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Vous avez sélectionné:
Solage
Partitions à imprimer
40 partitions trouvées
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Solage: Le basile for Clarinet Quartet
Solage: Le basile for Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Solage
#
James M
#
Solage: Le basile for Clarinet
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jmsgu3
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95 ≈
29.44€
Solage: Le basile for Brass Quartet
Solage: Le basile for Brass Quartet
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Qu
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jmsgu3
#
SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95 ≈
29.44€
Solage: Le basile for Trombone Quartet
Solage: Le basile for Trombone Quartet
#
Quatuor de cuivres: 4 trombones
#
FACILE
#
Solage
#
James M
#
Solage: Le basile for Trombone
#
jmsgu3
#
SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
29.44€
Solage: Le basile for Flute Quartet
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Solage
#
James M
#
Solage: Le basile for Flute Qu
#
jmsgu3
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
29.44€
Solage: Le basile for Double Reed Quartet
Solage: Le basile for Double Reed Quartet
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Solage
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James M
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Solage: Le basile for Double R
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest...
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
29.44€
Solage: Le basile for Mixed Woodwind Quartet
Solage: Le basile for Mixed Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Solage
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James M
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Solage: Le basile for Mixed Wo
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,H...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
29.44€
Solage: Le basile for Cello Quartet
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
29.44€
Solage: Fumeux fume for Cello Trio
Solage: Fumeux fume for Cello Trio
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Trio à Cordes: 3 violoncelles
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FACILE
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Solage
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James M
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Solage: Fumeux fume for Cello
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jmsgu3
#
SheetMusicPlus
String Trio Cello - Level 2 - SKU: A0.1270982 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. ...
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String Trio Cello - Level 2 - SKU: A0.1270982 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 16 pages. Jmsgu3 #863369. Published by jmsgu3 (A0.1270982). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:1. Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. 2. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.3. Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Trombone Trio
Solage: Fumeux fume for Trombone Trio
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3 Trombones (trio)
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FACILE
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Solage
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James M
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Solage: Fumeux fume for Trombo
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jmsgu3
#
SheetMusicPlus
Trombone - Level 2 - SKU: A0.1271003 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages....
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Trombone - Level 2 - SKU: A0.1271003 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863388. Published by jmsgu3 (A0.1271003). INSTRUMENTATION: 1 Tenor Trombone, 2 Bass TrombonesSolage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Bass Clarinet Trio
Solage: Fumeux fume for Bass Clarinet Trio
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3 Clarinettes (trio)
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FACILE
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Solage
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James M
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Solage: Fumeux fume for Bass C
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - SKU: A0.1271286 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - SKU: A0.1271286 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863684. Published by jmsgu3 (A0.1271286). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Contralto Clarinet Trio
Solage: Fumeux fume for Contralto Clarinet Trio
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Solage
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James M
#
Solage: Fumeux fume for Contra
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Contra Alto Clarinet - Level 2 - SKU: A0.1271322 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early...
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Woodwind Ensemble,Woodwind Trio Contra Alto Clarinet - Level 2 - SKU: A0.1271322 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863718. Published by jmsgu3 (A0.1271322). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Bassoon Trio
Solage: Fumeux fume for Bassoon Trio
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3 Bassons
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FACILE
#
Solage
#
James M
#
Solage: Fumeux fume for Bassoo
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1271278 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiv...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1271278 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863674. Published by jmsgu3 (A0.1271278). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Euphonium Trio
Solage: Fumeux fume for Euphonium Trio
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Solage
#
James M
#
Solage: Fumeux fume for Euphon
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jmsgu3
#
SheetMusicPlus
Euphonium - Level 2 - SKU: A0.1271299 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages...
