Matériel : Flash Cartes & Jeux
SKU: HL.1091748
ISBN 9781705176047. UPC: 196288099352. 9.0x12.0x0.129 inches.
Perfect for fans of the popular video game score just getting started with piano! E-Z Play Today songbooks feature simple arrangements with authentic-sounding chords and melody lines with a minimum number of page turns. The books also include lyrics for ultimate playing and sing-along enjoyment. This volume features 12 well-known tracks, including: Alpha • Aria Math • Cat • Door • Living Mice • Mice on Venus • Minecraft • Sweden • Moog City • Mutation • Subwoofer Lullaby • Wet Hands.
About Hal Leonard E-Z Play Today
For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
SKU: M7.VHR-1854
ISBN 9783864340581.
Das ultimative Spielbuch für Akkordeon. 50 Chart & Film Hits leicht arrangiert.
SKU: M7.VHR-1854-50
ISBN 9783864340598.
SKU: HL.48025401
UPC: 196288200826.
Berse rkers were special warriors common to the Vikings and the ancient Celtic tribes who would work themselves into a frenzy with mead, mushrooms and hyperventilation to achieve performances of ferocious courage in battle. Although deadly in combat, the berserking process was paradoxically a suicidal one since, having lost their senses, they were vulnerable to a more stealthy attack. The initial burst of inspiration for this work came in 1989 after watching a soccer game in which Celtic Glasgow turned in a characteristically passionate, frenzied but ultimately futile display against Partizan Belgrade. But whatever the genesis of the piece, it is essentially abstract. The relationship between soloist and orchestra changes from section to section. In the opening fast music they are in argument and opposition most of the time, each striving to dominate. In the slow middle section the piano is very much to the fore and in the final quick section they become equal partners.