Matériel : Partie séparée
SKU: HL.14028919
8.0x11.75x0.046 inches.
A suite of five short pieces from Scarlatti's Il Tigrane, arranged by Janet E. Beat for recorder ensemble.
SKU: KN.16505
UPC: 822795165050.
Featu ring an array of 15 classics for grade 3-4 players, the music in these collections have been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments. Therefore, one book will not be compatible with any other in the series.Contents:< br>Capriccio (Scarlatti); Slangpolska; Rondo (Mzoart); Bagatelle (Beethoven); Sonatina (Hook); March (Mozart); Cradle Song (Kullak); The Ragtime Dance (Joplin); Pizzicato Polka (Delibes); Prelude (Purcell); Air From Suite No. 3 In D (Bach); Dance (Saint-Saens); Allegro (Mozart); Selections From Carmen (Bizet); Biddy Maloney.
SKU: KN.15823
UPC: 822795158236.
SKU: KN.14845
UPC: 822795148459.
SKU: LM.27365D
ISBN 9790231701678.
ALBE NIZ : Malaguena - BACH : Scherzo (3e Partita en La min.) - BARTOK : Danse populaire roumaine n. 1 - BEETHOVEN : Bagatelle en Mib Op.33 n. 1 - BOUTRY : Danse de la puce - CHABRIER : Melancolie - CHOPIN : Mazurka en La min. Op.68 n. 2 - Valse Op.69 n. 1 - DEBUSSY : Danse de la poupee (La Boite a joujoux) - DVORAK : Andante en La mineur (Suite Op.98) - GRANADOS : Epilogue - Vals muy lento - GRIEG : Le Lutin Op.71 n. 3 - HAENDEL : Allegro (7e Suite en Sol mineur) - KODALY : Kindertanz - Klavierstucke Op.11 n. 3 - MENDELSSOHN : Romance sans paroles Op.62 n. 1 - MOZART : Allegro (Sonate en Ut maj. KV 545) - POULENC : Le Petit elephant (L'Histoire de Babar) - PROKOFIEV : Visions fugitives op.22 n. 3 - Visions fugitives op.22 n. 10 - Visions fugitives op.22 n. 11 - REGER : Albumblatt - SCARLATTI : Sonate en Si mineur - SCHONBERG : Kleine Klavierstucke Op.19 n. 5 - Le Cavalier - Romance en Sib maj. Op.124 n. 11 - SCRIABINE : Prelude Op.2 n. 2 - SMETANA : Feuillet d'album en Si mineur - TCHAIKOVSKI : Perce-neige (Avril).
SKU: HL.48181341
UPC: 888680867775. 9.0x12.0x0.075 inches.
“Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer, Bitsch has composed orchestral works, chamber works and numerous pieces and studies for wind instruments. Four Variations on a Theme by Domenico Scarlatti is a significant addition to the Trumpet and Cornet repertoire. Suited to advanced level trumpeters and cornetists, Bitsch's Four Variations on a Theme by Domenico Scarlatti includes a variety of technical aspects as well as sublime musicality. In his latter years, Bitsch dedicated himself to the analysis of music by the Baroque masters. It is clear that his inspiration for Four Variations on a Theme by Domenico Scarlatti comes from his passion for and interest in the era. The variety of this exciting Bitsch piece is outstanding, creating a necessary, inspiring addition to the Trumpet and Cornet repertoire.”.
SKU: HL.49010850
ISBN 9790001096867. UPC: 073999286540. 9.0x12.0x0.075 inches.
Contents: Ain niederlandisch runden Dantz (Judenkunig) * In Quadragesima (Dufay) * Ballett (Losynthal) * Ain schone kunstliche underweisung: Das erste Priamell (Judenkunig) * Minuetto (Scarlatti) * Bourree (de Richee) * Allegro aus einer Canzona (Kerll) * Fantasia (Krieger) * Presto from Lautensuite No. 1 (Bach).
SKU: SU.80101495
Suite in Three Movements (2021) for harpsichord was commissioned by Scott Hyslop. The three movements take their inspiration and forms from early models. They combine allusions to common practice harmony with later harmonic and rhythmic elements. The first movement, Concerto, is in a bright, Italianate manner (not without a bit of humor). The animating contrast is between ripieno (ritornello) sections and filigree-driven solo episodes. The second movement, Arioso, is a lyric aria in which the baroque-like principal material is integrated with more varied harmonic excursions. The third movement, Sonata, is a vibrant binary movement in the manner of Domenico Scarlatti.Harpsichord Duration: 13’ Composed: 2021 Published by: Zimbel Press.
SKU: HL.50011900
UPC: 073999119008. 8.25x11.75x0.539 inches.
Contents: Suites 21-30.
SKU: HL.50011940
UPC: 073999696646. 8.25x11.75x0.508 inches.
Contents: Suites 351-400.
SKU: BT.EMBZ15150
English-German-Hungari an.
The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well.Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history.Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.
SKU: HL.50011930
UPC: 073999121247. 9.0x12.0x0.63 inches.
Contents: Suites 61-70.
SKU: HL.50011960
UPC: 073999264876. 9.0x12.0x0.591 inches.
Contents: Suites 91-100.
SKU: BR.EB-8033
ISBN 9790004174364. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extant, since it is more stimulating for children to change the teaching material frequently. Jean-Philippe Rameau (1683-1764) is the second great keyboard master of the Baroque Age next to Couperin. His works are as unknown to pianists, with few exceptions, as they are famous among harpsichord players. The virtuosity and imaginativeness of his works lend themselves especially well to the sound of harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the harpsichord and clavichord, and no one would dare question their interpretation on the pianoforte. In order to introduce these Impressionists of the Baroque Era to piano instructions, the editor has added to this series a folio of both Couperin's (EB 8029) and Rameau's music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. Baroque dance forms and graceful character pieces (LaJoyeuse, L'Indifferente) are typical ofRameau's work. Simplifications to a small extent of the harpsichord setting and also of the omamentation in the original version were required, based on the teaching experience of the editor. The indications for phrasing and articulation are those of the editor. The Minuet on page 6 has been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series: what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the espective footnotes; these directions, however, are not obligatory. Indications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case by used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realisation of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: TM.07735SET
P/C in set. Organ in set.
