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Vous avez sélectionné:
My First Chopin
Partitions à imprimer
66 partitions trouvées
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My First Chopin
My First Chopin
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Piano Facile
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FACILE
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Classique
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Frederic Chopin
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My First Chopin
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - Easiest Piano Pieces by Frederic Chopin. Composed by Frederic Chopin (1810-1849). This edition: Sheet music. Chopin, ...
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Piano - easy to intermediate - Easiest Piano Pieces by Frederic Chopin. Composed by Frederic Chopin (1810-1849). This edition: Sheet music. Chopin, Piano, Klavier. Easy Composer Series. Downloadable. Schott Music - Digital #Q43619. Published by Schott Music - Digital
Chopin - this is passion, elegance and melancholy! And it is exactly what makes him well liked in piano lessons and while music-making at home. Chopin's music is technically quite demanding, but thanks to the suitable fingerings of the composer most technical figures are very comfortable in the hands and can be easily played by advanced pianists. The collection contains Chopin's easiest piano pieces in one volume which is perfect for piano lessons - but also for playing the piano at home.
$11.99 ≈
11.04€
Chopinesque Etude No. 9 in G Minor
Chopinesque Etude No. 9 in G Minor
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Piano seul
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AVANCÉ
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Samuel Wellman
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Chopinesque Etude No. 9 in G M
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882074 Composed by Samuel Wellman. Contemporary,Instructional. Score. 9 pages. Samuel Wellman #14697. Published by Samuel...
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Piano Solo - Level 5 - SKU: A0.882074 Composed by Samuel Wellman. Contemporary,Instructional. Score. 9 pages. Samuel Wellman #14697. Published by Samuel Wellman (A0.882074). The ninth and final entry in my series of Chopin-like etudes, using the keys he omitted in his own etudes. Actually, I must confess. Whereas the first 8 etudes do indeed mimic Chopin's style, for this final etude I couldn't help it: my own style, vaguely tonal but filled with crushing dissonances, dominates this piece. It is longer and more difficult than its predecessors, a juggernaut of sonorities that hurtles the poor pianist to total destruction. Not for the squeamish!
$10.00 ≈
9.21€
Nocturne in c#, Op. Posthume - F Chopin (Violin & Cello)
Nocturne in c#, Op. Posthume - F Chopin (Violin & Cello)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Peet du Toit
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Nocturne in c#, Op. Posthume -
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.802607 Composed by Frederic Chopin. Arranged by Peet du Toit. Contemporary. Score a...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.802607 Composed by Frederic Chopin. Arranged by Peet du Toit. Contemporary. Score and parts. 4 pages. Peet du Toit #5982425. Published by Peet du Toit (A0.802607). The Nocturne No. 20 in C- sharp minor, Op. posth., Lento con gran expressione, P 1, No. 1, No. 16, KKIVa/16, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870.Chopin dedicated this work to his older sister Ludwika Chopin, with the statement: To my sister Ludwika as an exercise before beginning the study of my second Concerto. First published 21 years after the composer's death, the piece is usually referred to as Lento con gran espressione, from its tempo marking. It is sometimes also called Reminiscence. The piece was played by Holocaust survivor Natalia Karp for the Nazi concentration camp commandant Amon Goeth, with Goeth being so impressed with the rendition that he spared Karp's life.This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army. Years later Szpilman also played this piece for German army officer Wilm Hosenfeld upon their first meeting, though in the corresponding film scene Szpilman plays an abridged version of Chopin's Ballade No. 1 in G minor, Op. 23. Hosenfeld later helped Szpilman hide and provided food to him in the last months of the war.It's been many years I've been inspired by this music after seeing violinist Midori (at age 12) having performed this (watch https://www.youtube.com/watch?v=Bw0UH1UXJVg ). So, here is my attempt for a string duo. Enjoy!
$13.50 ≈
12.43€
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Duo
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Duo
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.589216 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 10 p...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.589216 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 10 pages. Sherry Lewis Publishing #198505. Published by Sherry Lewis Publishing (A0.589216). Chopin Piano Concerto No. 1, 2nd Movement - Romanza, first theme for String Duo STRING DUO Intermediate Level for violin and cello Score: yes Parts: 3 pages Time: 4.05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.99 ≈
6.44€
It Is Well with My Soul / Does Jesus Care in the style of Chopin
It Is Well with My Soul / Does Jesus Care in the style of Chopin
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Piano seul
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AVANCÉ
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Philip P
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Heather Knezevich
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It Is Well with My Soul / Does
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914314 Composed by Philip P. Bliss and J. Lincoln Hall. Arranged by Heather Knezevich. Christian,Romantic Period,Sacred,S...
