SKU: LO.9780787752095
ISBN 9780787752095.
Add excitement and anticipation to your Christmas celebration with this cheerful interpretation of two perennial favorites! Michael Lawrence's orchestration culminates in an ensemble-wide proclamation of Go, Tell it on the Mountain! that will leave listeners humming. A reference recording is also included.
SKU: HL.49015495
ISBN 9783795703202. German.
Die mittlerweile gangige Kontrastierung von biographischer und philologischer Forschung tauscht einen Gegensatz vor, der in Wirklichkeit nicht besteht. Philologische Arbeit ist mit biographischen Fragen eng verbunden, setzt im Einzelfall sogar die Auseinandersetzung mit derartigen Daten in einer Fulle und Detailliertheit voraus, wie sie fur biographische Darstellungen gar nicht zwingend erscheint, und hat nicht zuletzt zu spektakularen Revisionen scheinbar gesicherter Biographien gefuhrt. Andererseits finden sich Beispiele, die deutliche philologische Defizite gegenuber der biographischen Forschung erkennen lassen. Das vom Paul-Hindemith-Institut, der Hochschule fur Musik und Darstellende Kunst und dem Institut fur hermeneutische Sozialforschung in Frankfurt/Main veranstaltete Symposium hat sich einerseits einer Bestandsaufnahme des Verhaltnisses von Philologie und Biographik anhand spezieller Forschungsbereiche (u.a. zu Liszt, Strauss, Mahler, Schonberg, Strawinsky, Hindemith, Messiaen und Stockhausen) gewidmet, andererseits aber auch versucht, allgemein den derzeitigen Stand der Diskussion zum Autonomiestatus von Musik als emphatischer Kunst zu betrachten und auf mogliche aktuelle Konsequenzen zu untersuchen.
SKU: LO.10-5617L
ISBN 9780787775254.
Joy abounds in this creative pairing of Rise Up, Shepherd and Go! Tell It On the Mountain. Full of vocal energy, and accompanied by a fun piano part, your choir is going to love this one! It is also available as a two-part version in our popular Singable Solution series.
SKU: LO.10-5634L
ISBN 9780787775261.
SKU: AU.9781506486550
ISBN 9781506486550. 7 x 10.25 inches.
Two spirituals about the shepherds are paired in this exciting anthem by Anthony Giamanco, which begins with Rise Up, Shepherds, and Follow and segues into Go Tell It on the Mountain. Flexible and fun to sing, the anthem is scored for two parts in any voice combination and includes solo lines and the option to include the assembly.
SKU: WD.080689480232
UPC: 080689480232.
This radiant anthem offers a deep promise and declaration for the church to rise up and tell the goodness and splendor of our Lord across all lands and seas. We Will Rise, made popular by Christian music group Selah, arranged for you by Cliff Duren, is a meaningful, bright proclamation of faith to our Lord and Savior. Declare His love and sovereignty during your church service with this joyful anthem!
SKU: M7.ART-42092
ISBN 9783866420922.
Du hast Schwierigkeiten Noten zu lesen? Besonders der Bassschlüssel bereitet Dir Schwierigkeiten? Du stehst auf gefühlvolle, schön klingende Klaviermusik? 'Dein Klavier wird Dich lieben' enthält 19 Klavierstücke, die sehr leicht und fast nur in Viertelnoten geschrieben sind, dabei aber dennoch anspruchsvoll klingen. Dadurch hast Du die Möglichkeit sehr entspannt die Noten sowie den Bassschlüssel zu erlernen und zu spielen. Die Kompositionen in diesem Klavierbuch legen den Grundstein für den Umgang mit Intervallen (Terzen, Quinten usw.). Die einfachen Dur- und Mollharmonien schulen Dein Gehör und die ausführlichen Fingersätze erleichtern Dir das Spielen selbst. Da Du die hier gesammelten Stücke ohne Schwierigkeiten spielen kannst, empfindest Du das Üben nicht als etwas Mühsames und Anstrengendes. Ganz im Gegenteil: Du erlebst das Klavierspielen so, wie wir es lernen und spielen wollen - als eine wundervolle Art und Weise, die eigenen Gefühle in Musik auszudrücken.
