Concerto in Bb Major for Clarinet & Orchestra

Piano reduction with solo part-In 1947 Aaron Copland accepted a commission from Benny Goodman ‘The King Of Swing’ for a piece for solo Clarinet and Orchestra. Copland always wary of repeating himself welcomed the challenge of composing a Clarinet concerto – ‘it might stimulate some fresh ideas’. He knew from the start that a bow to jazz was called for and he hoped also to demonstrate the lyrical qualities of the Clarinet. Dedicated to Goodman the Concerto for Clarinet was finished by the end of 1948. Clarinettists were soon welcoming this new virtuoso piece and it has since become a standard in the Orchestral repertoire.The concerto consists of two movements played back-to-back connected by a Clarinet cadenza. The dreamy and melodic first movement is followed by a free rondo dominated by melodic Latin American jazz themes and is resolved in the end with an elaborate coda in C major that finishes off with a Clarinet glissando – or 'smear' in jazz lingo. Originally written for Clarinet and String Orchestra with Harp and Piano in this edition Concerto for Clarinet is arranged for Clarinet with Piano accompaniment by the composer. Along the published version with the changes requested by Benny Goodman ossias from the original 1948 manuscript are included as well. Comes with a separate insert of the Clarinet score.

The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in B-Flat as arranged by Ernest Roth and revised by Frederick J. Thurston.

Ignaz Joseph Pleyel's Concerto for Clarinet and Orchestra In C Major published by Breitkopf & Hartel is a perfect piece for the intermediate Clarinet player looking for a rewarding addition to their repertoire. This piece is arranged for Clarinet solo and Piano Reduction.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences particularly those for wind instruments and his Clarinet Concerto is no exception. This Bozza piece for Clarinet is expressive and virtuosic displaying the entire range of the instrument accompanied by an equally virtuosic Piano reduction. The Concerto comprises three movements and is oneof 19 Concertos written by the composer. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Clarinet Concerto is a suitable and significant addition to the advanced clarinetist's repertoire.

The complete resource for the Grade 5 clarinettist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey and Hawkes et met l?accent sur des compositeurs tels que Serge Prokofiev, Dimitri Chostakovitch, Karl Jenkins, Carol Barratt et Christopher Norton, à côté d?arrangements de musiques traditionnelles du monde entier réalisé, entre autres, par Peter Wastall et Vera Gray. Compilée minutieusement par Janet Way, cette anthologie pratique fournit un répertoire complet à l?apprenti clarinettiste de niveau 5 et constitue un ensemble idéal regroupant démarche pédagogique, préparation aux examens et pièces de concert. Chaque volume contient : un choix de morceaux, et d?études brèves, complété de conseils pour la pratique et l?interprétation les gammes et arpèges correspondent au répertoire de chaque niveau détaillés dans des exercices spécifiques de tous nouveaux exercices de déchiffrage e d?improvisation des pratiques inédites de formation auditive un cahier d?accompagnements de piano Des démonstrations interprétatives complètes, des pistes d?accompagnement de piano et des ressources de sensibilisation auditive pour différents niveaux sont disponibles en streaming ou téléchargement. Interprète réputée et pédagogue émérite, Janet Way est professeur à la section LRAM (Licenciate of the Royal Academy of Music) du département des bois de la Royal Academy of Music. Elle a exercé les fonctions de conseillère et d?examinatrice de l?Associated Board of the Royal Schools of Music. Elle dirige l?Oxford Flute Summer School (Académie d?été de flûte d?Oxford) de renommée mondiale, dont elle est la fondatrice. / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Clarinette et Piano

'Les deux concertos offrent au clarinettiste un rôle valorisant et lui donnent l'opportunité de montrer sa brillante virtuosité et d'atteindre des effets inhabituels en utilisant tous les registres?, commentait avec justesse le biographe de Weber Julius K / Clarinette Et Orchestre / Partition

Un concerto romantique plein d'expressivité, virtuose et adaptée aux techniques joue de la clarinette. / Clarinette Et Orchestre

Un concerto romantique plein d'expressivité, virtuose et adaptée aux techniques joue de la clarinette. / Clarinette Et Orchestre

Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utilisation de la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. La Eulenburg audio + score série excelle dans un format facile à lire et prêt / Clarinette Et Orchestre