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Piano Solo - Level 5 - SKU: A0.914314 Composed by Philip P. Bliss and J. Lincoln Hall. Arranged by Heather Knezevich. Christian,Romantic Period,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6301753. Published by Songs of Praise (A0.914314). This beautifully expressive arrangement for advanced piano solo draws inspiration from Chopin's Ballade No. 4, Op. 52. It begins with the refrain of the hymn, It Is Well with My Soul in the key of A-flat major, then continues to the verse (in D-flat major). The first verse is thoughtful: When peace like a river attendeth my way... The melody occasionally moves between the hands. In the second verse, it build intensity: Though Satan should buffet, though trials should come... The key changes to B-flat major and transitions to a simpler style for the second hymn, Does Jesus Care? It returns to the key of D-flat for the final triumphant verse: And Lord, haste the day when my faith shall be sight... It ends thoughtfully, echoing the opening phrase of the arrangement.This piece is suitable for advanced pianists looking for a recital solo or church offertory. The composer is an active church musician and welcomes your input!
$3.99 ≈
3.68€
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quintet/String Orchestr
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quintet/String Orchestr
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.571759 Composed by Frederic Chopin. Arranged by Sherry Lewis. Romantic Period,Wedding....
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.571759 Composed by Frederic Chopin. Arranged by Sherry Lewis. Romantic Period,Wedding. 18 pages. Sherry Lewis Publishing #180911. Published by Sherry Lewis Publishing (A0.571759). Chopin Piano Concerto No. 1, Romanza, 1st section, 4 min. STRING ORCHESTRA Intermediate Level for 2 violins, viola, cello and string bass Score: yes Parts: 6 pages Time: 4:05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$9.99 ≈
9.20€
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Trio
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2
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Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.575407 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 18 p...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.575407 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 18 pages. Sherry Lewis Publishing #184753. Published by Sherry Lewis Publishing (A0.575407). Chopin Piano Concerto No. 1, Romanza, 1st section, 4 min. STRING TRIO Intermediate Level for 2 violins and cello or violin, viola and cello Score: yes Parts: 7 pages Time: 4:05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$7.99 ≈
7.36€
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quartet
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Sherry Lewis
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Chopin Piano Concerto No. 1, 2
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Sherry Lewis Publishing
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.573546 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Pe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.573546 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 16 pages. Sherry Lewis Publishing #182918. Published by Sherry Lewis Publishing (A0.573546). Chopin Piano Concerto No. 1, Romanza, 1st section, 4 min. STRING QUARTET Intermediate Level for 2 violins, viola and cello Score: yes Parts: 5 pages Time: 4:05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$9.00 ≈
8.29€
Chopin Piano Prelude in C minor (Funeral March) Op 28 No.20 for cello ensemble or mixed-level cello
Chopin Piano Prelude in C minor (Funeral March) Op 28 No.20 for cello ensemble or mixed-level cello
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Classique
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Frederic Chopin
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Yellow Cello Music
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Tricky chromatic harmonies
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Chopin Piano Prelude in C mino
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Sheryl Smith
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SheetMusicPlus
String Ensemble Cello - SKU: A0.812916 Composed by Frederic Chopin. Arranged by Yellow Cello Music. Contemporary,Romantic Period. Score and parts. 5 pag...
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String Ensemble Cello - SKU: A0.812916 Composed by Frederic Chopin. Arranged by Yellow Cello Music. Contemporary,Romantic Period. Score and parts. 5 pages. Sheryl Smith #6599803. Published by Sheryl Smith (A0.812916). A very dark, somber, very short piece, arranged for cello ensemble or mixed-level quartet. Cello 1: advanced. All in treble clefCello 2: bass clef, up to fourth position.Cello 3: bass clef, up to second position.Cello 4: bass clef, first position with extensions. Tricky chromatic harmonies. This part is more challenging than most of my ensemble music cello 4 parts.
$1.99 ≈
1.83€
Waltz-Fantasy
Waltz-Fantasy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Andrew Kierszenbaum
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Waltz-Fantasy
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Andrew Kierszenbaum
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1031550 Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum ...