SKU: HL.35031320
ISBN 9781495078859. UPC: 888680651183. 5.0x5.0x0.155 inches.
Here is a new major work for Spring programming, based on early American folk songs and hymns. Sacred Places explores the story of Christ's ministry, passion and resurrection, all emphasizing the locations where these great moments occurred: The Sea of Galilee, The Wedding at Cana, The Sermon on the Mount, Jerusalem, The Upper Room, The Garden of Gethsemane, Calvary and the Garden of Resurrection. With poignant narrations and scripture, along with the creative orchestrations by Brant Adams, this is a memorable telling of the life of Christ. Two distinct endings are provided, allowing for a presentation during Holy Week that ends with the crucifixion, or an Easter moment that concludes with a joyful affirmation of life. Songs include: Prelude; Songs from the River; Come and Hear the Wondrous Story; My Song in the Night; Lift Up Your Heads, Jerusalem; The Remembering; The Midnight Garden; A Green Hill Far Away; Sunrise; Alleluia! Christ Is Risen! Full Orchestration (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, hp, pno, timp, perc 1-2, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download. Consort Orchestration (fl, cl, tpt 1-2, tbn, bells, perc, kybds) available as a Printed Edition and as a digital download.
SKU: HL.35031318
ISBN 9781495078835. UPC: 888680651169. 8.5x11 inches.
Here is a new major work for Spring programming, based on early American folk songs and hymns. Sacred Places explores the story of Christ's ministry, passion and resurrection, all emphasizing the locations where these great moments occurred: The Sea of Galilee, The Wedding at Cana, The Sermon on the Mount, Jerusalem, The Upper Room, The Garden of Gethsemane, Calvary and the Garden of Resurrection. With poignant narrations and scripture, along with the creative orchestrations by Brant Adams, this is a memorable telling of the life of Christ. Two distinct endings are provided, allowing for a presentation during Holy Week that ends with the crucifixion, or an Easter moment that concludes with a joyful affirmation of life. Songs include: Prelude; Songs from the River; Come and Hear the Wondrous Story; My Song in the Night; Lift Up Your Heads, Jerusalem; The Remembering; The Midnight Garden; A Green Hill Far Away; Sunrise; Alleluia! Christ Is Risen!Full Orchestration (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, hp, pno, timp, perc 1-2, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.Consort Orchestration (fl, cl, tpt 1-2, tbn, bells, perc, kybds) available as a Printed Edition and as a digital download.
SKU: CF.CM9634
ISBN 9781491157060. UPC: 680160915620. 6.875 x 10.5 inches. Key: G major. English, English. Traditional Christmas Spiritual.
Berg's fantastic setting of this beloved American Christmas spiritual for advanced tenor-bass choirs tells a story of hope and meaning. The various textures throughout the a cappella arrangement with solos add much variety and musical interest. A holiday programming must!.This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!) The entrance at m. 8 from the upper three voices (we'll call them the trio part henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song. The trio part, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener's ear with sound and rhythm. The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song. There is enough repetition to make for easy learning, but this also means that the chords need to snap into position cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58...this only happens once). The Refrain (mm. 30-37) is the part of the song where the singers switch from the Jazz Trio role and actually become a Men's Choral Ensemble. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners! Measures 72-75 is known in the business as a vamp. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience. It is important that there be a clear signal from the conductor as to how to end the vamp and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon! Faces bright; words clean; melody clear; rhythms precise! Enjoy.This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!)The entrance at m. 8 from the upper three voices (we’ll call them the “trio part†henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song.The “trio partâ€, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener’s ear with sound and rhythm.The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song.There is enough repetition to make for easy learning, but this also means that the chords need to “snap into position†cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58…this only happens once).The Refrain (mm. 30-37) is the part of the song where the singers switch from the “Jazz Trio†role and actually become a “Men’s Choral Ensembleâ€. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners!Measures 72-75 is known in the business as a “vampâ€. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience.It is important that there be a clear signal from the conductor as to how to end the “vamp†and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon!Faces bright; words clean; melody clear; rhythms precise! Enjoy.
