Sacred Choral Music

Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano

The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Reflects the latest in musicological research based on the New Schutz Edition.Includes a detailed foreword (Eng/Ger) on performance practice by a Schutz expertInstrumental parts (Strings Winds) available in transpositions.In 1648 Heinrich Schutz published a collection of 29 motets with five to seven parts titled ?Geistliche Chor-Music? (Sacred Choir Music). Here the term ?Chor? (Choir) refers not only to a (large) Vocal ensemble but more generally to a group of musicians vocal or instrumental. As explained by Schutz in the foreword he published withthe collection all parts of the motets can be performed vocally and/or instrumentally.This practice common in Schutz?s time has been incorporated into Bärenreiter?s new publication. The edition includes the twelve five-part motets at original pitch with Basso Continuo. In addition instrumental parts for String and Wind instruments can be purchased. These parts which include the text serve to support and complement the choral sound ?colla parte?. To enable varying tone-colour possibilities instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory counterpoint and ensemble and is also rector of the ?Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble ?Weser-Renaissance Bremen?.

Over 50 of the finest examples of sacred choral music from continental Europe from the sixteenth to twentieth centuries. John Rutter has prepared completely new editions of all the pre-twentieth-century items going back to the earliest and most reliable manuscript or printed sources. English singing translations are provided for most pieces and playable keyboard reductions. Orchestrations are available for hire for the eight accompanied items and some pieces are available separately in the Oxford Choral Classics Octavo series.

The Six and Seven-part Motets (nos. 13-29)-The Heinrich Schütz: Sacred Choral Music collection can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works based on historically-informed performance practice.The Basso Continuo realisation follows the composer?s intention of using the score merely as a basis for performance but with its relatively simple realisation it allows performers to create their own version.Heinrich Schütz was a German composer and organist widely regarded as the most important German composer before Bach and one of the most important composers of the17th century. Schütz is said to have written what is considered to be the first German Opera in 1627 titled Dafne (Opitz- Shütz).

Music For Special Occasions brings together 10 sacred choral works in on volume carefully selected to cater for a wide variety of performance contexts - whether joyful reflective or commemorative. Practically and flexibly arranged for Soprano and Baritone or Low Alto this unique collection of best-loved classics and new pieces is a must-have resource for all school community and church choirs.

David Fischer is a new composer who brings forth a fresh sound one that captures the traditions of sacred choral music. The tune is immediately memorable and his treatment of it most enjoyable. In the end it is a worshipfulanthem that bridges the diverse inclinations of today's worshiping church. Available: SATB.

Instrumental Available (HMB197a): 2 Vln Vla Cello Bass And Full Score._x000D_Nicola Porpora(1686-1768) born in Naples was highly regarded during_x000D_his own lifetime as both a composer and singing teacher. The majority_x000D_of Porpora's musical output centered around vocal music - operas cantatas oratorios and sacred choral works. The majority of choralworks were written for treble voices this Kyrie being one of thecomposer's few works for mixed voices.

Text from Psalm 96-The sacred choral music of the great masters never goes out of style and still produces the same feelings of tremendous joy after hundreds of years. Glory Sing to God Forever is a wonderful celebratory opportunity for yourchoral ministry adroitly adapted from Handel's Judas Maccabeus by Hal Hopson. This exultant psalm is perfect for any festive occasion or to liven up your regular Sunday service.