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Euphonium - Level 2 - SKU: A0.1271299 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863692. Published by jmsgu3 (A0.1271299). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Bass Flute Trio
Solage: Fumeux fume for Bass Flute Trio
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Solage
#
James M
#
Solage: Fumeux fume for Bass F
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Flute - Level 2 - SKU: A0.1271330 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Woodwind Ensemble,Woodwind Trio Bass Flute - Level 2 - SKU: A0.1271330 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863726. Published by jmsgu3 (A0.1271330). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Fumeux fume for Baritone Sax Trio
Solage: Fumeux fume for Baritone Sax Trio
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Solage
#
James M
#
Solage: Fumeux fume for Barito
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - SKU: A0.1271294 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early M...
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Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - SKU: A0.1271294 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863691. Published by jmsgu3 (A0.1271294). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Brass Trio
Solage: Calextone qui fut dame for Brass Trio
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Horn,Trombone - Level 2 - SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 p...
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Horn,Trombone - Level 2 - SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862614. Published by jmsgu3 (A0.1270186). INSTRUMENTATION: HORN and 2 TROMBONESSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Euphonium Trio
Solage: Calextone qui fut dame for Euphonium Trio
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Euphonium - Level 2 - SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages...
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Euphonium - Level 2 - SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862762. Published by jmsgu3 (A0.1270355). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Bassoon Trio
Solage: Calextone qui fut dame for Bassoon Trio
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3 Bassons
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FACILE
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1270343 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiv...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1270343 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862753. Published by jmsgu3 (A0.1270343). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Baritone Horn Trio
Solage: Calextone qui fut dame for Baritone Horn Trio
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Baritone Horn TC - Level 2 - SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 1...
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Baritone Horn TC - Level 2 - SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862930. Published by jmsgu3 (A0.1270558). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Clarinet Trio
Solage: Calextone qui fut dame for Clarinet Trio
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3 Clarinettes (trio)
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FACILE
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1270529 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festi...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.1270529 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862904. Published by jmsgu3 (A0.1270529). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Bass Clarinet Trio
Solage: Calextone qui fut dame for Bass Clarinet Trio
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3 Clarinettes (trio)
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FACILE
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - SKU: A0.1270954 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - SKU: A0.1270954 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863338. Published by jmsgu3 (A0.1270954). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Flute Trio
Solage: Calextone qui fut dame for Flute Trio
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Trio de Flûtes: 3 flûtes
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FACILE
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - SKU: A0.1270939 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...
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Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - SKU: A0.1270939 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 13 pages. Jmsgu3 #863314. Published by jmsgu3 (A0.1270939). INSTRUMENTATION: 2 Concert Flutes, 1 Alto FluteSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Trombone Trio
Solage: Calextone qui fut dame for Trombone Trio
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3 Trombones (trio)
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FACILE
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
#
SheetMusicPlus
Trombone - Level 2 - SKU: A0.1270948 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages....
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Trombone - Level 2 - SKU: A0.1270948 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863333. Published by jmsgu3 (A0.1270948). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Saxophone Trio
Solage: Calextone qui fut dame for Saxophone Trio
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3 Saxophones (trio)
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FACILE
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone - Level 2 - SKU: A0.1270547 Composed by Solage. Arranged by James M. Guthrie. Chamber,...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone - Level 2 - SKU: A0.1270547 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862918. Published by jmsgu3 (A0.1270547). INSTRUMENTATION: ALTO SAX, BARITONE SAX, CONTRABASS SAXSources suggest that the song is a love ballad that praises the beauty and virtues of Calextone, a lady from the town of Arouse. The lyrics describe her as having great value and worth; her beauty and grace are compared to smoke and mist. The song composer, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is a representative example of French secular music from the late fourteenth century. It is unknown whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an essential example of medieval French music and its evolution.
$24.95 ≈
22.29€
Solage: Calextone qui fut dame for Cello Trio
Solage: Calextone qui fut dame for Cello Trio
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Trio à Cordes: 3 violoncelles
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DÉBUTANT
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Solage
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James M
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Solage: Calextone qui fut dame
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jmsgu3
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SheetMusicPlus
String Trio Cello - Level 1 - SKU: A0.1270178 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. ...
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String Trio Cello - Level 1 - SKU: A0.1270178 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862608. Published by jmsgu3 (A0.1270178). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century.  It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95 ≈
22.29€
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