Here With Me. Sab Accompanied

Here With Me was Dido's first single from her debut album which was released in 1999. Her ethereal sound is captured in this delicate choral arrangement for 2-part chorus with a full Piano accompaniment.

This book ideal for beginners includes 30 easy pieces for pianists. Each track has been carefully chosen to acquire a strong level of experience on the Piano while also having fun playing enjoyably short pieces.  Each piece in the book is progressive meaning the pieces start off at a lower level of difficulty then get harder meaning your abilities will evolve gradually with the book. The book is also a great way for the beginning pianist to get a taste of a number of different styles from contemporary to classical including jazz ragtime blues rock there is something for everyone here.  Withthe accompanying CD every piece is presented twice once with the Piano as a demonstration and another time with the Piano part removed to get the player used to playing with other musicians.

Here With Me from Dido's debut album No Angel which was released in 1999. Her ethereal sound can be recreated in this song sheet which is arranged for soprano alto and bass vocals with a piano accompaniment.

Medium Low Voice in B-flat Major-Arranged for medium low voice in B flat. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voicewith piano accompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and itspublication.

Medium Voice in C Major-Arranged for medium voice in C. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voice with pianoaccompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and its publication.

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

The magical atmosphere of a cold and snowy Christmas Eve is brought to life in this rich and melodic song from Home Alone. All of the music all of the magic all of the family home here with me. Use the recorded accompaniment or perform live with the string orchestra.

This method features 50 simple accompaniments for all Guitar players especially the beginners who will find material that they will be able to enjoy without delay! These accompaniments that can be played either on an acoustic or an electric Guitar cover many different styles (folk pop rock blues bossa nova...) and playing techniques (arpeggios in finger picking arpeggios with a pluck strumming hammer-on...). Inspired by the greatest Guitar players these 50 accompaniments will help you refine your sense of rhythm and feel comfortable with your instrument. The video DVD allows you to hear and see these 50 accompaniments giving you the opportunity to executethe good moves pick the right fingerings and to be rhythmically accurate! The mp3 CD contains as many tracks as there are accompaniments that is 50 play-along tracks featuring two different tempos: the objective tempo (normal) and the practice tempo (slow). On the normal tempo track the Guitar plays over the first cycle and is mute hereafter to let you take the place ! Finally these tracks have a deliberately long duration (3 to 4 minutes each more than 5 hours of music then!) to give you time to practise in the best possible conditions.

Par MILLER JOHN. When John Hurt was rediscovered in 1963, he was presented with a very rare opportunity to expand and re-write his musical legacy, late in life. And he did just that, recording over seventy songs previously unrecorded by him, adding to the repertoire of thirteen titles he had recorded in 1928. In The Guitar of Mississippi John Hurt - The Rediscovery Years, John Miller focuses on performances that John Hurt recorded in between 1963 and his death in 1966, presenting transcriptions of 24 of those performances. The richness and variety of John Hurt's music is showcased in these songs, with everything from low-down blues in E to raggy numbers in C to waltzes in D featured. Transcriptions are provided in TAB and standard notation, lyrics for all of the songs are provided, and where verse accompaniments are provided in the transcriptions, indications are given to show where the vocal sits relative to the accompaniment. Audio clips of Mississippi John Hurt playing each transcribed song are available via a download link. If you're a fan of Mississippi John Hurt's music, The Guitar of Mississippi John Hurt - The Rediscovery Years will give you the most complete collection of his later performances available anywhere. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Tablatures / Guitare

Baritone Voice-Four Traditional Songs is a setting of four heartbreaking and poignant folk songs by virtuoso contemporary composer Nico Muhly. Composed in 2011 the songs deal with themes of death murder and unimaginable events that are emotively arranged for Baritone Voice and Piano. Commissioned by Carnegie Hall in New York City and Wigmore Hall in London this work was first performed at those renowned venues in 2011 and 2012 respectively. Muhly states that he drew inspiration from old English folksongs and would spend time imagining stylised yet subtle musical settings with accompaniments. The result of this intensive periodof listening is Four Traditional Songs which lasts around 15 minutes and carries that incredible sense of sad balladry that counters the occasionally jaunty melodies. This edition is for Baritone Voice. Please click  here to purchase the Countertenor version .