Matériel : PartitionLangue : Français
La référence ORPH5659 de l'éditeur Billaudot dont l'auteur célèbre est Clerisse Robert, qui a pour titre INTRODUCTION ET DIVERTISSEMENT, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition
SKU: TM.06541SC
4 movements: No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 4 Danse de la gypsy, No. 6 Gigue et finale. See #05888 for No. 3 La fete du Houblon.
SKU: TM.06541SET
SKU: TM.13985SET
P/C in set. No. 1 Introduction - Entree des clans, No. 2 Idylle ecossaise, No. 3 La fete du Houblon, No. 4 Danse de la gypsy, No. 5 Scherzetto, No. 6 Gigue et finale.
SKU: BA.BA08862
ISBN 9790006558216. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Kocevar, Érik. Text: Charles Colle.
The heroic pastoral Daphnis et Egl was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: M7.GHE-806
ISBN 9783890448060. English.
This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
SKU: BA.BA05810-01
ISBN 9790006495511. 33 x 26 cm inches. Text Language: French. Preface: Philippi, Daniela. Text: Favart, Charles Simon.
For his ParisCythere assiegee, Gluck drew on his eponymous opera comique from 1759, transforming it into an opera-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version.This edition ofCythere assiegeecontains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts.The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles.