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Piano Solo - Level 4 - SKU: A0.1031550 Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum #3447521. Published by Andrew Kierszenbaum (A0.1031550). My first score of 2018! It lasts about 6 minutes and is of about intermediate/advanced difficulty. It is the result of many hours, drafts, ideas, scribbles, and edits, BUT- above all, it is a labor of love and I hope THAT shines through the music the most... For this piece, I was inspired by dances and fantasies of the romantic period, especially those by Chopin and Schumann. However, I believe the piece doesn't feel trapped in an imitation of the music of a specific era. It uses the romantic and classical traditions as baselines and, in my opinion, transcends them. A major work I was inspired by is the Polonaise-Fantasy by Chopin. I wanted to create a dreamy, ballade-like, somewhat freeform/improvised landscape of texture and feeling that explores the waltz form but also infuses some elements of sonata form and theme and variations.I would put the piece at an intermediate/advanced level, but would definitely recommend this to teachers and students alike (I have already given it to a few in my own circle).The fee for this piece goes directly to me, so I can continue following my passion by composing and teaching students the wonderful gift that is piano playing!Please enjoy, and I would love to hear what you think of this one!Sincerely,Andrew
$4.99 ≈
4.60€
Ballade No. 2 in C minor Op. 7 No. 2
Ballade No. 2 in C minor Op. 7 No. 2
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Piano seul
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AVANCÉ
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E
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Ballade No. 2 in C minor Op. 7
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Erin Fagan
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1089880 Composed by E.F.J. Fagan. Classical,Contemporary,Romantic Period. Score. 8 pages. Erin Fagan #694095. Published b...
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Piano Solo - Level 5 - SKU: A0.1089880 Composed by E.F.J. Fagan. Classical,Contemporary,Romantic Period. Score. 8 pages. Erin Fagan #694095. Published by Erin Fagan (A0.1089880). While my first Ballade was inspired by Chopin the second has a very obvious Beethovenian sound to it. However I was still at this time interested in a more 'impromptu' style which mixes the same fantasia sound of the first Ballade with a more structured style.
$10.00 ≈
9.21€
Barcarolle in A, Opus 22
Barcarolle in A, Opus 22
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Classique
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S M Ehsanul Haque
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Barcarolle in A, Opus 22
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E Hawkes
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1007993 Composed by S M Ehsanul Haque. Romantic Period. Score and parts. 5 pages. E Hawkes #4348971. Published by E H...
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Small Ensemble - Level 4 - SKU: A0.1007993 Composed by S M Ehsanul Haque. Romantic Period. Score and parts. 5 pages. E Hawkes #4348971. Published by E Hawkes (A0.1007993). This piece has been highly influenced by Chopin's Venetian Boat Song and Strauss' Morning Papers waltzes. It should be played in simple waltz time, and as one may think of a Viennesse gondolier rowing with his lover on a late afternoon. It's my first attempt of a violin and piano duet.
$3.00 ≈
2.76€
Charley's Waltz
Charley's Waltz
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Sibelius 7 Software
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Charley's Waltz
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315833 By Sibelius 7 Software. By Andrew Howes. 19th Century,20th Century,Chamber,Classical,Romantic Period. Individual...
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Solo Guitar - Level 4 - SKU: A0.1315833 By Sibelius 7 Software. By Andrew Howes. 19th Century,20th Century,Chamber,Classical,Romantic Period. Individual part. 3 pages. Andrew Howes #904608. Published by Andrew Howes (A0.1315833). A waltz I wrote for my first grand-daughter Charley on her 13th birthday. Originally for piano, I present it here for classical guitarists. It is very much in the style of Chopin and makes an excellent salon piece.
$4.00 ≈
3.68€
Variations on a Rossini Theme op.Posth
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99 ≈
27.62€
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.52€
Prelude 21 in D Major Mixolydian
Prelude 21 in D Major Mixolydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydi
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 11 in Db Major Lydian
Prelude 11 in Db Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden...
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Piano Solo - Level 4 - SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.52€
Prelude 6 in G Minor Dorian
Prelude 6 in G Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 23 in G Major Lydian
Prelude 23 in G Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 1 in C Major Ionian
Prelude 1 in C Major Ionian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 17 in E Major Lydian
Prelude 17 in E Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 7 in Eb Ionian
Prelude 7 in Eb Ionian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99 ≈
5.52€
Prelude 22 in B Minor Phrygian
Prelude 22 in B Minor Phrygian
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Piano seul
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 18 in C# Minor Dorian
Prelude 18 in C# Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
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My First Chopin
