a-long.   

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

Par GORDON ANDREW D.. The Blues Scale by Andrew Gordon is a very important book because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. Inside both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The audio files contain recordings of all the blues patterns that are notated in the book recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and on certain grooves Percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. Watch the video below for more information. The Blues Scale by Andrew Gordon is a very important book because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. Inside both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style. Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The audio files contain recordings of all the blues patterns that are notated inthe book recorded along with a rhythm section of Piano, Organ, Guitar, Bass and Drums and on certain grooves Percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. Watch the video below for more information. / Niveau : 2 / Etudes et exercices / Etude / Piano ou Clavier