Partitions Numériques de Try Again pour Orchestre de chambre

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Try Again
Non classifié 125

Piano & claviers
Piano, Voix et Guitare 197
Piano seul 121
Piano, Voix 49
Piano Facile 25
Piano grosses notes 16

Instruments en Do 13
Orgue 8
1 Piano, 4 mains 3
Ligne De Mélodie, Piano 2
Piano Trio: piano, violon, violoncelle 1

+ 5 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 53
Guitare notes et tablatures 48
Ukulele 30
Paroles et Accords 29
Guitare 23

Dulcimer 3
Banjo 1
Mandoline 1

+ 3 instrumentations

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Voix
Chorale SATB 33
Chorale TTBB 14
Chorale SSAA 12
Chorale 2 parties 5
Chorale 3 parties 5

Chorale Unison 2
Voix Tenor, Piano 1
Chorale SSAATTBB 1
Voix haute 1
Voix seule 1
Voix duo, Piano 1

+ 6 instrumentations

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Vents
Flûte, Hautbois, Clarinette, Basson 18
Quatuor de Saxophones: 4 saxophones 14
3 Clarinettes (trio) 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 7
Clarinette 7

Flûte traversière 5
Quatuor de Clarinettes: 4 clarinettes 4
Quintette de Clarinettes: 5 clarinettes 4
Hautbois (partie séparée) 3
Saxophone (partie séparée) 3
3 Saxophones (trio) 2
Instruments en Mib 2
Flûte traversière et Piano 2
Quintette de Saxophone: 5 saxophones 2
2 Flûtes traversières (duo) 2
Clarinette et Piano 2
Quintette de Flûte : 5 flûtes 1
Quatuor de Flûtes : 4 flûtes 1
Flûte, Hautbois, Basson 1
Flûte à bec Soprano 1
2 Clarinettes (duo) 1
Flûte à bec Alto, Piano 1
Ensemble de Clarinettes 1
Quatuor de Flûtes à bec 1
Saxophone Alto 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
2 Saxophones (duo) 1
3 Hautbois 1
Saxophone Alto et Piano 1
Ensemble de Flûtes 1
Saxophone Tenor 1
Cor Anglais 1
Hautbois, Piano (duo) 1

+ 28 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
Cor 3
Tuba 3
Trompette 2

Euphonium, Piano (duo) 2
Trombone et Piano 2
Bass Clef Instruments 1
Quatuor de cuivres: 4 cors 1
Quatuor de Cuivres 1
2 Cors (duo) 1
Instruments en Sib 1
Cor Anglais 1

+ 8 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 21
Violon 7
Violon et Piano 5
Alto (partie séparée) 3
Violoncelle (partie séparée) 2

Alto seul 2
Trio à Cordes: violon, alto, violoncelle 2
2 Violons (duo) 2
Harpe, Voix 2
Harpe 2
Violon (partie séparée) 2
Alto, Piano 1
2 Violoncelles (duo) 1
Contre Basse 1
Trio à Cordes: 3 violoncelles 1
Harpe et Piano 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 20
Orchestre à Cordes 13
Orchestre 10
Ensemble de cuivres 7
Ensemble Jazz 4

Cloches 3
Orchestre de chambre 3

Fanfare 2
Ensemble de Percussions 2
Batterie 2
Jazz combo 2

+ 6 instrumentations

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Try Again

Orchestre de chambre

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3 partitions trouvées

Christmas Eve 10PM for piccolo and chamber group

Christmas Eve 10PM for piccolo and chamber group #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Nancy Shafer Rohar #Christmas Eve 10PM for piccolo #Nancy Shafer Rohar #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860...(+)

Chamber Orchestra - Level 4 - SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860767. Published by Nancy Shafer Rohar (A0.957971). Piccolo is prominent in this piece that was inspired by the joy and anticipation felt by children on Christmas Eve. The piece tells the story of children that are trying to stay awake to watch for Santa, and they also can't sleep because it's getting close to Christmas morning. They start out full of energy and try to sneak down the stairs to peek at packages under the tree. They run back up to their rooms and look out the window just in time to see the snow start to fall. Just before they nod off they think they DO hear Santa on the roof, and they try again to keep their eyes open but they can't, and they drift off to sleep. In the final bars you can imagine them dreaming of Santa flying on to the next house, while they are snug and warm in their beds.

$10.00 ≈ 9.20€

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only #Orchestre de chambre #AVANCÉ #Christian contemporain #Musique Sacrée #Carson Cooman #Carson Cooman: Symphony No. 3, #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...(+)

Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

$25.95 ≈ 23.89€

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