Night Shift

Contents include: After Hours; Butterscotch Blues; Double Dare; Double or Nothing; Jump Start; Keep the Change; Last Curtain Call; Masquerade; Midnight Blue; Night Shift; No Left Turn; Third Time's a Charm.

Round me falls the night. for SATB unaccompanied William Romanis's hymn text is brought to life in this enchanting anthem with unexpected harmonic shifts and fluctuating time signatures. Rooney glides gracefully between tonal centres, creating a beautiful, ethereal atmosphere. Also published in Breath of Song.

The simplicity of this work for mixed voices is captivating! With interesting 6/8 and 3/4 alternating meters major/minor shifts and imitative vocal textures your choirs will create a special concert moment!

POD-Nico Muhly's Pulses Cycles Clouds for large mixed Percussion ensemble was written for the 50th anniversary of the Boston University Tanglewood Institute. At its core it is a group of four marimbas surrounded by various bells and other mallet instruments; unpitched instruments here are primarily played by an ensemble of amateur percussionists. The piece obsesses over a cycle of eleven chords introduced slowly through the beginning of the piece. Each chord is announced by a large vertical moment with bells vibraphone and a sudden shift in tonality. The four marimbas then relax into a series of soft interlockingpatterns over which an ensemble of glockenspiels and crotales plays a simple rhythm in a complex relationship to the other instruments. Eventually the pulse disintegrates entirely into a vision of a night sky; insects unexpected interruptions - a walk around a quiet landscape. Eventually the pulse returns but nocturnally subdued. The piece is meant to echo in its way the thrill of community music making the joy of sharing a pulse and the various connections both rhythmic and interpersonal I made at BUTI two decades ago. - Nico Muhly

Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.

This collection contains 15 incredibly detailed transcriptions written in standard notation and tab, spanning from McLaughlin's debut album, Extrapolation (1969) to Miles Davis' landmark jazz-rock fusion album, Bitches Brew (1970), to the Indian-infused The Inner Mounting Flame (1971) and Birds of Fire (1973) by the Mahavishnu Orchestra- to the acoustic flamenco album Friday Night in San Francisco (1991) featuring the guitar trio of McLaughlin, de Lucia and Di Meola- to McLaughlin's jazz trio album After the Rain (1994). Explore exotic modes, rapid-fire phrasing and shifting time signatures from the teachings of the master of fusion guitar. Titles include: Birds of Fire - Celestial Terrestrial Commuters - The Dance of Maya - Extrapolation - Follow Your Heart - Guardian Angel - John McLaughlin - Lila's Dance - Marbles - Meeting of the Spirits - Miles Beyond - My Foolish Heart - Noonward Race - Peace One - Take the Coltrane. / Guitare

26 Sparking movie Sheet Music Hits from an exciting new series. Presented here for piano and voice with guitar chord boxes.

Par . Franz Gruber's beloved Christmas carol, 'Silent Night,' receives a unique treatment for strings. The tune is heard twice. The first time, it is paired with a motive from the Prelude of J. S. Bach's Cello Suite No. 1 (BWV 1007); the second time, the melody shifts from part to part, giving everyone a chance to shine. Richly scored, warm and embracing, a real audience pleaser for your December concerts. (3:00) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

Instructional DVD-Steve Lukather the Grammy Award-winning lead guitarist with the super group Toto is considered one of the foremost rock guitarists of today. Steve has performed or recorded with a plethora of top artists like Carlos Santana Larry Carlton Les Paul Elton John Paul McCartney and Michael McDonald to name a few. He has won several Grammy Awards as a songwriter producer and guitarist. On this DVD Steve takes you step by step through a spectacularassortment of his best licks and solos in this video session recorded in 1985. You'll learn the licks and leads to such hits as “Rosanna ” “Carmen ” “Hold the Line ” and “Lovers in theNight.” He also shares important tips and techniques in speed picking position shifting traveling scales false harmonics and melodic phrasing as well as equipment and effects demonstrations. You're carefully takenthrough every lick which you can follow in the accompanying instructional booklet. However there's no need to read music because the booklet comes with fretboard diagrams. This is truly a unique opportunity to receive a privateguitar lesson from one of the most influential and versatile guitarists today whose musical compositions have helped shape the sound of popular music. 36 minutes.

Famous & Fun Pop Duets, Book 3, contains carefully selected popular hits from movies, radio and television. The duets are arranged in equal parts for elementary to late-elementary pianists, and are written for one piano, four hands. Additionally, the melody often shifts between primo and secondo, creating interesting parts for both players. Simple eighth-note rhythms are used, but dotted-quarter notes are avoided. Some arrangements are written with one sharp or flat in the key signature. Titles: Arabian Nights * The Ballad of Gilligan's Isle * Blue Moon * The Chicken Dance * Great Balls of Fire * The Imperial March (Darth Vader's Theme).